康卡斯特技術(shù)中心與四季酒店

建設(shè)單位：康卡斯特自由財產(chǎn)信托

項(xiàng)目地點(diǎn)：美國費(fèi)城

設(shè)計單位：福斯特建筑設(shè)計公司

結(jié)構(gòu)工程：Thornton Tomasetti

場地面積：5 798 平方米

建筑面積：167 225 平方米

攝影：Nigel Young / 福斯特建筑事務(wù)所

Client: Comcast Liberty Property Trust

Location: Philadelphia, USA

Architect: Foster + Partners

Structural Engineer: Thornton Tomasetti

Site Area: 5 798 m2

Building Area: 167 225 m2

Photography: Nigel Young / Foster + Partners

四季酒店共12 層，位于康卡斯特技術(shù)中心辦公區(qū)域的上方。

一層禮賓部負(fù)責(zé)接待參觀者與客人，一旁則為街邊餐廳的生機(jī)勃勃的景觀，并伴有充滿活力的音樂。宴會廳參觀者自入口左側(cè)進(jìn)入夾層，乘坐巨大的單程自動扶梯便可通向5 層宴會廳，途中能夠觀賞珍妮·霍爾澤（Jenny Holzer）設(shè)計的數(shù)字藝術(shù)作品《致費(fèi)城》（for Philadelphia），該作品橫跨整個裙樓天花板。

一層電梯前廊位于正門入口右側(cè)，其花卉展品由著名花藝設(shè)計師杰夫·利塔姆（Jeff Leatham）精心設(shè)計。玻璃高速電梯自裙樓沿北立面升高，使游客一睹整個城市的美好景色。電梯俯瞰洛根廣場，將客人與參觀者送往位于60 層的酒店接待處。

抵達(dá)后，首先映入客人眼簾的是酒店的全景，接待處的瑪瑙墻閃閃發(fā)光。隨后，客人經(jīng)由引導(dǎo)穿過軸線上花團(tuán)錦簇的通道，到達(dá)讓—喬治Sky High餐廳。客人自兩旁分別矗立著黑色石料“水壁”的樓梯徑直走下，便可看到巨大的酒吧與休息室。

The 12-story Four Seasons Hotel is located above the office spaces in the Concast Technology Center.

Visitors and guests are greeted at the concierge on the ground level, with the animated sights and sounds of the street restaurant beyond. Visitors to the ballroom are directed to the mezzanine from the left of the entrance, from where a dramatic single flight of escalators lead all the way up to the ballroom on level 5, passing through the dynamic for Philadelphia digital artwork by Jenny Holzer that runs across the length of the podium ceiling.

The ground floor elevator lobby, located to the right of the main entrance, features exquisite displays by acclaimed floral designer Jeff Leatham. The glass express elevators rise up and out of the podium along the northern fa?ade, revealing stunning views of the city, looking onto Logan Square and carrying guests and visitors up to the hotel reception on level 60.

On arrival guests are greeted by the first glimpses of the panoramic views, and the glowing onyx wall of the reception desk. Guests are then led through the axial flower-lined canyon towards the Jean-Georges restaurant, Sky High, which unfolds in a dramatic bar and lounge as guests descend a monument staircase flanked by two black stone ‘water-walls’.

負(fù)1 層大廳平面 Concourse Level B1

沿街1 層平面 Street Level 1

大堂架高層，2 層平面 Elevated Lobby-Level 2

餐廳平面 Restaurant Level

辦公標(biāo)準(zhǔn)層，33 層平面 Typical Office - Level 33

辦公標(biāo)準(zhǔn)層，34 層平面 Typical Office - Level 34

辦公標(biāo)準(zhǔn)層，35 層平面 Typical Office - Level 35

客房標(biāo)準(zhǔn)層，55 層平面 Typical Hotel Floor - Level 55

溫泉，57 層平面 Spa - Level 57

? Jeffrey Totaro

餐廳挺直聳立、高有三層，三面由玻璃環(huán)繞。獨(dú)特的金字塔鏡像天花板貫穿整個樓層，為整個空間增添了活力，餐廳熙熙攘攘的繁華魅力得以展現(xiàn)，眼前的天際線景色多種多樣，彰顯在酒店每個角落。

建筑斷面解決了復(fù)雜的空間困難，私人用餐區(qū)位于59 層，但上方餐廳便可為其提供服務(wù)。水療中心和健身中心則位于57層。走出電梯便可進(jìn)入一個雙層高的空間，客人可于這位于建筑北緣的走廊散步，走廊燈火通明，健身房、水療室與其他治療室分布兩旁。游泳池可謂寬闊無邊，位于水療中心盡頭，其旁三層樓高的玻璃窗十分引人注目，可輕易俯瞰下方城市。

酒店下設(shè)九層客房。建筑的通道設(shè)計在每一樓層都遵循明確的模式——一條內(nèi)部“街道”自電梯處沿樓層中心延伸至套房坐落的東緣。房間門上的弧形邊角給人一種寬厚的空間感，因此這一特點(diǎn)在房間內(nèi)部布置中得以延續(xù)使用。每一房間高10英尺，均配備全高玻璃、步入式衣柜，墻壁屏幕展示布萊恩·伊諾的數(shù)字藝術(shù)，并輔以給人以溫暖感覺的材料與古銅色調(diào)。酒店內(nèi)所有的定制家具——下至公共區(qū)域上至客房——均經(jīng)事務(wù)所設(shè)計。

The restaurant is a soaring triple-height space, fully glazed on three sides. The unique pyramidical mirrored ceiling that stretches across the length of entire floor infuses the space with dynamism, reflecting the bustling charm of the restaurant space, while multiplying the views of the skyline at eye level from every corner.

The building’s section resolves a complex spatial puzzle, with private dining areas located on level 59, which can be serviced by the restaurant above. The spa and fitness center are located on level 57. Stepping out into a double-height space from the elevators, guests walk along a brightly lit corridor on the northern edge of the building with gym, spa and other treatment rooms. The spa terminates in an infinityedged swimming pool contained within a striking three-story-high glazed volume which overlooks the city below.

The hotel comprises nine floors of guest rooms below. The building’s circulation follows a defined pattern on every floor plate - an internal ‘street’ runs along the center from the elevators to the eastern edge, where the suites are located. Curved corners marking every room door give an impression of generosity of space, a language that continues in the interior layout of the rooms. Every room has full height glazing, a 10-foot floor-toceiling clearance, walk-in wardrobes, a wall screen displaying digital art by Brian Eno,all complemented by a warm palette of materials and bronze tones. All the bespoke furniture used throughout the hotel - in the public areas as well as the rooms - was designed by the practice.

? Jeffrey Totaro

? christian horan photography

? christian horan photography

立面 Elevation

? christian horan photography