彼奇民居供兩戶人家使用的獨立民居，2009 年馬德里展

彼奇民居供兩戶人家使用的獨立民居，2009 年馬德里展

Pitch′s House Individual house for two families. Madrid 2009

建筑師：伊尼亞基·加爾尼塞羅

技術建筑師：Manuel Iglesias Velasco

建筑工程師：JG

施工：Anton Iakoviny Pitch

業主：私人業主

建筑預算：39萬歐元

日期：2009年

這兩個半獨立房屋采用非傳統方式設計。從一開始，這兩個單元被設想為單個項目，雖然這兩個住宅規劃相同，但是卻采用不對稱布局。已完成的設計響應了客戶的需求，同時也保留了轉化成單棟房子的可能性，展望未來更廣泛的合理情景。房子位于西班牙拉斯羅薩斯（在西班牙語中是指“巖石區”的意思），建在一個有許多露頭坡面的山坡上，朝向為南向。然而，建筑物更多的不是考慮本身，而是將其帶回到周圍環境，與遠處的森林和馬德里帕爾多天際線的相互映襯。設計否定場地和直接環境的陡峭地形的同時，整個結構巧妙地利用構成大平面的現有巖石，確定了建筑足跡。一旦確立這個數據，房子則被組織成兩個獨立的單元。停車場和其他服務設施位于建筑物下方，而生活區放在建筑物上部，采用單一空間。關于“足跡平面”，這個密封水平棱鏡的大小、形狀和位置很好地規劃了項目的剩余部分：臥室、主浴室、書房及一個小廁所。供日常生活使用的主樓層上，地上鋪上白色石灰石。一個離地板140米的獨特飄窗裝點著景觀天際線和均勻照亮著混凝土天花板。倚山而建，懸掛的混凝土箱像個天篷，保護底層不受太陽光照射，同時也將視域引向地平線。所產生的水平空隙幾乎橫跨整個建筑物，把自然光引到一樓，并讓自然光對角地進入地下，即使中央是通高空間。這同其他通高空間一起，將兩個相互獨立的樓層聯系起來。在這些分隔的世界之間，入口設在一塊巨大石周圍，設有一個若隱若現的樓梯。建筑物內部，物體之間以多種方式聚集并相互關聯。在第一層，家具被縮減成一個集成元件，整合多種功能：存儲、廚房柜臺、就座區及入口風障。在一樓，所有的衣柜都集中在單個條帶上，條帶連接到建筑立面上，改善建筑物熱性能，從而降低能耗。雖然這座建筑有兩個住宅單元，但規模上遠不及一般房子。通過抽象傳統的居住元素，游客會被誤導，他的注意力會被轉移到環境的特殊性上。

Architect: I?aqui Carnicero

Technical Architect: Manuel Iglesias Velasco

Building Engineer: JG

Construction: Anton Iakoviny Pitch

Client: Private client

Budget: 390.000,00 €

Date: 2009

The design of these two semi-detached houses is addressed in a non-conventional manner. From the beginning, the two units were conceived as a single project, and although the program for both residences is identical, the layout is asymmetrical. The fnished design answers to the clients’ needs, as well as offers the possibility of being transformed into a single house, envisioning a wider range of plausible scenarios in the future. The house is located in Los Pe?ascales – "rocky area" in Spanish – on a slope with many outcrops and oriented to the south. The building, however, does not relate to them, but rather turns its back to the immediate surroundings, interacting with the distant Pardo forest and with Madrid′s skyline. While the design denies the abrupt topography of the site and the immediate context, the structure delicately leans on the existing rocks with a large horizontal plane that defnes the footprint of the building. Once this datum has been established, the house is organized in two independent units. Car parking and other services are located underneath, and the living areas are put above in a single volume. Relating to the "footprint plane," the size, shape, and placement of this hermetic, horizontal prism provides for the rest of the program: bedrooms, the main bathroom, study rooms, and a little toilet. In this piano nobile, where the daily life goes on, the foor is covered with white calcareous stone. A unique bay window located 1,40 meters from the floor trims the skyline of the landscape and uniformly illuminates the concrete ceiling. Resting against the hillside, the hanging concrete box serves as a canopy to protect the ground foor from the sun, while stimulating views into the horizon. The horizontal void created practically spans the whole building, bringing natural light into the frst foor and allowing it to enter the ground foor diagonally though the central double-height space. This as well as other double-height volumes put in relation the two rather independent levels. Between these segregated worlds, the entrance appears around a huge rock and through a slightly hidden stair. Inside, objects are clustered and related to one another in multiple ways. In the ground foor, the furniture is reduced to a single element with various functions: storage, kitchen counter, sitting area, and entrance windbreak. In the frst foor, all the wardrobes are concentrated in one single strip that is attached to the fa?ade, improving the thermal behavior of the building, and therefore reducing its energy consumption. This building hosts two dwelling units, but lacks the typical scale of a house. By abstracting traditional dwelling elements, the visitor is mislead and his attention redirected to the specifcity of the environment.

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