ETHNIC VOICES CROSSING THE MERIDIAN LINE

ETHNIC VOICES CROSSING THE MERIDIAN LINE

Reputed as “Eastern European Folk Music Ambassadors”, musical group DAGADANA have had many collaborations with folk musicians across China. “Like a dialogue, like a story,” folk musicians across the Eastern and Western Hemispheres have commented after working together.

Text by Du Jing & Josef Ho Photos by Josef Ho Translation by Sonia & Irene

特約記者：杜京

跨越子午線的民族之聲

被譽(yù)為 “東歐民謠大使”的妲歌妲娜，曾與中國(guó)民間音樂人有過多次合作。“像一場(chǎng)對(duì)話，像一個(gè)故事”，是橫跨東西半球的民謠人在碰撞后的感慨。

October 2016, it was late autumn in Beijing, slightly chilly and windy. Dusk Dawn Club located in Shanlao Hutong, Dongcheng District, at the back of National Art Museum of China was bustling and jammed with people. DAGADANA, the duo from Poland and Ukraine, were making their debut in Bejing.

Before the performance began, the small club was already packed with music lovers from countries like China, France, the US, and India.

Like performing for old friends, Daga Gregorowicz started singing a Polish folk song at the sight of the audience fi lling up the seats, luring the audience to the shore of the picturesque Baltic Sea. Then Dana Vynnytska joined Daga with a melodious Ukrainian tune. There was neither introduction nor host for this concert, but the folk music bonded the small stage and the audience – it was like a spiritual dialogue without any fi lter.

DAGADANA is best known for mixing folk, jazz and electronic and music from other nationalities with Eastern European music. By doing this they create a unique language. Their diverse musical features were shaped by years of collaborations with foreign musicians, which enable them to carve a more vibrant musical spirit. In 2013, Daga and Dana met two musicians from China. The language barrier didn't stop them from communicating with one another. When it came to music, the two parties gelled right away. Together they played music that was more diverse and launched an album (Meridian 68) that receiving extensive positive reviews in the musical industry. The origin of the album title was to mark the midpoint of their countries, which is the Meridian Line 68. The fi gure 68 is not merely a coordinate. It represents the fusion of totally different types of folk music. The inspiration for the album was the traditional music of the Slavic, as well as traditional Chinese folk music and Mongolian music, including Ballad of Kang Ding. Since the debut, the album Meridian 68 is ranked as number 8 on the World Music Chart Europe and number 14 on the Transglobal World Music Chart.

DAGADANA travels frequently all over the countryside and to the general public in Eastern Europe to collect folk songs. They also make visits and interact with local folk musicians around the world. Singing folk songs with foreign artists is like telling them your family tales – there is a story behind each melody. Take for example a song DAGADANA chose to sing for the Chinese audience. It talks about the mixed feelings a young girl possesses before marriage: her high voice in the fi eld resembles the folk songs in the inland regions of China. The duo tightly linked Eastern Europe and China together with music: a universal language without frontiers.

2016年10月，深秋的北京，微微寒意，秋風(fēng)乍起。位于北京市東城區(qū)美術(shù)館后街的山老胡同14號(hào)黃昏黎明俱樂部卻人頭攢動(dòng)，熱鬧非凡。來自波蘭、烏克蘭的雙姝組合妲歌妲娜亮相北京。

演出還未開始，小小的俱樂部里已經(jīng)擠滿了來自中國(guó)、法國(guó)、美國(guó)、印度等國(guó)的音樂愛好者們。

仿佛專為老朋友們演唱一樣，看到熱情的觀眾已經(jīng)坐滿，妲歌引吭高歌，唱響波蘭風(fēng)情民樂，將人們引向如畫的波羅的海之濱。接著妲娜用悠揚(yáng)的烏克蘭小調(diào)，與妲歌聲色合璧。音樂會(huì)沒有開幕式和主持人，民族音樂卻將小小的舞臺(tái)與觀眾聯(lián)結(jié)在了一起——仿佛這是一次毫無(wú)阻攔的心靈對(duì)話。

妲歌妲娜以將爵士樂、電子樂，以及世界音樂與東歐音樂糅合在一起所見長(zhǎng)。其多元化的音樂特色來自長(zhǎng)期與國(guó)外音樂家的合作，使她們從中汲取更具活力的音樂靈魂。2013年，妲歌妲娜有幸結(jié)識(shí)了來自中國(guó)的兩位音樂人。語(yǔ)言的障礙并沒有成為彼此溝通的屏障，她們?cè)谝魳飞系睦砟钜慌募春希坏煌莩隽烁佣嘣囊魳罚€發(fā)布了一張?jiān)跇方鐝V受好評(píng)的唱片——《子午線68》。名字的由來是紀(jì)念彼此國(guó)家之間的中間點(diǎn)，即子午線68。68不單單是一個(gè)坐標(biāo)數(shù)字，更代表了民族之間迥異音樂間的水乳交融。專輯的靈感不但來自斯拉夫民族的傳統(tǒng)音樂，更包含了《康定情歌》等中國(guó)傳統(tǒng)民樂和內(nèi)蒙古族的傳統(tǒng)音樂。《子午線68》這張唱片一經(jīng)推出便打出了《歐洲世界音樂榜》第8位及《跨全球音樂榜》第14位的驕人成績(jī)。

妲歌妲娜經(jīng)常深入東歐各地的鄉(xiāng)村和坊間進(jìn)行民謠采風(fēng)，還走訪世界各地嘗試與當(dāng)?shù)氐拿耖g音樂人進(jìn)行交流。與異國(guó)的藝術(shù)家互唱民謠，就好像跟對(duì)方講家里的故事那樣，每一段旋律的背后都有一個(gè)故事。比如此次妲歌妲娜特意給中國(guó)聽眾演唱的一首歌，講述了少女在婚姻之前的各種忐忑情感，她在田間的高亢呼聲，跟中國(guó)內(nèi)陸地區(qū)的山歌有著十分相似的情愫。她們，將東歐與中國(guó)用音樂這種無(wú)國(guó)界的語(yǔ)言緊密聯(lián)結(jié)在了一起。