現(xiàn)代藝術(shù)博物館擴(kuò)建 美國紐約市

設(shè)計單位：DS+R 建筑事務(wù)所

合作單位：Gensler MoMA 建筑更新總監(jiān)：Jean Savitsky

施工總監(jiān)：Turner 建筑施工公司

燈光設(shè)計：Tillotson 設(shè)計事務(wù)所 (公共空間),Renfro 設(shè)計集團(tuán) (畫廊空間)

結(jié)構(gòu)設(shè)計：Severud 聯(lián)合公司

立面設(shè)計：Heintges 建筑與工程咨詢公司

可持續(xù)性設(shè)計：Atelier Ten

劇院規(guī)劃與設(shè)計：Fisher Dachs 聯(lián)合公司 (FDA)

項目年份：2019 年

項目攝影:Brett Beyer,Iwan Baan

Architects:Diller Scofidio+Renfro

Collaborator:Gensler Director,Real Estate Expansion,MoMA:Jean Savitsky

Construction Manager:Turner Construction Company

Lighting Designer— public spaces:Tillotson Design Associates Lighting Designer— gallery spaces:Renfro Design Group

Structural:Severud Associates

Fa?ade:Heintges Consulting Architects &Engineers P.C.

Sustainability:Atelier Ten

Theater Planning &Design:Fisher Dachs Associates (FDA)

Year:2019

Photography:Brett Beyer,Iwan Baan

現(xiàn)代藝術(shù)博物館由DS+R建筑事務(wù)所與甘斯勒（Gensler）建筑設(shè)計公司聯(lián)合設(shè)計，其改造、擴(kuò)建工程業(yè)已完成，畫廊空間增加了30%，提升了游客舒適體驗，并將博物館與曼哈頓城區(qū)建筑結(jié)構(gòu)更好地連接起來。項目于2014年啟動，東區(qū)一期改造于2017年竣工，西區(qū)二期擴(kuò)建于2019年10月21日向公眾開放。

The Museum of Modern Art has completed a renovation and expansion designed by Diller Scofidio+Renfro,in collaboration with Gensler,that has increased gallery space by 30%,provides visitors with a more welcoming and comfortable experience,and better connects the Museum to the urban fabric of midtown Manhattan.Launched in 2014,the first phase of renovations on the east end was completed in 2017,and the second phase of expansion on the west end opens to the public on October 21,2019.

整體擴(kuò)建使現(xiàn)代藝術(shù)博物館的畫廊空間凈增三分之一，占地面積擴(kuò)大至約16.5萬平方英尺，這使博物館可以通過嶄新的方式、跨學(xué)科的實踐，顯著擴(kuò)大了展品范圍。該設(shè)計優(yōu)化了現(xiàn)有空間，使其更加靈活，技術(shù)更為先進(jìn)，擴(kuò)大并開放了主大廳，令其變?yōu)椴晒獬渥愕碾p層高空間，打通了紐約西53-54街，并設(shè)計了大量的環(huán)形線路，方便游客駐足休憩、思考問題。博物館中心的頂尖工作室和二樓新穎的創(chuàng)意實驗室邀請游客與藝術(shù)建立聯(lián)系，探索關(guān)于現(xiàn)在、過去和未來的新想法。博物館旗艦商店層高已降低一層。透過引人注目的玻璃墻，室內(nèi)景觀盡收眼底。六樓新式咖啡館配有露天平臺，朝向第53街。玻璃幕墻清澈透明、各類畫廊與街道平層、一樓空間面向公眾免費(fèi)開放，令室內(nèi)場景更加一目了然，拉近了曼哈頓中心區(qū)街道上的行人與藝術(shù)之間的距離。

The overall expansion yields a net increase in MoMA’s gallery space of one third,to approximately 165,000 square feet,allowing the Museum to exhibit significantly more art in new and interdisciplinary ways.The design optimized current spaces to be more flexible and technologically sophisticated,expanded and opened up the main lobby into a light-filled,double-height space that connects seamlessly between West 53rd and 54th Streets,and created a multitude of circulation routes with more areas for visitors to pause and reflect.The state-of-the-art Studio in the heart of the Museum and an innovative second-floor Creativity Lab invite visitors to connect with art that explores new ideas about the present,past,and future.The flagship Museum store has been lowered one level and made visible to the street through a dramatic glass wall and a new sixth-floor café includes an outdoor terrace facing 53rd Street.The clear glass fa?ade,new street-level galleries,and a ground floor free and open to all offer increased transparency and bring art closer to people on the streets of midtown Manhattan.

館內(nèi)新式建筑材料與既有主色調(diào)相互呼應(yīng)、建筑表現(xiàn)形式低調(diào)內(nèi)斂。該設(shè)計巧妙地利用建筑物歷史傳承元素，通過運(yùn)用一系列諸如物質(zhì)表現(xiàn)純粹、空間設(shè)計抽象、材料質(zhì)感輕薄等20世紀(jì)現(xiàn)代主義建筑風(fēng)格特點，特意進(jìn)行干預(yù)，將迥然不同的各類元素聯(lián)系起來。建筑材料的使用遵循簡約主義原則，與既有建筑結(jié)構(gòu)相互呼應(yīng)，巧妙結(jié)合。

The architectural expression is a restrained conversation between the existing palette and new materials within The Museum of Modern Art.The design taps into the historic DNA of the building,relating disparate elements through a series of strategic interventions that reflect aspects of twentiethcentury modernism:purity of material expression,abstraction of space,and thinness.Synthesis is achieved with a minimalist use of materials which correlates with the existing building fabric.

西向剖面 MoMA section through west side

軸索圖 MoMA axon

剖面圖 section

平面圖 plans