飛行員巷道居住區(qū)，維也納，奧地利

2011-07-30 12:36:32赫爾佐格和德梅隆,奧托·施泰德,阿道夫·克利尚尼茲等

世界建筑 2011年7期

1 鳥瞰/Aerial view（攝影/Photo: Luftreportagen Hausmann）

2 總平面/Site plan

該城市規(guī)劃的平面組織是根據(jù)聯(lián)排住宅的原則、起點(diǎn)與終點(diǎn)的空間位置、平面分布的曲率、縱貫線與平面半徑的合適角度，以及單體街區(qū)的間隔距離等因素進(jìn)行設(shè)計(jì)的。聯(lián)排住宅的總體長(zhǎng)度成為了該開發(fā)項(xiàng)目空間構(gòu)成的一個(gè)明確的部分，住宅之間的空地也構(gòu)成了合適角度的參照?qǐng)觥７侄吻逦倪B串的長(zhǎng)元素之間存在著無形的相互參照，它們由此形成了一個(gè)具有不明確中心和明確邊界的相互影響和交流的場(chǎng)域。

在由庭院限定的曲線形的或進(jìn)或退的中心綠色空間中，這個(gè)中等距離（步行距離）的系統(tǒng)連接著一個(gè)感知與體驗(yàn)的重要區(qū)域。各種間距、或遠(yuǎn)或近、或收或放的要素，都在此被重新發(fā)現(xiàn)，并形成了該項(xiàng)目的基本要素。

聯(lián)排住宅提供了高密度的居住空間，它們將自身與環(huán)境共同組織在一個(gè)循環(huán)旋轉(zhuǎn)的體系內(nèi)，由此產(chǎn)生不斷變化的建筑立面。獨(dú)棟住宅則經(jīng)組合形成了緊湊的建筑形體，它們具有不同的空間組織，卻有著相似的連續(xù)外觀。□（徐知蘭譯）

The urban theme is the organisation of a site according to the principles of rows of buildings,their beginning and end, their curvature, the penetrating lines at right angles to the radii and the separation into individual blocks. Whereas the length of the rows forms a manifest physical part of the development, the spaces in-between form a field of reference lying at right angles. The interlocking of clearly phrased long elements with dematerialised cross references creates a field of effect and exchange with an unspecified centre and specifically formulated edges.

The system of medium-range distances(pedestrian distances) access a significant area of perception and experience within the curving,expanding and receding, central garden space defined by the terraces. Distances, remoteness,closeness, narrowness, expanses are rediscovered here and form the basic material of this development.

The terrace houses offer intensified living space, they organise themselves and their surroundings in a cyclically rotating system which results in a constantly changing facade. The individual houses are combined to create compact volumes with different kinds of spatial organisation and similar serial presence. □

業(yè)主/Client: ?SW/?sterreichisches Siedlungswerk色彩概念/Colour Concept: Oskar Putz, Helmut Federle

合作者/Collaborators: Gerhard Schlager, Franz Meisterhofer, Karl Peyrer-Heimst?tt