Occasional beauty of ceramic art

In today's science and technology， the rapid development of highly industrialized society， people are eager to return to the original nature， eager to enjoy the simple， simple beauty. Its unique sense of mystery， like a modern art trends scarcity， primitive， rustic pottery so appreciated. More vague concept of modern ceramic art， strictly speaking， the concept of modern ceramic art is purely spiritual and pure art， it is liberation， non-intellectual constitution， recognition and pursuit of opportunities to reveal the characteristics of the process， which is the expression of the human soul Who says the era of art and science complex products. Pottery before final completion， at every stage in the middle of the final result can only be expected， the results are often unexpected always.

1 pottery production unexpectedly universality

Awareness Art used to say who produced a sudden leap in \"inspiration\"， \"inspiration\"， which is the author's personality， quality， training， particularly closely related to the life experiences， as well as environmental and emotional. In a sense， artistic creation \"inspiration\" is often sporadic. Pottery is not only material production， more importantly， is a spiritual production. Ceramic art as a form of spiritual production and spiritual production， constitutes a form of survival and life forms of pottery. Ceramic art， in its own autonomous symbolic Potter， then a free spirit and life chiseled body， forming means natural materials， so that the material traces of Indian spiritual life， become the subject of symbolic value and the creation of life. In the concept stage， ceramic art， authors tend to work only a vague idea of ??possible contour. This process is mind doing pottery spontaneous process， because the author expressed hope that after the spirit of the project after completion of the idea， the restrictions in the process of doing， or have new ideas， constantly changing creative thinking. Accordingly， the ceramic art is often \"want to do good，\" however， can not help but become so \"would like to learn by doing\" until the work is completed， there is a visual art from the original far cry with them.

2 whole process of making pottery

Human consciousness is a creative activity， whether it is a plan of action to form conscious practice. Chance and necessity is the unity of opposites， the development of coexistence between the two other common things. Occasionally necessary performance opportunities to open their own path of development， one is inevitable; on the other hand， hidden behind the inevitability of chance， it must be under the dominant force under certain conditions and emergency situations， necessity and contingency into each other.

For example， \"the same color into the kiln， kiln Cai million\" is never in an accidental experience to understand some of the glaze kiln. The so-called \"kiln

Change， \"First it appeared by chance， according to some enamel production， the working surface of Grottoes some people， due to the gentle atmosphere kiln subtle change， people often unexpected launch beyond this strange phenomenon in the artistic effect first， no one can understand， can not even find a proper name to call this ever-changing glaze， because it is a change from the kiln， known as \"kiln\" or \"ancient kiln the glaze. \"From Song to the Ming Dynasty long years， because the glaze kiln have magical reason is not clear， so the ancient potters often mistaken for\" kiln \"is an ominous\" freak \"as a secret\" freak \"broken graveyard \"Yuzhang big\" in mind： \"porcelain kiln kiln is better to declare a failure by the Tibetan people are very strange， non-human damage. \"Natural enamel kiln handed down is extremely rare， of course， the ancients.\" Kiln \"magical reason to do the research， according to\" drink Zhai said flow porcelain， \"contains：\" Who is occasionally uneven color when heated kiln， therefore， may need to do a dark red pigment can make non furnaces， will join him pigments. Red furnace depth of loss and exposure to a variety of shapes， ranging from very specific， then recovered， who occasionally do， doing so men become almost pure artificial ...... intentionally produced. \"Not a magic island to the Qing Dynasty， stumbled progress， become artificial can grasp things. In recent years， the conclusions of ceramic art， and improves the glaze in the production process，\" day workers \"into a\" wise man \" \"accidentally\" became \"inevitable. \"We know， deformation and other defects， not only with the raw materials， molding， high temperature sintering process prepared， also closed with business people and management in traditional ceramic or ceramic， enamel peeling， crawling， glaze bubbles， glazes and enamel cracking capacity， defects such as cracking and deformation sorry; but for the pottery， sometimes appropriate form \"defects\" performance of work has become deeper artistic content， pottery became a special texture effect， which is called pottery \"defect texture. \"Peel glaze， the degree of density and glazed enamel cracks here rolled up， and many other factors， and occasionally play a leading role， so it is showing a variety of surface effects. There are scattered in modern pottery is significant， it can enrich the work surface texture and deepen work-related， or work given a new meaning， but the main thing is to let pottery contains a kind of mystery. Therefore， the \"defect\" in the treatment of these types are not \"overcome\" the problem， but legal issues. Dow， we need to find， and the need for innovation.