非正式設計

陳曦

一樹建筑事務所創始人陳曦分享了對非正式設計的理解：它不具有永久場地、功能以及形式，甚至沒有任務書、法規授權和工業化設計執行，而是一個巨大的空間，涵蓋關于場地記憶的挖掘、關于建造工藝的協作探索和關于有限時間與資源的動態回應。例如，星空裝置在兩米寬的城中村巷道中，用最輕盈的光纖材料和鏡面完成對厚重工業廢墟的介入激活；微建筑系列中利用微建筑單體融合社區協作的模式，在不同鄉村和地貌中服務本地社區，回應本土景觀與場所。此外，在漢口城市展廳幼兒園中，用同一空間框架回應場地兩邊不同的功能和領域法規，既可以作為一個銷售館，也可以作為一個幼兒園。

CHEN Xi, the founder of Atelier XI, shared his understanding of informal design: it does not have a permanent site, function, and form, or even a design brief, regulatory authorization, and industrial design execution, but a massive space that all about tapping into the site memory, collaborative exploration of construction technology and dynamic responses to limited time and resources. For example, Starry Alley,the installation within a two-meter-wide alleyway in the urban village, uses the lightest optical fibers material and mirror to activate the heavy industrial ruins.In the miniature series, the mode of collaborating miniature facilities with the local community can be used in different types of countryside or landforms to respond to local landscape and space. Furthermore,in the Wuhan City Pavilion & Kindergarten design, the major challenge is to create a spatial structure that serves as both a sales pavilion and a kindergarten at different times with entirely different themes and regulatory requirements.

案例1 深港雙年展龍崗展場-折疊時光線

案例2 隙縫里的星空

案例3 武漢漢口城市展廳幼兒園

案例4 微建筑系列1-桃屋

案例5 微建筑系列2-廢墟書屋