謝子龍影像藝術(shù)館，長(zhǎng)沙，湖南，中國(guó)

湖南大學(xué)設(shè)計(jì)研究院有限公司 | 地方工作室

1 總平面Site plan

客戶：謝子龍影像藝術(shù)館有限公司

主創(chuàng)建筑師：魏春雨，張光

設(shè)計(jì)團(tuán)隊(duì)：建筑 | 沈昕，劉海力，陳赟，文躍茗，佟琛，陳榮融；節(jié)能 |肖敏；結(jié)構(gòu) | 朱建華

建筑面積：10,621.91m2

設(shè)計(jì)時(shí)間：2015.10

竣工時(shí)間：2017.09

繪圖：地方工作室

攝影：姚力

Client: Xie Zilong Photography Museum Co.,Ltd.

Principal Architects: WEI Chunyu,ZHANG Guang

Project Team: Architecture | SHEN Xin,LIU Haili,CHEN Yun,WEN Yueming,TONG Chen,CHEN Rongrong;Energy Conservation | XIAO Min;Structure |ZHU Jianhua

Floor Area: 10,621.91 m2

Design Time: 2015.10

Completion Time: 2017.09

Drawings: Regional Studio

Photos: YAO Li

影像館設(shè)計(jì)始于對(duì)建筑、城市與自然關(guān)系的思考，現(xiàn)存的生態(tài)濕地環(huán)境揭示了建筑與城市的關(guān)系連接，提供了一個(gè)重新審視司空見慣的城市建筑景觀的差異性角度，建筑與人、自然的關(guān)系 “等價(jià)”，以共存共生的方式共面世界。建筑本身是一個(gè)巨大的“藝術(shù)品自足體”，使用白色清水混凝土材料與高度集約化、現(xiàn)場(chǎng)一體化澆筑的建造方式，既是對(duì)建筑詩(shī)意的原初凝練，又是對(duì)中國(guó)傳統(tǒng)“惜物”觀念的思考與回應(yīng)。

影像館是儲(chǔ)存記憶，喚醒觀者記憶的場(chǎng)所。交叉的小徑、弧橋、棧道、小碼頭等一系列構(gòu)成暗示關(guān)乎自然與記憶的集體無(wú)意識(shí)。影像館借助日常生活中熟悉的物來(lái)構(gòu)建一個(gè)充滿差異性、時(shí)間停滯的迷宮，引導(dǎo)觀者關(guān)注疏離化之后的陌生感和身體性。

The design of Xie Zilong Photography Museum began with thinking about the relationship of architecture,city and nature.The existing ecological wetland reveals the connection between architecture and city,and provides a re-examination of a different perspective on urban architectural landscapes that has been in commonplace: architecture,people,and nature are equal,embracing the world in a way of intergrowth and coexistence.The building itself is a huge"artistic self-contained body".The construction,only white fair-faced concrete and a highly intensive,on-site integrated casting method,is not only an original condensed of architectural poetry,but also thinking and responding to the Chinese traditional idea of "thrift-worship".

The Photography Museum is a place to store memories and awaken the viewers' reflections.A series of constituent elements such as cross paths,arc bridges,boardwalks,and small docks suggest collective unconsciousness about nature and memory.The Photography Museum uses a familiar object in daily life to build a maze full of differences and time stagnation,and guides the viewer to pay attention to the strangeness and physicality after "Verfremdung".