散淡之人筆意高逸

在聲名遠播的浙江永康中國科技五金城，我見到一幅平日少見的火筆山水筆畫，此畫氣韻沉雄，色彩斑駁，線點銀鉤鐵劃，頗具藝術功底。經朋友介紹，在永康采訪了畫的作者王可農。

在王可農的工作室里，有機會瀏覽了他創作的各種題材的作品，原來他對火筆畫只是偶爾為之，平時創作較多的還是水墨國畫，特別是在山水畫上下過苦功，他在從藝道路上所付出的心血，簡直到了“埋筆成冢，研鐵如泥”的地步。十幾年來，他臨摹了大量古代前賢的作品，對現代各大家作品都仔細揣摩，從中汲取營養，為創作打下了扎實的基礎。

王可農的作品構圖新奇，無一定格式，發人所未發，意境猶從胸中流出，或幽遠，或蒼茫，或奇瑰，或飄逸，達到古人所云的“春山淡冶而如笑，夏山蒼翠而如滴，秋山明凈而如妝，冬山慘淡而如睡”的境界。他所作的人物，同樣情趣橫生，用線概括，全無匠氣。歷史人物能抓住性格特征，音容笑貌宛然紙上；偶寫花鳥也顯得淡雅清新，有一種書卷氣。

閑聊中漸感到畫如其人，此言不謬。他為人平和低調，散淡如菊，真閑云野鶴也!看閑書，喝清茶，飲淡酒，頗有五柳先生之風，談起世事沉浮，藝事鉤沉，文壇軼事，覺得他善讀書，涉獵面廣，博聞強記，有較深的文化素養，談吐之間有一種放逸之氣，無媚骨，不趨時，極富正義感與同情心，真是性情中人。我想，人能做到淡，學問做到勤，定能在藝術天地中有一份沉甸甸的收獲。

Wang Kenong's Art

By Zifeng

I first saw a landscape in pyrograph art by Wang Kenong in an office of a businessman in Yongkang， a Firmware powerhouse city in central Zhejiang.

Through friends， I have come to make friends with the artist Wang Kenong. I find that he is a consummate master of pyrography. The cumbersome electric iron in his hand moves skillfully， creating amazing strokes. The technique creates paintings on both the rice paper and the wooden boards with a special effect that can not be produced in the traditional Chinese ink and wash painting.

From copying other people's work to creating his own artwork， Wang has worked Firm to blaze a new trail of his own in art. In life， he is like a wild crane flying freely. He reads a lot and he does not seek fame or fortune. Devoted to his art， he explores new ways to better landscape artworks in pyrography.

《雪溪獨釣》	《梅妻鶴子》
《一任舟自橫》	《暮煙疏雨》
《聽雨》	《東皋舒嘯》
《斜風細雨不須歸》