繽紛舞臺

In 2003, the year when Pierre Rigal created the solo dance, Dernière Minute was also formed and has been part of the evolution of his work ever since. Eight hip-hop dancers form a population that grabs a collective symbol of coexistence, a flag or more precisely a standard. Literally and geometrically, the dancers set out to explore the emblematic space and dimensions with their energy and grace.
Time: 3th,May / 6th– 7th,May/
location:Shenzhen Futian Cultural Center / Shanghai Art Theat er
標準 – 法國現代嘻哈驚艷之作
2003年,皮埃爾·里加爾創作了獨舞《(非)標準》,最終時刻舞團隨之成立并一直伴隨他的舞蹈生涯。8名嘻哈舞者形成一個擁有某種共同標志的群體,一面旗幟,以文字和幾何的方式,試圖從個體中窺視一般世界,從一般世界透視個體。

As the opening show of 2017 Festival Croisement, this concert is a program of whatever promises the night, at the whim of allegories, entertainment and dreams. Grandiose, and carefully elaborated at the highest levels of the state, the libretto by Bensérade called upon the finest artists of the time. The ensemble Correspondences brings together singers and instrumentalists under the direction of harpsichordist and organist Sébastien Daucé. Since its creation, Correspondences presents mainly 17th century French sacred music
Time: 9th,May Location∶ Zhuhai Huafa & CPAA Grand Theatre
消失的樂章 - 夜之皇家音樂會
作為2017中法文化之春華南地區開幕演出, 這個音樂會充滿著娛樂、諷喻和幻夢,大氣磅礴,制作精良,自創作之始就匯集了當時最優秀的藝術家。本次由致力于探索17世紀法國宗教音樂的Correspondances樂團演出,并由古鋼琴家和風琴演奏家Sébastien Daucé領銜指導。

In baroque Venice, the carnival went on for ten days, during which time inhabitants of the city exhausted their appetites for parties and debauchery before the beginning of Lent. A colourful program, a succession of piece that range from lively street dance to passionate laments, including an original parody of Monteverdi's famous Lamento Della Ninfa.
Time: 20th,May/14th,May/16th,May/17th ,May
Location: Guangzhou Opera House/ Shanghai Grand Theater/ National Center for Performing Arts/ Gansu Grand Theatre
巴洛克狂歡節
文森·杜梅斯特和賽希樂·羅莎用一系列神奇的表演,重現了巴洛克狂歡節的歡樂、激情。演出的曲目輝煌華麗、五彩斑斕,從充滿街頭活力的舞曲,到富于感情的悲歌,其中包括蒙特威爾第著名的《寧法的哀歌》的原始版本。