2017年倫敦蛇形畫廊臨時展館

2017-09-07 03:47:36FrancisKéré,BlakeVillwock

世界建筑導報 2017年4期

關鍵詞：設計

2017年倫敦蛇形畫廊臨時展館

Serpentine Pavilion 2017

日期：2017年6月23日-10月8日

建筑師：Francis Kéré

項目建筑師：Blake Villwock

展館總面積：541平方米

館內總面積：165.5平方米

Dates: 23 June – 8 October 2017

Architect: Francis Kéré

Project architect: Blake Villwock

Overall site area: 541 sqm

Gross internal area: 165.5 sqm

總平面圖 site plan

Francis Kéré是柏林Kéré建筑事務所的負責人，他是第17個獲得蛇形畫廊（Serpentine Gallery）邀請來設計臨時展館的建筑師。自2000年起，蛇形畫廊每年都會邀請一名國際設計師來設計他們在倫敦的處女作，這已經成為全球文化界最受期待的重要事件之一，也是倫敦夏季一個主要的旅游景點。蛇形畫廊藝術總監Hans Ulrich Obrist和首席執行官Yana Peel負責挑選設計師，David Adjaye和Richard Rogers為他們諫言獻策。

在Francis Kéré的家鄉甘多，樹林是各種生物的主要聚集地，受此啟發，他設計了一個響應式的展館，希望將游客與大自然聯系起來，并讓游客與游客之間建立聯系。展館的遮篷由一個中央鋼結構支撐，十分開闊，形狀類似樹冠，在遮擋降雨，隔絕暑氣的同時，又可以讓空氣自由流通。

Kéré在設計時充分考慮了英國的氣候條件，他獨具匠心，設計的展館可以適應倫敦瞬息萬變的天氣狀況。展館有四個單獨的入口，中間有一個開闊的露天庭院，游客可以在陽光明媚之時坐在這里放松身心。下雨時，圓孔會將遮篷上的雨水匯聚起來，并營造一種壯觀的瀑布景觀，然后通過排水系統將雨水排到地面，用作公園的灌溉用水。展館的屋頂和墻面系統都是由木材制成。白天時，它們可以遮陽，制造各種斑駁的陰影。到了晚上，墻面成了光源，墻上的小穿孔隨著展館內的運動和活動而不斷閃爍。

? Laurian Ghinitoiu

作為一名建筑師，Kéré一直在他的作品中踐行互動式和環保的設計理念。Kéré設計的蛇形畫廊臨時展館將實施一項計劃，該計劃包括了多項活動，其中有：探討倫敦的社區和權利問題，繼續舉行公園之夜（Park Nights）的問題，以及由COS贊助的蛇形畫廊公開演出系列活動。建造自己的展館（Build

? Laurian Ghinitoiu

Your Own Pavilion）是由彭博慈善基金會（Bloomberg Philanthropies）贊助的數字平臺和全國性建筑設計活動，今年是第三年。屆時將邀請年輕人思考建筑設計和公共空間之間的關系，詢問他們與他們所在城市未來有關的一些重要問題，并邀請他們設計自己理想中的城市。

他表示：“作為一名建筑師，能在這樣一座偉大的公園工作實屬榮幸，在了解了這座公園如何發展變化并最終成為今天的面貌之后，這種感覺更為強烈。公園里的每一條路，每一棵樹，甚至蛇形湖都是經過精心設計的。讓我著迷的是，這座公園竟為市民提供了一種新的體驗大自然的方式。在布基納法索，我已經習慣了當地惡劣的氣候條件和自然環境。因此，我感興趣的是，在這座皇家公園建造展館時，如何做到既可以增進游客的自然體驗，又能為人與人之間的溝通提供一種新的方式。”

? Kéré Architecture

屋頂平面圖 roof plan

Francis Kéré, who leads the Berlin-based practice Kéré Architecture, is the seventeenth architect to accept the Serpentine Galleries’ invitation to design a temporary Pavilion in its grounds. Since its launch in 2000, this annual commission of an international architect to build his or her first structure in London at the time of invitation has become one of the most anticipated events in the global cultural calendar and a leading visitor attraction during London’s summer season. Serpentine Artistic Director Hans Ulrich Obrist and CEO Yana Peel made their selection of the architect, with advisors David Adjaye and Richard Rogers.

Inspired by the tree that serves as a central meeting point for life in his home town of Gando, Francis Kéré has designed a responsive Pavilion that seeks to connect its visitors to nature – and each other.. An expansive roof, supported by a central steel framework, mimics a tree’s canopy, allowing air to circulate freely while offering shelter against London rain and summer heat.

Kéré has positively embraced British climate in his design, creating a structure that engages with the ever-changing London weather in creative ways. The Pavilion has four separate entry points with an open air courtyard in the centre, where visitors can sit and relax during sunny days. In the case of rain, an oculus funnels any water that collects on the roof into a spectacular waterfall effect, before it is evacuated through a drainage system in the floor for later use in irrigating the park. Both the roof and wall system are made from wood. By day, they act as solar shading, creating pools of dappled shadows. By night, the walls become a source of illumination as small perforations twinkle with the movement and activity from inside.

As an architect, Kéré is committed to socially engaged and ecological design in his practice,

Kéré’s Serpentine Pavilion will host a programme of events exploring questions of community and rights to the city, as well as the continuation of Park Nights, the Serpentine’s public performance series, supported by COS. Now in its third year, Build Your Own Pavilion, the digital platform and nationwide architecture campaign supported by Bloomberg Philanthropies, will invite young people to consider the relationship between architecture and public space, to ask critical questions about the future of their cities and to design the cities in which they would like to live.

said: “As an architect, it is an honour to work in such a grand park, especially knowing the long history of how the gardens evolved and changed into what we see today. Every path and tree, and even the Serpentine lake, were all carefully designed. I am fascinated by how this artificial landscape offered a new way for people in the city to experience nature. In Burkina Faso, I am accustomed to being confronted with climate and natural landscape as a harsh reality. For this reason, I was interested in how my contribution to this Royal Park could not only enhance the visitor’s experience of nature, but also provoke a new way for people to connect with each other.”