Creation Experience of“My Homesickness”

Abstract：During the Wei，Jin，Southern and Northern Dynasties，Chinese landscape painting began to take shape，but at that time，it can be said that landscape paintings existed in dependence on figure paintings. In the Sui and Tang dynasties，landscape painting began to become independent and gradually matured in the Northern Song Dynasty. The development of Chinese landscape painting to this day has become one of the important types of Chinese traditional painting.

Keywords：Chinese painting，landscape，hometown

1. Creative background

Chinese landscape painting is a kind of painting that expresses the beauty of mountains and rivers，and can seek a certain spiritual sustenance for mankind. It mainly describes the natural landscape of mountains and rivers. my country's landscape painting has a long history and fine tradition，which contains the wisdom，character，psychology and temperament of the Chinese nation. Landscape painting depicts the landscape in nature，and then refines，generalizes，and chooses to create with self-subjective consciousness. This requires us to experience the beauty of mountains and rivers，the meaning of mountains and rivers，and appreciate nature in nature.

For this sketching creation，there are certain difficulties，but how can you see the rainbow without experiencing wind and rain. In the following，I will explain the creation source，creation concept，creation process，creation experience and harvest.

2. Sources of Sketch Creation

My hometown has changed more and more. From my birth to the present，I have watched my hometown gradually turn from thatched huts and slate houses into "little foreign buildings". The dirt roads and mountain trails that I played in my childhood have also become With a wide and straight cement-hardened road，a poor and backward hometown is gradually disappearing，and the whole hometown has become alive. When I returned home，I felt the changes in my hometown. Many years ago，a village that was backward and poor without adequate food and clothing had not been solved. Now，the per capita annual income is more than 20，000 yuan. Thinking about this earth-shaking change，my heart is not passionate all the time. Although people's lives are becoming more and more prosperous now，every time they come back home，they will always clearly show the simple and beautiful appearance of the thatched slate houses in their hometown. They cherish the existing old houses in their hometown. One should not forget one's roots，and one should think about the source when drinking water.

3. Sketching creative ideas

I chose to draw a six-foot painting，which requires me to observe every detail of my hometown，and then extend from "near" to "far"，so that there is far in the near，and the existence of near in the far. The first is framing. How to summarize and refine the scenery you see before you and finally implement it on paper for pen and ink expression is a big problem currently encountered. Since the beginning of contact with landscape painting to the specific study，I have always been copying，and for some other reasons，the understanding and learning of landscape painting is very "superficial"，and the sketching of landscape painting is even rarer，so this sketch creation It was a big challenge for myself.

4.Fourth，the creation process of sketching

The initial composition is settled，and then I will begin to express these ideas in detail. However，there is a problem of focusing on the superior and inferior to the consciousness of thinking. This is an extremely painful thing when creating，a problem that cannot be changed and improved in a short period of time. Dong Yuan "there are two kinds of landscapes：a kind of ink-washed alum heads，sparse forests and wild trees，peaceful and deep，and mountains and rocks as hemp." Dong Yuan and Juranchuang Jiangnan Landscape Painting School is one of its notable features.）Teachers often tell us that whether you are learning calligraphy or Chinese painting，you must first learn the things of the ancients. Among the traditional methods of landscape engraving，there are many engraving methods，such as piping，raindrops，axe splitting，and so on. Relatively speaking，I prefer to put on mochi，because this method pays special attention to the ups and downs of the brush，the ink color is suitable for the density and the lines are scattered，which is especially suitable for the characteristics of the southern landscape. Huang Gongwang in the Yuan Dynasty and Shen Zhou in the Ming Dynasty used this technique to express landscapes，such as Huang Gongwang's "Fuchun Mountain Residence"，Shen Zhou's "Lushan Gao" and so on. After checking the books and observing some other people's sketches and landscapes，slowly prepare，and then draw the second sketching creation. The location arrangement of the hydropower station is the key and difficult point in the whole picture. Finally，it is the treatment of Yuanshan. Yuanshan is the finishing touch of the "general intention" in the whole painting，so it must be handled carefully. Imagine and think about the artistic conception that each picture wants to express in my mind，and then I begin to paint distant mountains when I have a general intention in my heart. Finally，in my own thinking and hard work，the creation is over under the guidance and encouragement of the teacher.

Reference materials and literature：

[1]Pan Yijian. A Brief Talk on Sketching and the Creation of Chinese Landscape Painting [J]. Art Observation，2013（6）：80-83.

[2]Sun Meijun. Chinese landscape painting system simulation based on texture synthesis[J]. Journal of System Simulation，2004（10）：199-202.

作者簡介：

鄭秋晗（1996.8-），女，漢族，山東濟(jì)寧人，齊魯工業(yè)大學(xué)（山東省科學(xué)院）藝術(shù)設(shè)計(jì)學(xué)院，18級(jí)在讀研究生，碩士學(xué)位，專業(yè)：美術(shù)，研究方向：中國畫。

（作者單位：齊魯工業(yè)大學(xué)（山東省科學(xué)院）藝術(shù)設(shè)計(jì)學(xué)院）