代爾夫特創(chuàng)意園

代爾夫特創(chuàng)意園

Creative Cluster Delft

地點：荷蘭代爾夫特

業(yè)主：代爾夫特制造

面積：3 750平方米

完工：2014年

攝影：Jannes Linders; Léon van Woerkom

Address: Ezelsveldlaan 61, Delft (NL)

Client: Made in Delft

Gfa: 3 750 m2

Realization: 2014

Photography: Jannes Linders; Léon van Woerkom

荷蘭代爾夫特的cepezed建筑師承接了位于代爾夫特Ezelsveldlaan的原科技博物館改建項目，并將其改造成一個創(chuàng)意產業(yè)園，供創(chuàng)意產業(yè)的企業(yè)使用。

經徹底翻新后，該建筑事務所也入駐了其中一個紀念廳，該紀念廳建于20世紀初，最初用于向科技大學的學生講授蒸汽機和內燃機的工作原理。cepezed的聯(lián)合開發(fā)商cepezed項目公司也參與了該項目，并在該設施的重建中發(fā)揮了重要作用。

該建筑具有眾多極具特色的元素，例如鐵制的開放式屋頂、重型吊車通道、展廊地板和各種建筑裝飾細節(jié)。1990年，這些建筑物被列入受保護的地方歷史建筑，并于2003年列入國家歷史建筑。

當科技博物館于2008年從該產業(yè)園中分離出去之際，科技大學周刊將這座由前政府建筑師Jan Vrijman (1865-1954)設計的作品稱為“眾多建筑愛好者的夢想”。該周刊具體探討了該博物館的產業(yè)氛圍以及高透光性，這些對博物館而言是不利因素，但對cepezed這樣的建筑事務所而言卻非常有利。

cepezed在重要工業(yè)遺產的重建方面具備豐富經驗，曾翻新過的項目有：鹿特丹的保稅倉庫大樓、登海爾德的51號大樓，以及蒂爾堡的紡織博物館。

The Delft, the Netherlands based cepezed architects have acquired the former Museum of Technogoly at the Ezelsveldlaan in Delft and transformed it into a collective company complex for enterprises in the creative industries branch.

After the thorough renovation, the architectural office itself has also established its residence in one of the monumental halls, which date from the beginning of the 20th century and were originally constructed to teach the workings of steam and combustion engines to students of the Technical University. cepezedprojects, the developer associated with cepezed, has moved along and played an important role in the redevelopment of the property.

The ensemble has a number of very characteristic elements such as an open roof construction of iron, a heavy crane way, gallery floors and a variety of constructional-decorative details. In 1990, the buildings were registered as a local monument and in 2003 they even acquired the status of a national monument. When the Technology Museum left the complex in 2008, the weekly magazine of the Technical University called the creation of former government architect Jan Vrijman (1865-1954) ‘the dream of many an architecture devotee’. The journal specifically discussed the industrial atmosphere and high degree of daylight incidence, which were an impediment to the museum, but on the contrary fit the character of an architectural office like cepezed very well.

With the renovation of among others the bonded warehouse building in Rotterdam, Building 51 in Den Helder and theTextile Museum in Tilburg, cepezed has ample prior experience in revitalizing important industrial inheritance.