南達遺址酒店，曼谷，泰國

建筑設計：CHAT建筑師事務所，瓦魯德·沙馬叻巴

南達遺址酒店，曼谷，泰國

建筑設計：CHAT建筑師事務所，瓦魯德·沙馬叻巴

1 場地模型，可看出酒店建筑位于現代城市（灰色部分）與老的棚戶區（木制部分）的交界處/Site model, showing the building as a threshold between the modern city (in grey) and the old shantytown (in wood)

南達遺址酒店坐落在曼谷新城與一個歷史老棚戶區的交界處，在新舊世界間的夾縫地帶。酒店前面是一條快速干道，通往跨越湄南河的拉瑪8號橋，酒店背后就是百年老城區布里那裕·春沖（Purinayok Chumchon）。建筑的前身是始建于1920年的傳統歐式柚木建筑，重建后被改造成充滿現代氣息、環境宜人的特色酒店。

客房外墻覆蓋混凝土外殼，像深色的廣告牌一樣標示著酒店的存在，同時，它為位于建筑中央的露天“私家”庭院提供了一個保護區。標志性的沿街立面帶有明顯的水平“加速”線條，與現代城市的大尺度、快節奏相呼應（實際上，它們是有著功能性的滴水沿槽）。使用水平線條的最初目的是為了在表皮上刻印名字的時候標注出印刷線。實際上建筑立面真的成了現代大道與老城小巷交匯處的一個功能標志或者廣告牌。然而，一旦轉過街角來到側巷，你會發現建筑的體量降低成4層，與小巷內沿街店鋪的尺度相匹配。在這里，水平線條變成豎向的建筑緣線，模仿沿街店鋪凸窗的造型。就像這樣，即便是一條再簡單不過的混凝土邊緣線條的細節處理也可以成為與城市環境相呼應的設計工具。這些線條與人行道上方滿布的電線、電話線也達成某種和諧。這是建筑設計中特意采用的調和元素，一句話，“如果你不能避免它們，那么就試著融入它們吧”。在面向老城區的一側建筑部分只有2層高，在內院中就可以看到老城的景象。

與外立面的現代風格相反，隱蔽的建筑內庭設計則頗為復古。其精致纖細的白色鋼構架，取自酒店主人家老公館遺存下來的已有百年歷史的舊柚木，都被設計所采納并賦予了新的意義。從老建筑拆卸下來的門、木窗戶、地板、通風嵌板、木樓梯和扶手、回收再利用的中葡風格的陶瓷鋪磚、老照片、一個老茶館保存下來的木制桌椅等老物件被重新組合在一起，共同營造出一種復古的環境氛圍。從街邊的小入口進入其中，就來到了一個奇妙的新舊交替的世界。

內庭這種即興拼湊的設計是學習棚戶區的經驗——那里的人們用各種回收材料建造家園。純凈的白色鋼制構件將各種老舊的木制品框固起來，使它們像博物館中的一件藝術品一樣被展示。這樣設計的目的不是試圖重現懷舊的場景，而是客觀展示這些歷史木制品的真實狀態——在這里，現代的建筑元素鋼和混凝土就顯然是格格不入、不合時宜的了。□（覃鶯 譯）

The Nanda Heritage Hotel sits on a site between the old and the new world, a threshold between Bangkok's new city and an old historic shanty town. With a high-speed on ramp to Rama 8 Bridge crossing the Chao Phraya River in front and a 100-year-old Purinayok Chumchon (community) in back, the heritage of its ancestor, a European style teak house built in 1920, is reworked as a unique hotel with a contemporary modern design and a charming surrounding atmosphere.

The dark billboard-like concrete outer shell is filled with guest rooms. It acts as a protective buffer zone to the central open air "secret" courtyard in the middle of the building. The monumental street front elevation, with its horizontal "speed" lines (actually, they are functional drip edges), responds to the large scale and fast pace of the modern world. The initial intent of the horizontal lines was to use them as typographical lines for names to be stenciled onto the facade. The elevation becomes a functional sign or billboard for the area, a meeting place of modern avenues and historic alleys. Once the mass of the hotel turns the corner into the side alley, it dips down to a four-storey height to match the scale of the shophouses along the smaller side street. Here, the horizontal speed lines turn 90 degrees to become vertical "Koohah" (building) lines that mimic the shophouse bay. Thus, even a simple concrete edge detail can become a responsive tool at the urban level. These lines also speak to the tangle of electrical and telephone lines strewn above the sidewalk. The blend of elements follows the "if you can’t beat them, join them" philosophy. The building drops another two storeys to frame the view of the Chumchon from the courtyard.

The hotel's hidden courtyard, unlike it's zippy exterior, is inspired by the past. Its delicate frame of thin white steel members and old historic wood--from the remains of the owner's family's 100-yearold teak wood mansion--is adapted to produce new meaning. Dismantled doors, wood windows, floorboards, ventilation panels, wood staircase and handrails, recycled Sino-Portuguese paving ceramic tiles, old photos, wooden chairs and tables saved from an old teahouse are all recombined to create a vintage atmosphere. It is a mysterious eclectic space of the old and new accessed through a small portal from the street.

The inner court improvises its design from lessons learned in the shantytown where people constructed their homes from scavenged building materials. The clean white steel members frame each individual antique wooden element like a museum artifact. The attempt is not to create a nostalgic environment, but rather to present the historic wooden elements as they truly are-out-of-place and out-of-time amongst the modern elements of steel and concrete.□

2 沿街立面全景/Overall view of the street elevation

3 首層平面/Floor 0 plan

4 3、4層平面/Floor 2&3 plans

5 從入口庭院望向抬起的泳池內院/View from the entry court to the elevated pool court

評論

韓林飛：南達遺址酒店坐落在泰國曼谷的新城與舊城之間，地處一條高速公路匝道口，后面是一個100多年延續著當地歷史文化的老社區。在這樣一個特殊的位置，CHAT選擇用黑色外殼圍合出了一個封閉的內庭院的形式設計旅店。從外面的車行道看去，純黑色的外殼確實醒目，并且極具現代感，但鳥瞰整個區域，不難發現其與周邊歷史建筑格格不入。相反，內部的庭院利用外連廊使得空間變得更加靈活，大面積地使用當地常用的建筑材料——木材，并且重新利用回收的舊窗戶、舊百葉，這一切使得內庭院設計變得即興、有趣。小院與整個建筑外面包裹的黑色外殼也形成強烈的對比，使這個藏身于新、舊城市之間的旅館建筑詼諧、幽默。

王彥：一座矛盾交織的建筑。

白色輕盈的下部承托著黑色堅實的上部；沉穩封閉的外墻抵抗住城市的喧囂，守護安靜隱秘的內院；而有著上百年歷史的木門，恰到好處地嵌入現代鋼結構環廊，呈現出新老材料交織的獨特意境，耐人尋味。窗臺滴水板水平展開，形成具有張力感的建筑立面，這無疑讓酒店在場地環境中脫穎而出。容易積聚熱量的黑色是否適合當地氣候姑且不論，那種冷酷的氣勢卻頗讓人感到有些緊張。雖然沿街底層的木色溫暖親切，卻絲毫沒有準備對街道上的路人開放，不禁唏噓。

Comments

HAN Linfei: The Nanda Heritage Hotel is located between the old and new cities of Bangkok. The building is positioned between a highway ramp and an old residential community, a locus of community history and culture for more than a hundred years. The black facades of the building wrap a light courtyard at the center of the scheme. From the lanes surrounding the hotel, the pure black color is impressive and modern. But in the context of the neighborhood, it seems incompatible with the historic fabric of the surrounding buildings. The inner courtyard incorporates a lot of local wood as well as reclaimed old windows and shutters that are more in keeping with the traditional building motifs of the neighborhood.The space is flexible and attractive. The strong contrast between the black exterior of the building and the gentler natural finishing of this inner core gives the building a witty and humorous tone.

WANG Yan: A Complicated Construction.

The solid black volume is supported by a light-coloured graceful podium. The calm enclosing wall of the hotel keeps out the hustle and bustle of the modern city while it embraces a quiet and peaceful inner courtyard. Two-hundred year old wooden doors punctuate the steel structure of the building's corridors. This mixing of new and old construction materials is truly interesting. The hotel's exterior window sills run on beyond the openings they serve. They morph into the strong horizontal datum of the facade. The hotel stands out in its site and environment. The black color of the building too easily absorbs the heat of this place but also establishes an imposing tone that makes people feel a little nervous. Although the wood material used in places at street level is warm and kind, it is used in a way that is opaque and does not open up the experience of the hotel interior to passersby in the street.

項目信息/Credits and Data

客戶/Clients: Sarnanda and Medhavin Lekhyananda

室內設計/Interior Designers: 公共區域/Public Areas：CHAT建筑師事務所（與瓦魯德·沙馬叻巴合作）/CHAT Architects (in collaboration with Varoot Samalapa)；客房/ Guest Rooms: 客戶/Owner

場地面積/Site Area: 1266m2

建筑面積/Floor Area: 4000m2

設計時間/Design Period: 2009

攝影/Photos: Ketsiree Wongwan

Nanda Heritage Hotel, Bangkok, Thailand, 2014

Architects: CHAT Architects, Varoot Samalapa

6 私密內庭實景/View within the secret courtyard