阿里拉烏魯瓦圖別墅酒店

阿里拉烏魯瓦圖別墅酒店

ALILA VILLAS ULUWATU BALI INDONESIA

印度尼西亞巴厘島

項目地點: 印度尼西亞巴厘島德薩培卡圖區皮卡多班加談比亞克杰白林炳沙利路, 80364

項目日期:

開始設計: 2003年10月

開始施工: 2005年6月

完成: 2009年6月1日 ( 試營業)

項目規模: 建筑面積: 26,595 平米 (不包括墻體，花園，道路，水臺和鋪砌區); 建成面積: 58,635 平米; 用地面積: 144642 平米

建筑及室內設計: WOHA

攝影：Patrick Bingham-Hall

Location: Jl Belimbing Sari, Banjar Tambiyak, Desa Pecatu 80364, Bali Project Dates:

Design Inception: October 2003

Start of Construction: June 2005

Completed: 1 June 2009 (soft opening)

Project Size: Gross Floor Area: 26,595 sqm. (excluding walls, gardens, walkways, circulation, pool decks, and paved areas.); Built up Area:

58,635 sqm.; Plot Area: 144642 sqm.

Architects & Interior Design: WOHA

Photography: Patrick Bingham-Hall

此酒店與獨立別墅相結合的綜合開發采用了一系列生態環保的設計。項目坐落于印度尼西亞巴厘島最南端布奇半島的峻峭海崖之上，周圍被干燥的熱帶莽原景觀所環繞。這里共有一座擁有50個套房的酒店和35棟度假別墅，全部于2009年6月1日開始營業。

對世界建筑文化的貢獻

設計充分探索發掘了將當地建筑風格與現代主義設計相結合的潛力，將巴厘島本土的鄉野風光和優雅的傳統樓閣通過現代的設計手法重新表達，營造出了一系列靈動的空間與造型。設計力求從居者在基地環境里被激發出的最原始情感和喜悅出發，而并不是單純地將世人對巴厘島或度假村固有的一些映像做簡單的拼接。

酒店內的建筑語言非常獨特。人們在這里看不道常見的巴厘島建筑和其又高又陡的斜屋頂，因為其實那樣的風格并不屬于巴厘島南部地區，而且過高的屋頂將會阻擋住風景。取而代之的是受南部地區用石灰石松散堆砌而成的農田梯階所啟發設計出的建筑。而建筑的屋頂則是低矮平緩的退臺，上面鋪滿了巴厘島當地的火山石石塊。這些石塊是優良的天然隔熱材料，同時也能滋養生長出許多當地的蕨莖植物。 這樣一來，建筑屋頂與周圍原生自然景觀完美融合，巧妙的保留住了基地獨特廣闊的風景。

臨海的酒店的客房都是花園式的而不是封閉的內室?；▓@的院墻亦是客房的邊界，所以客人起居飲食沐浴休閑都是在一種花園環境里展開。每座酒店別墅還擁有自己的泳池和涼亭，都面向著大海?？可降莫毩e墅被設計成了一系列水池環繞由連橋相連的亭臺樓閣，順著山勢錯落分布互相映襯，每一棟成為后一棟的別致前景。

對環境/地球的尊重

設計從一開始就致力維護基地原有的品質。

酒店總體規劃尊重了基地地形，避免了對地面多余的開鑿和回填?；厣纤械拇笮蜆淠径嫉玫搅吮Ａ艋蛞圃?，其它植被則分別被研究存檔，樣本寄去了英國皇家植物園作識別備份?；厣线€建立了自己的苗圃，專門培育景觀需要的當地植被，因此酒店無須專門引進外來景觀物種。當地植被已經很好的適應了干燥的莽原環境，能在缺水的季節進入休眠狀態而在一年其他時候花簇錦攢，為酒店帶來四季變換的景致。當地植被的運用也使得花園對水的需求大大減少，同時保留住了原生動物們的棲息地。

酒店所有的建材都取自當地，例如石墻的所有石材都來源于基地上開路時開鑿出的石料，而木料則主要使用了當地再生能力強的椰木和竹子，其他的材料也要么來自巴厘島，要么來自臨近的爪哇島。除此之外，酒店室內的家具，燈具和其他器具大多由來自巴厘和爪哇的當地匠人制作。這一系列舉措讓整個項目變得非常獨特，不僅支持延續了當地的文化技藝，也讓人們體驗到當地材質器物的魅力而不是一味的追求昂貴的舶來品。

This hotel and villa development is designed as an ecologically sustainable development. Located on the dry savannah landscape of the Bukit Peninsular on the dramatic southern clifs of the Indonesian island of Bali, it comprises of a 50 suite hotel with 35 residential villas. The resort opens its doors on 1 June 2009.

Contribution to World Architecture Culture

The design investigates the potential of the fusion of vernacular architecture with modernist design. The design combines the delights of traditional Balinese pavilion architecture and rural landscapes with modern dynamic treatment of space and form. The design is based from frst principles around the pleasures inhabiting the particular site, rather than assembling stereotypical images of Bali or generic resorts.

A unique design language was developed for the project. Rather than the typical steep pitched Balinese pavilions, which would have blocked the views on the gentle slopes, and which are not local to the area, the buildings are instead inspired by the local farmers terraces of loose piled limestone boulders. A terraced low pitched roof was developed using Balinese volcanic pumice rock, which is a natural insulating material and can also support local ferns and succulents. These terraced roofs blend with the landscape, keeping the original wide open panoramas that make the site so unique.

The hotel rooms are designed as inhabited gardens, rather than an interior room. The garden walls form the walls of the room, within which sleeping, eating, lounging and bathing occur in a garden environment. Every hotel villa has a pool with a cabana overlooking the sea. The hillside villas are designed as pavilions linked by bridges across water gardens, tucked into the hillside as terraces. Each villa forms a landscape foreground for the villa behind it.

Respect for Context / Planet

The design focused on preservation of the qualities of the site from the beginning.

The masterplan respects the contours to avoid cutting and fll. All large trees are maintained or transplanted. Site vegetation was surveyed and documented, with specimens sent to Kew Gardens for identifcation. A site nursery has been started, propagating the native plants which are being used in the landscape rather than exotic species from nurseries. The local plants are adapted to the dry savannah landscape by going dormant in the dry season and fowering spectacularly and will provide a unique seasonal display of fowers. These native gardens will require far less water, and will encourage local animals and birds to remain in the area.

Materials are all sourced locally – stone walls are using stone from the actual site from the road cuttings, while all other materials are either from Bali or the neighbouring island of Java. Sustainable timbers including coconut and bamboo are used. Craftsmen in Java and Bali are making the interior furniture, lamps and accessories. This strategy makes the development unique in terms of its materials, supports local skills and gives local materials prestige, promoting their use with the locals rather than them aspiring to expensive imported products.

酒店別墅平面圖 hotel villa plan

剖面圖 section

剖面細部 detail section