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評(píng)委感言

2021-01-26 12:05:56
世界建筑 2021年1期
關(guān)鍵詞:環(huán)境建筑

曹嘉明

中國(guó)建筑學(xué)會(huì)副理事長(zhǎng),上海市建筑學(xué)會(huì)理事長(zhǎng)

世界未來城市計(jì)劃是一個(gè)非常好的獎(jiǎng)項(xiàng),因?yàn)橥ㄟ^這個(gè)獎(jiǎng)項(xiàng),人們可以用一種前瞻性的眼光來看待未來城市的發(fā)展,以及建筑今后的擴(kuò)展,它針對(duì)人們的行為反饋提出了新的訴求。建筑實(shí)際上是歷史的反映,所以任何建筑和城市設(shè)計(jì)一定會(huì)有明顯的時(shí)代性和地域性。地域性會(huì)反映在兩個(gè)方面:一是氣候特征,二是文化傳承。我們?cè)谟懻撌澜缥磥碛?jì)劃的同時(shí),實(shí)際上更關(guān)注的是前瞻性。前瞻性會(huì)體現(xiàn)在時(shí)代性上,也會(huì)體現(xiàn)在各個(gè)不同的地區(qū)、不同的層次和不同的建筑面貌上。

城市和建筑都應(yīng)該被視為有生命的有機(jī)體,它一定在不斷更新的過程當(dāng)中,有它過去的歷史和它發(fā)展的未來,在這兩者之間,我們?cè)趺茨軌蚋玫劂暯樱俏覀兯伎嫉膯栴}。根本的問題還是應(yīng)該關(guān)注人的行為,從人本的角度出發(fā),思考城市的發(fā)展。

這一次的評(píng)審過程當(dāng)中涌現(xiàn)了許多非常好的建筑,不僅設(shè)計(jì)非常有個(gè)性,而且融入了城市環(huán)境之中,更多地給城市的人們以相互交往的空間,對(duì)城市的發(fā)展是有貢獻(xiàn)的。這就是我們?cè)谑澜缥磥沓鞘杏?jì)劃評(píng)審中非常注重的一個(gè)方面。

克里斯汀·菲萊斯

柏林AEDES建筑總監(jiān),2013-2017普利茲克獎(jiǎng)評(píng)審團(tuán)成員,2012年威尼斯建筑雙年展國(guó)際評(píng)審團(tuán)成員

首先我想說,第二次參加評(píng)審,我非常高興,看到這些項(xiàng)目也非常令人激動(dòng)。我們仔細(xì)看了所有作品。我認(rèn)為很棒的一點(diǎn)是,參評(píng)的項(xiàng)目來自世界各地——黎巴嫩、非洲、德國(guó)等等。此次提交的項(xiàng)目數(shù)量也變多了。這非常好,說明了這個(gè)獎(jiǎng)項(xiàng)的重要性。我想說的第二點(diǎn)是,在此次評(píng)審過程中我感覺到,很多項(xiàng)目不僅是在創(chuàng)造偉大的建筑,也是在處理空間與人的關(guān)系。其中的很多項(xiàng)目都在試圖改善人們的生活品質(zhì),無論它們處在城市環(huán)境之中,還是城郊地區(qū)。同樣有趣的一點(diǎn)是,一些建筑師很有勇氣,向我們發(fā)來村莊中的非常小的項(xiàng)目參評(píng)。比如有些項(xiàng)目使用本地材料在村莊中建造一個(gè)供所有人交流、集會(huì)的地方,這對(duì)于人們的溝通與生活而言是非常有益的。類似的想法還體現(xiàn)在其他不同層次的項(xiàng)目中。(母卓爾 譯)

李存東

中國(guó)建筑學(xué)會(huì)秘書長(zhǎng)

世界未來城市計(jì)劃非常重要,甚至比以往更重要。我們知道現(xiàn)在很多國(guó)際交流因疫情的關(guān)系受到不同程度的影響。我們也在試圖拓展我們的交往手段和途徑,比如線上交流等等。作為專業(yè)方面的交流,世界未來城市計(jì)劃這個(gè)獎(jiǎng)項(xiàng)給我們提供了更加有效的專業(yè)間溝通的平臺(tái)。今年有80份參評(píng)作品,來自25個(gè)國(guó)家,我們雖然沒有機(jī)會(huì)與各個(gè)項(xiàng)目的建筑師見面,但是我們能夠通過這些作品感受到在當(dāng)下環(huán)境中,不同國(guó)家、不同地域、不同文化背景下,建筑師所產(chǎn)生的一些建筑思考。這些建筑作品之間實(shí)際上是有交融的。世界未來城市計(jì)劃能夠收集這么多的作品在一起,本身就是一種文化的交流,還帶來另一種更加學(xué)術(shù)的、對(duì)未來有思考的交流。我覺得它的意義與當(dāng)下非常契合。

未來的城市將更加積極、更有活力。因?yàn)楝F(xiàn)在,尤其是疫情后期,人們需要健康的環(huán)境,需要更加積極的心態(tài)。如果一個(gè)城市可以通過建筑、環(huán)境改造,給我們帶來積極、向上、健康的心理預(yù)期,這是未來城市應(yīng)該給我們的一種狀態(tài)、一種期望,也是大家所希望的。

世界未來城市計(jì)劃的作品應(yīng)該跟城市的活力、積極性、健康意義有所呼應(yīng)。今年很多作品其實(shí)都非常好,選出很少的項(xiàng)目也比較難。我更傾向于3個(gè)方面:第一,作品本身要有一定的創(chuàng)意,有創(chuàng)新性,應(yīng)該有一種情理之中、意料之外的張力,包括它在城市之中所扮演的角色;第二,建筑本身,尤其在當(dāng)下環(huán)境中,不應(yīng)該只考慮其本身的功能及其建筑屬性應(yīng)該提供的應(yīng)對(duì),它應(yīng)該對(duì)環(huán)境有更加積極的作用,為城市的活力貢獻(xiàn)自己的力量,它應(yīng)該對(duì)環(huán)境非常友好,能夠吸引人,愿意跟人互動(dòng),能夠?qū)崿F(xiàn)交互式體驗(yàn);第三,它還應(yīng)該具備一定的社會(huì)意義,比如能夠促進(jìn)人的身體健康或者心理健康。有一些作品有它的社會(huì)意義,我們應(yīng)該關(guān)注到,而且也鼓勵(lì)這樣的作品能夠更多地出現(xiàn)。

鮑里斯·沙德-賓索夫

《建筑世界》主編

未來我們必將面臨一些不同的挑戰(zhàn)。我們的工作方式和移動(dòng)方式將會(huì)發(fā)生改變,在城市環(huán)境中乃至世界范圍內(nèi)的可移動(dòng)性也根本地改變了。我們必須以前所未有的全新方式改善建筑和城市設(shè)計(jì)。因此,我確信建筑和城市規(guī)劃應(yīng)當(dāng)比我們過去所設(shè)計(jì)的要更加靈活、更具韌性。這就是我們尋求靈活的結(jié)構(gòu)、靈活的建筑的原因。這一切都會(huì)在以人體尺度為衡量標(biāo)準(zhǔn)的面向未來的設(shè)計(jì)中得以體現(xiàn)。(徐紫儀 譯)

謝爾蓋·卓班

BDA建筑師,Tchoban Voss Architekten合伙人,俄羅斯藝術(shù)學(xué)院榮譽(yù)會(huì)員

今天我注意到,與10年、15年前相比,建筑要回答的問題已經(jīng)完全不同了。過去10年、20年的傳統(tǒng)城鎮(zhèn)與傳統(tǒng)城市發(fā)展中的密度與公共空間的問題,已經(jīng)與今日大不相同。現(xiàn)在,公共空間及不同功能的結(jié)合已經(jīng)發(fā)生了很多改變。我們這次看到的和討論的項(xiàng)目,向我們展示了將舊的物質(zhì)、工業(yè)的物質(zhì)、公共空間、不同層級(jí)的使用者、不同層級(jí)的建筑以及自然環(huán)境相互融合起來是多么重要。同樣重要的是,要跳出對(duì)城鎮(zhèn)、城市空間的傳統(tǒng)理解,創(chuàng)造出不同以往的可持續(xù)的路線,提出全新的想法,展示全新的圖像,創(chuàng)造我們心中的未來城市空間的原型。(母卓爾 譯)

張利

清華大學(xué)建筑學(xué)院院長(zhǎng)、教授,清華大學(xué)建筑設(shè)計(jì)研究院副總建筑師,中國(guó)建筑學(xué)會(huì)常務(wù)理事,《世界建筑》雜志主編

關(guān)于世界未來城市計(jì)劃,很重要的一點(diǎn)就是,它不再關(guān)注單體的建筑,這是它與其他設(shè)計(jì)獎(jiǎng)項(xiàng)有很大區(qū)別的地方。其實(shí)現(xiàn)在有很多的獎(jiǎng)項(xiàng)都開始關(guān)注人和空間之間連接的這一部分,我想世界未來城市計(jì)劃關(guān)注的也是這樣的內(nèi)容。它有一個(gè)很重要的意義,就是在維持我們生活的基本尊嚴(yán)的前提下,如何用創(chuàng)新的技術(shù)、創(chuàng)新的理念,來大膽地定義、實(shí)驗(yàn)新的生活方式。

城市文明的歷史是由“聚居”發(fā)展出來,逐漸累加、逐漸演進(jìn)的進(jìn)程,人的尊嚴(yán)、人的理想、人的生活意義,因?yàn)楹透嗟娜恕⒏呙芏鹊鼐幼≡谝黄鸲靡约訌?qiáng),同時(shí)人的智慧因?yàn)楹推渌说慕涣饕驳靡蕴嵘N蚁胧澜缥磥沓鞘杏?jì)劃本身不會(huì)改變城市文明史的進(jìn)程方向,而應(yīng)該在我們現(xiàn)在特殊的歷史環(huán)境下,也就是在現(xiàn)在特殊的技術(shù)和社會(huì)觀念下,進(jìn)一步地加強(qiáng)這個(gè)進(jìn)程。

CAO Jiaming

Vice President, the Architectural Society of China(ASC)/President, the Architectural Society of Shanghai China (ASSC)

I think International Urban Project Award(IUPA) is a prominent award, because through this award, people can look at the future urban development and future expansion of architecture with a forward-looking vision. It puts forward new appeals based on the feedback of people's behaviours. In fact, architecture is a reflection of history, so any architecture and urban design must have an obvious locality. It would be reflected in two aspects: one is the climate, the other culture.Therefore, when we are discussing IUPA, what we are more concerned is the prospective vision. In other words, it would be suggested by its age, as well as by its region, level and different architectural features.

Architecture and city should be seen as a living organism which is always in the process of continuous renewal. It has its past and its future,between which is what we are considering to better connect each other. The fundamental issue is that we should pay attention to human behaviour and consider the urban development from a humanistic perspective. This time in the jury meeting, there are many excellent projects which provide people in the city with more space to communicate with each other, contributing to the development of the city.This is a very important part of our review of IUPA.(Translated by PANG Lingbo)

Kristin Feireiss

Director, AEDES, Berlin/2013-17 Member of the jury of the Pritzker Architecture Prize/2012 Member of the international jury for the Architecture Biennale in Venice

First of all, I have to say, it was not only a great pleasure to join this jury for the second time,and it was also a very exciting experience to see all these projects. And we were looking at all of them very carefully. And first of all, it is wonderful that there are projects from all over the world -from Lebanon, from Africa, from Germany, from nowhere, whatever. This is good because it shows,also it is a rising number of projects submitted,and how important this prize is. The second is that this time, many of these projects has to do not only with great architecture, but definitely with human beings. They show us, most of the projects to rise up the living quality of everybody wherever they live - in urban environment, in rural places, little villages. What I also found interesting, and I think somehow courage of the architect to send us very small projects in villages. For example, to use the local materials to build in the middle of little town a place for communication, a meeting point for this village, which I did not have before, and it was wonderful for the communication and the living of these people. And this you can find in all levels.

LI Cundong

Secretary-General, the Architectural Society of China (ASC)

In my opinion, International Urban Project Award (IUPA) is very important, and it has been more important than ever. We all know that many international exchanges have been affected to varying degrees due to the COVID-19. We are trying to expand our communication approaches and tools,such as online meetings and so on. As a professional exchange, IUPA provides us with a more effective way to communicate between professionals. It has 80 projects from 25 countries for 2020. Although we did not have the opportunity to meet with architects of these projects, we could also experience the architectural works of different countries, different regions and different cultural background produced by them in the current situation. These works are actually intermingled. The fact that IUPA is able to attract so many works is itself a cultural exchange.It also leads to another kind of more academic, and more future-oriented communication. I think it is very relevant and very important.

The city in the future will be more positive and more dynamic. Right now, especially in the post-pandemic era, people need a healthy environment as well as a more positive attitude. If a city can bring us a positive, upward and healthy psychological expectation through its buildings and its environmental transformation, I think this is a state the future city should give us and it is also what everyone hopes.

The projects that win IUPA should response to the vitality, initiative and health significance of the city. Many projects of this year are actually very excellent and thus it is hard to select a few. I set three priorities to evaluate the project: firstly, the work itself should be creative and innovative and there should be a kind of tension that is reasonable and unexpected, including its role in the city.Secondly, the building itself, especially in the current context, should not only contain its own functions and but also respond to its surroundings and play a more positive role in the built environment and contribute to the vitality of the city. It should be environmental-friendly, attractive, and interactive. Thirdly, it should also have certain social signi ficance, such as promoting people's physical or/and psychological health. Some of the projects have their social meanings that we should be aware of and encourage more to appear in the future. (Translated by PANG Lingbo)

Boris Schade-Bünsow

Editor-in-Chief,Bauwelt

In the future, we have to face some different challenges. The way we work and the way we move will change, the mobility on urban structures and in the world context as well will change fundamental.We have to improve architecture and urban design in a very new way than we did it before. So I do believe architecture must be more flexible, more resilient than architecture and urban planning we designed before.That is why we are looking for flexible structures, and flexible architecture. All together comes along with a human-scale approach in future-oriented design.

1-6 采訪視頻

Sergei Tchoban

Architect BDA/Partner, Tchoban Voss Architekten/Honorary member of the Russian Academy of Arts So what I notice today is that architecture has to answer completely different questions, with completely other questions, I suppose, even for 10 or 15 years. So if in the traditional town, or in the traditional urban development, we had for 10,20 years, the questions of traditional density and public spaces remain. So now the mixture between public space and different functions become completely achiered. And I think the projects that we have seen now and had discussed about,they show how important it is to involve the old substance, the industrial substance, the public space, different layers of people, different layers of building and natural surrounding into each other,and to create completely other sustainable route,which has absolutely nothing to do with traditional understanding of what is a town, what is an urban space, but to create the very new proposals, very new pictures, and prototypes for what we hope for the future urban space.

ZHANG Li

Dean of School of Architecture, Professor at Tsinghua University/Deputy Chief Architect,THAD/Standing Council Member, Architectural Society of Shanghai China (ASSC)/Editor-in-Chief,WAmagazine

One of the significant differences International Urban Project Awards (IUPA) has from many other design awards is that, it does not focus on single buildings any longer. In fact, many awards nowadays also start to concern the interaction between human and space. IUPA does the same. It has an important connotation, which is to boldly de fine and experiment new ways of life with innovative technologies and ideas with the priority of maintaining the dignity of our life.

Actually, the history of urban civilisation is a process of gradual accumulation and evolution based on human habitat in which people's dignity,ideals and life meanings are enhanced by living at a higher density. Human's intelligence is enhanced by communicating with others as well. I do not think IUPA will change the direction of history of urban civilisation, but under the unique historical background - i.e. today's unique technology and social concepts, to strengthen it further.(Translated by PANG Lingbo)

7-10 柏林評(píng)審現(xiàn)場(chǎng)(攝影/Photo: Jasmin Schuller)

11-14 北京評(píng)審現(xiàn)場(chǎng)(圖片來源/Sources: CADE)

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