佛教徒之家，維也納，奧地利

1 外景/Exterior view（攝影/Photo: Pez Hejduk）

2 位置圖/Situation

3 二層閣樓平面/Attic floor 2 plan

4 屋頂平面/Roof plan

5 五層平面/Fourth floor plan

6 一層閣樓平面/Attic floor 1 plan

為了設計這一滿足集體生活需求、但精神生活不受宗教規(guī)定制約的佛教徒之家，建筑師不僅需要設計建筑本身，還需避免在建筑中顯現(xiàn)出有失偏頗或過時的宗教理解。為了與舊建筑保持聯(lián)系，兩層的住宅和頂層平臺都伸向天空。這種設計既可以解釋為象征重新開始的機會，同時也起到了強調建筑屋脊線的效果。

個人居住單元中的陳設大都一致，只是根據單元的位置、大小和戶型差異而略有不同。內外裝修都用了非常醒目的橡木：從廚房的面材到推拉式百葉窗無不例外。結構構件中也大量使用了木材，只在一些特殊部位使用鋼材來加強結構強度。擴建部分的二層冥想空間同時可以作為多功能房間來使用，除了特定功能外，還有一個主題展覽空間可以展示源自各種宗教的宗教藝術。□（司馬蕾 譯）

A communal, spiritual life unencumbered by religious dictates requires an architectural setting whose design motivation is neither an end unto itself, nor characterized by biased, obsolete notions of ritual. In keeping with the old building, the two residential levels and the terrace level above them step up toward the firmament. The design can be interpreted to the same degree as chance for a new beginning and as the articulation of the building's crest.

7 外景/Exterior view（攝影/Photo: Pez Hejduk）

8 內景/Interior view（攝影/Photo: Pez Hejduk）

9 內景/Interior view（攝影/Photo: Pez Hejduk）

10 內景/Interior view（攝影/Photo: Pez Hejduk）

The individual living units are all similarly equipped, with differences due to the position,size and layout. The predominant surface material,both inside and outside, is oak: it is employed in everything from the veneer in the kitchen to the sliding shutters. The structural members are also to a large degree of wood and are only reinforced with steel a few special instances. The meditation space in the extension's second level can be used as multipurpose room as well and remains, regardless of the respective function, a themed exhibition space containing sacred art stemming from disparate religions. □

業(yè)主/Client: Univ. Prof. Dr. Peter Riedl

團隊/Team: Karin Triendl, Ole Ritzke, Karoline Mayer, Felix Siegrist, Andreas Bruer, Anne Femmer,Benedikt Bogenberger, Saskia Bechtel

景觀設計/Landscape Design: Aub?ck & Karasz,Vienna

11 內景/Interior view（攝影/Photo: Pez Hejduk）

12 剖面/Section