高雄水水

類別: 建筑設計 | 城市與環境設計

設計師/ 設計團隊：一起設計（辜達齊）+偶然設計 （趙尉翔、曾令理）

“身體能夠知曉與記憶。建筑的意義來自身體和感覺記憶中古老的回響和反應。”- 尤哈尼·帕拉斯瑪

高雄依山傍海，位處南方。熱帶氣候伴隨一百年來的現代化發展，過去數十載，一直是臺灣的工業重鎮。而高雄人與山海，始終保持著若即若離的距離。我們透過位于高雄市港灣邊的地景藝術訴說，關于一個都市人對于自然的想像：我們追求有形的滿足以及理智建構的文明社會，我們也渴望心靈與精神的、純粹感知的身體經驗。裝置由兩道18米及36米長的自由曲面混凝土牆，筑成寬窄不一的峽谷。谷中偶有霧氣，水霧自牆面逸散而出，路徑曲折蜿蜒，人在其中看不到出口；面對陌生與迷失，五感重新成為溝通的主要語言。峽谷外則覆蓋草皮土坡與夜光磨石地面，在夜晚成為都市裡的一盞夜燈。不刻意設定機能，讓所有人定義如何自處于這個空間。也許我們對自然的探索，并不一定得仰賴山海土水，而是那很動物性的，幾分之幾秒的反射動作；或是對能量宣洩的渴望，以及可以任意跨越的自由。人嚮往自然，并非鄉愁情懷，而是根植于數百萬年的演化習性。轉瞬之間，我們圍困于自己的巨型產物之中。透過人為創造與科技的介入，在都市中重現感官上的抽象體驗，都市/自然，人造/有機，因為人的存在，二者得到和解。

“The body knows and remembers. Architectural meaning derives from archaic responses and reactions remembered by the body and the senses.” - Juhani Pallasmaa

We pursue real satisfaction and a civilized society under rational conducts, We crave for spirituality and the purely conscious physical experiences.The installation alongside the Kaohsiung Harbor area consists of two long free-form concrete walls.Occasional fog emerges out of between the canyon walls, as one walks through this twisted twirled path,the exit remains unfound. Lost in alienness, the boundary of the space expands, and the body senses have once again taken charge as the sole means of communication. Outside the canyon, the walls are covered with meadow slope on one side, and terrazzo ramp with illuminating aggregates on the other. As daylight slowly fades away, the installation reveals glimmering in the city. There is no de fined functionality,just freeing, just imagining. Perhaps our exploration towards naturality does n't rely on the living elements,but the trigger of the embedded animalistic and desire.Through the involvement of arti ficial and technological intervention, The abstract sensuous experience is made possible to reappear in the urban context.Urban/natural, arti ficial/organic, With the existence of humanity, the two get reconciled.