香山美墅（合院別墅）

項目位置：深圳市南山區(qū)

業(yè)主單位：深圳華僑城房地產(chǎn)有限公司

建筑設(shè)計：深圳市華匯設(shè)計有限公司

主創(chuàng)建筑師：肖誠，牟中輝

設(shè)計團隊：李志興，黃靖文

總建筑面積：208 200m2

占地面積：92 000m2

設(shè)計時間：2012年

竣工時間：2015年

建筑攝影：張超

Project Location: Nanshan，Shenzhen

Client：Shenzhen OCT Properties Co.,Ltd.

Achitect Design: Shenzhen Huahui DesignCo.,Ltd.

Creator: Xiao Cheng, Mou Zhonghui

Design Team: Li Zhixing，Huang Jingwen

Build Area: 208,200m2

Site Area: 92,000m2

Design Date: 2012

Completion Date: 2015

Photographer: Zhang Chao

項目概況——現(xiàn)代中式，人文回歸

華僑城香山美墅項目位于深圳市南山區(qū)華僑城的西北片區(qū)，總用地約20.8萬平方米，共分為四個地塊。其中一期占地面積9.2萬余平方米，處于整個小區(qū)的中心地帶，是四個地塊中唯一的以低密度住宅作為空間主體的區(qū)域，享有華僑城完善的配套設(shè)施及生態(tài)人文資源。在繁華熱鬧的都市中，演繹了中式人文情懷與極致生活品質(zhì)的完美結(jié)合。

總體規(guī)劃——空間呼應(yīng)，外高內(nèi)低

深圳華僑城的總體規(guī)劃由新加坡規(guī)劃專家孟大強先生制定，他提出了“依托自然、以人為本”的規(guī)劃原則，依據(jù)這一原則，華僑城保留了原有的地形地貌、綠化等自然生態(tài)資源。在良好的生態(tài)格局基礎(chǔ)上，建立一個優(yōu)美、安靜的適于人居住的城市環(huán)境。

項目基地位于華僑城的西北角，其位置游離于華僑城核心區(qū)域，在規(guī)劃設(shè)計上，考慮了與主片區(qū)現(xiàn)有各組團之間的聯(lián)系及互動，使得規(guī)劃結(jié)構(gòu)呼應(yīng)整體空間格局。以西南角僑城馨苑，東南側(cè)純水岸組團，東北側(cè)香山里組團為依據(jù)，確定了以波托菲諾現(xiàn)有規(guī)劃肌理-東南向34.6度傾斜的角度作為項目規(guī)劃主軸線。不僅將各個組團緊密聯(lián)系在一起，同時東南和西南兩個主朝向也充分利用了高爾夫及純水岸兩個內(nèi)外景觀。

Project Overview —— Modern Chinese style, humanistic return

The Xiangshan Villas project is located in the northwest sector of the Overseas Chinese City in Nanshan District, Shenzhen.It occupies about 208,000 square meters and is divided into four plots.The primary plot covers an area of 92,000 square meters, and is located right in the center of the estate.Of the four plots, it is the only low-density residential area, and can enjoy all of Overseas Chinese City's lifestyle facilities and ecological and cultural resources.It has achieved a perfect combination of Chinese humanistic culture and the ultimate quality of life in prosperous city.

Overall planning - space echo, high outside and low inside

The master plan of OCT Shenzhen was formulated by Mr.Meng Daqiang, a Singaporean planning expert,who put forward the planning principle of "relying on nature and putting people first".According to this principle, OCT kept its original terrain, landforms, greening and other natural ecological resources.On the basis of good ecological pattern, a beautiful and quiet urban environment suitable for human habitation is established.

The project base is located in the northwest corner of OCT, which is located in the core area of OCT.In terms of planning and design, the connection and interaction between the existing groups in the main area are considered, so that the planning structure echoes the overall spatial pattern.Based on qiaocheng Xinyuan in the southwest corner, pure water bank group in the southeast and Xiangshan Li group in the northeast, the existing planning texture of Portofino —— the Angle of 34.6 degrees to the southeast is determined as the main axis of the project planning.The two main orientations, southeast and southwest, make full use of the golf course and the pure water shore, both inside and outside.

Through "organic planning", different types of products are arranged and combined in an orderly way to form a dynamic mixed community and provide the greatest possibility for community public participation to form a harmonious and unified model.It introduces the organic combination of Chinese courtyard life and modern social life, and USES the space to turn into the second order.Following the resource optimization logic of "high outside and low inside", the internal layout is mainly to close the courtyard, with townhouse products supplemented by row and stack.The periphery is dotted with small high-rise and super high-rise buildings, which gradually rise from the inside to the outside, surrounded and incompatible, and dense.In terms of spatial temperament, the image of peripheral architecture is public,presenting a sense of modern city.The interior space creates a living environment with humanistic atmosphere, pleasant scale and natural ecology.

一、二層平面圖

通過“有機規(guī)劃”將不同類型產(chǎn)品有序的排列與組合，形成富有活力的混合社區(qū)，并且提供社區(qū)公眾參與的最大可能性，形成和諧統(tǒng)一的模式。引入中式院落生活與現(xiàn)代社會生活的有機結(jié)合體，運用空間起承轉(zhuǎn)合的次第順序。遵循 “外高內(nèi)低”的資源優(yōu)化邏輯，內(nèi)部布置以合院為主，聯(lián)排、疊拼為輔的別墅產(chǎn)品，外圍點綴小高層和超高層，由內(nèi)而外漸次升高，圍而不合，疏密有致。在空間氣質(zhì)上，外圍建筑形象公建化，呈現(xiàn)出現(xiàn)代都市感；內(nèi)部空間營造了具有人文氣息、尺度宜人、自然生態(tài)的居住環(huán)境。

合院別墅——內(nèi)向庭院，交流共享

以六組“合院”住宅構(gòu)成空間重心，每組合院由八個緊密聯(lián)系的T型住宅組成，運用空間起承轉(zhuǎn)合的次第順序，小區(qū)公共庭院-巷道-半公共庭院-私家庭院-家，層層推進，在喧囂的城市環(huán)境中營造出一片靜土。住宅結(jié)構(gòu)的內(nèi)向性，以庭院為核心展開，強調(diào)人與自然的溝通協(xié)調(diào)。

建筑材質(zhì)——建造藝術(shù)，傳遞材料精神

建筑風(fēng)格定位為現(xiàn)代中式，為體現(xiàn)空間的中式韻味，同時營造內(nèi)向性的靜謐環(huán)境，采用了優(yōu)質(zhì)的天然建造材料，主要立面由芬蘭木和銹石構(gòu)成，在此基礎(chǔ)上，利用深色金屬的精細收束和中式元素窗欞的設(shè)計，增添對建筑細節(jié)的勾勒與整體風(fēng)格的描繪。

景觀系統(tǒng)——用材古樸，借景成趣

以六組合院別墅組團為核心的規(guī)劃結(jié)構(gòu)，梳理出“一主兩次”軸線景觀體系。延續(xù)現(xiàn)代中式格調(diào)，結(jié)合水景、洞石景觀墻，以清晰的軸線串聯(lián)住宅組團，與合院的主庭院空間相連，層層遞進、由外而內(nèi)，共同建立起居住者與景觀環(huán)境的溝通，重新詮釋了當代語境下的院落精神。

高層建筑立面——現(xiàn)代立面，傳統(tǒng)內(nèi)核

香山美墅的高層、小高層的建筑立面延續(xù)了現(xiàn)代中式風(fēng)格，色彩以黑白灰為主調(diào)，作為組團空間的外圍界面，圍而不合，線條干凈利落，用材簡潔現(xiàn)代，與原有的純水岸、僑城馨苑等現(xiàn)代風(fēng)格高層進行了很好的對話。戶型設(shè)計通透，采用大面寬小進深，立面設(shè)計出挑陽臺，將僑城景色一覽無余，而向中式院落的回望，也完成了對院落精神內(nèi)核的追慕和升華。

Courtyard villa —— introverted courtyard for communication and sharing

Six groups of "compound courtyard" houses constitute the center of gravity of space, each compound courtyard is composed of eight closely connected T-shaped houses, using the second sequence of space turning and closing, the community public courtyard—— laneway —— semi-public courtyard —— private courtyard —— home, advancing layer by layer, creating a quiet earth in the bustling urban environment.The internality of the residential structure, with the courtyard as the core, emphasizes the communication and coordination between man and nature.

Architectural material —— the art of building, conveying the spirit of materials

Positioning for the modern Chinese architectural style, to embody the space of Chinese style lasting appeal, at the same time build introversion of the quiet environment, adopt high quality natural building materials, the main facade made up of Finland wood and rust stone, on this basis,using the dark metal detailed help and the design of Chinese style element lattice, add the outline details of construction and the overall style.

Landscape system —— with primitive materials, borrow scenery into fun

With the planning structure of six compound courtyard and villa groups as the core, the axis landscape system of "one main and two times" is sorted out.Continuation of the modern Chinese style, combined with the waterscape and stone cave landscape wall, the residential cluster is connected with the main courtyard space of the compound by clear axis, layer by layer, from the outside to the inside, to jointly establish the communication between the residents and the landscape environment, and to re-interpret the spirit of the courtyard in the contemporary context.

Facade of high-rise building —— modern facade, traditional core

The facades of the high-rise and small high-rise buildings of Xiangshan Villa continue the modern Chinese style, with the color of black, white and gray as the external interface of the group space,which is enclosed but not suitable, with clean lines and simple and modern materials, and the original pure water bank, Qiaocheng Xinyuan and other modern style high-rise buildings have a good dialogue.The house design is transparent, with a large width and a small depth.The facade is designed with a balcony that gives a panoramic view of the scenery of Qiaocheng.Looking back at the Chinese courtyard also completes the admiration and sublimation of the spiritual core of the courtyard.