中意文化交流中心之中華館

建筑設(shè)計：aoe 事建組 | 主創(chuàng)設(shè)計師：溫群 | 地點：中國 | 時間：2021 年 | 攝影：存在建筑

Design Company: aoe | Chief designer: Wen Qun | Location: China | Date: 2021 | Photo credits: Arch-Exist Photography

中華館位于中意文化交流中心的東面，從中意館穿過竹林環(huán)抱的文化長廊即可到達。館內(nèi)由多功能廳、會議室、餐廳、琴亭及茶室等功能組成，充滿了東方韻味。設(shè)計之初，建筑師希望在中西文化差異的形態(tài)中找到兩者的交點：場地總體布局概念取自我國自古用以饋贈外國使臣的“如意”，以示締結(jié)友好關(guān)系，寓意兩國國泰民安。東西兩館以文化長廊為連接，環(huán)抱水塘及竹林。中華館與中意館以意大利廣場為空間原型相對應(yīng)，通過景、形、意、情的營造，詮釋了東方世界天人合一的文化哲學(xué)。

場地原址為一片竹林，西側(cè)貼臨水塘。以最大限度保留竹林，將建筑融入竹林為出發(fā)點，功能散落竹林各處，院墻分隔內(nèi)外庭院。內(nèi)部穿插三處庭院，使室內(nèi)空間，庭院，竹林形成互望對景之勢。院內(nèi)布置中式現(xiàn)代景觀園林，創(chuàng)造獨有的內(nèi)景天地。踏入竹林，拾級而下，掩映在竹林之下的琴房若隱若現(xiàn)，琴聲、風(fēng)聲、竹葉的搖曳聲、竹林下跳動的光影融為一體。探出竹林，茶室漂浮于水塘之上，日光充盈，豁然開朗，西望中意館倒映在柔靜的睡蓮池中。

建筑形態(tài)采用了傳統(tǒng)的木制構(gòu)架，進行現(xiàn)代轉(zhuǎn)譯，引入圓形幾何元素。連續(xù)的十字形拱柱由室內(nèi)向室外延綿推進，通透玻璃幕墻消除了室內(nèi)外邊界，自然地將室外景色帶入室內(nèi)。室外連續(xù)圓形鏤空廊架，塑造富于變化及靜謐的光影體驗。院墻由文化長廊延伸而來，穿行竹林之間，將屋舍串聯(lián)，形似中國書法的寫意與松弛。院墻的對景窗洞形似水滴，取義自然。中華館由屋，院，廊，景構(gòu)成，建筑以退讓之勢，融入自然。“景”作為建筑不可分割的要素，建筑源于景，生于景，融于景，終成為景的一部分。充分體現(xiàn)了道法自然，天人合一的東方智慧。中華館通過對自然的尊重與利用，將空間融入光，風(fēng)，聲，嗅覺等自然要素。形成賦予東方韻味的情感記憶。同時也是對中意文化交流最好的呈現(xiàn)。

The Chinese Cultural Hall is located to the east of the Sino-Italian Cultural Exchange Center.It can be reached from the Sino-Italian Pavilion through the cultural corridor surrounded by bamboo forests.The chinese cultural hall is composed of multifunctional halls,meeting rooms,restaurants,piano pavilions and tea rooms,the design is full of oriental charm.At the beginning of the design,the architect hoped to find the intersection of the two in the form of Chinese and Western cultural differences: the overall layout concept of the site was taken from the "ruyi" that China used to gift foreign envoys since ancient times to signify the establishment of friendly relations and imply the peace of the two countries.The east and west pavilions are connected by a cultural corridor,it surrounded by ponds and bamboo forests.The Chinese Cultural Hall and the Chinese-Italian Cultural Hall use Italian squares as their spatial prototypes.Through the creation of scenery,form,meaning and emotion,they interpret the cultural philosophy of the harmony between man and nature in the Eastern world.

Scenery: The original site of the site is a bamboo forest with a pond on the west side.The starting point is to preserve the bamboo forest as much as possible and integrate the building into the bamboo forest.The functions are scattered throughout the bamboo forest,and the courtyard wall separates the inner and outer courtyards.Three courtyards are interspersed inside,so that the indoor space,courtyard and bamboo forest form a tendency to look at each other.A Chinese-style modern landscape garden is arranged in the courtyard to create a unique interior landscape.Stepping into the bamboo forest,stepping down,the piano room hidden under the bamboo forest is looming,the sound of the piano,the sound of wind,the swaying sound of bamboo leaves and the light and shadow dancing under the bamboo forest are integrated.Out of the bamboo forest,the tea room floats above the pond,full of sunlight,suddenly enlightened,and looking to the west,the Zhongyi Pavilion is reflected in the quiet water lily pond Form: The architectural form adopts traditional wooden frame to carries out modern translation and use circular geometric elements.The continuous cross-shaped arch column extends from the interior to the exterior and the transparent glass curtain wall eliminates the boundary between the interior and the exterior,it naturally brings the outdoor scenery into the interior.The outdoor continuous circular hollow corridor frame creates a varied and quiet light and shadow experience.The courtyard wall extends from the cultural corridor,passing through the bamboo forests,connecting the houses in series,resembling the freehand brushwork and relaxation of Chinese calligraphy.The opposite view window hole on the courtyard wall is shaped like a drop of water,taking the meaning of nature.