文里·松陽三廟文化交流中心，麗水，中國

建筑設計：家琨建筑設計事務所

1 外景/Exterior view

2 鳥瞰/Aerial view

3 融入周邊街區肌理/Integrated into the neighbourhood

基底原狀

文廟城隍廟街區位于松陽縣城正中，自古便是松陽人的公共活動場所與精神中心，歷經百年變遷，遺存有不同歷史時期建造的各色建筑。但數十年來，這一曾經的精神文化中心日漸衰落，環境雜亂，業態凋敝，缺乏活力。

場地梳理

來自不同年代的建筑與環境要素是蔚為珍貴的時間痕跡，它們記錄并形塑著老城中心的功能演變與生活情景。如何處理新與舊的關系，令昔日的精神文化中心重新鏈接當代生活，成為設計重點。

設計中對現存建筑進行細致評估和分級保護，力圖呈現完整連續的歷史斷層，使不同時空的物質遺存與場所記憶得以交融共生。

設計策略：“泥鰍鉆豆腐”

（1）疏解打通

在梳理場地時反復與居民協商，于一尺一寸的進退中切削出場地邊界，疏解后期加建以恢復原有街區肌理。此外，設計著重釋放兩廟前的公共空間，并打通街區與周邊社區連通的巷道“孔隙” 。

（2）更新系統

在梳理后的基地內植入更新系統——一個蜿蜒連續的深紅色耐候鋼廊道。廊道對于現狀樹木和保留遺存進行了審慎退讓。窄處為廊，串聯保留老建筑；寬處為房，容納新增業態。整體營造出一個既公共開放又富于傳統情致的當代園林。廊道于疏解后的街區蜿蜒穿梭，有如“泥鰍鉆豆腐”：疏解后的老街區“厚”而“松”，作為基質；新介入的廊道蜿蜒靈動，打通聯系，并在臨街界面探出觸角。

新舊碰撞出“空”的自然形態，記錄下動態的生成痕跡。藤樹草苔的生長與糾纏，模糊著廊道與空地或建筑遺存的邊界，新舊界面不再截然分離，而是混沌地共融共濟。

展品展臺

廊道整體均為一層，高度低于老建筑檐口，如低平的“展臺”襯托作為“展品”的保留建筑。新舊并存，原真表達。更新系統作為結構整體“輕落”在場地上，如船浮于水面，避免深基礎對于場地的破壞。

植入業態

延續兩廟街區原有的廟堂文化和市井文化脈絡，植入書店、咖啡、美術館、非遺工坊、民宿等業態，為周邊社區乃至整個松陽提供一個公共的文化交流活動場所。

擁抱社區

恢復并強化青云路為軸、兩廟為翼的傳統格局。失落的老廟經修繕，繼續延續市井煙火，成為人們文化活動的舞臺。新舊界面的交互間，生活長卷次第展開，重聚老城人氣。整個街區轉型為展示綿延百年的建筑遺存與動態文化生活的泛博物館，以開放之姿擁抱周邊社區，再度成為松陽的精神中心。

4 平面/Plan

1-商業（原電視臺）/Commerce (former TV station)

2-精品民宿客房/Boutique homestay

3-精品民宿客房（原區委辦公樓）/Boutique homestay(former district office)

4-精品民宿大堂/Homestay lobby

5-文廟/Confusion Temple

6-中餐廳（原銀行）/Chinese restaurant (former bank)

7-書院/Bookstore

8-茶樓（原幼兒園）/Tea house (former kindergarten)

9-文倉美術館/Wencang Art Museum

10-城隍廟/Chenghuang Temple

11-民宿高級套房/Homestay suite deluxe

12-咖啡廳/Café

13-園區入口/Neighbourhood entrance

5 剖面/Section

Site Original Situation

Situated right in the centre of Songyang County, the Confusion Temple and Chenghuang Temple district has been a public activity centre and spiritual centre for Songyang people since the ancient time, which contains characterised buildings of different historical periods. However, this once spiritual and cultural centre was deprived of vitality for decades due to environmental chaotic and business declining.

Reorganising Site

The architectural and environmental elements from different ages are precious traces of time,which have witnessed and shaped the functional evolution and life scenarios of this old city. When the transformation begins, how to deal with the relationship between the new and the old so that the former spiritual and cultural centre will re-link contemporary life, becomes the focus of design.

This project aims to present a complete and continuous historical segment. It carefully evaluates conditions as well as accommodability of the existing buildings, and protects them correspondingly with hierarchical strategies, so that the remains of different time and space and the memory of the site can blend and coexist.

Design Strategy: "Loach Tofu Soup"

(1) Sort Out & Open Up

Through the repeated negotiation with local residents, the boundary of the site was defined by the means of the one-foot-one-inch advance and retreat. The design restores the original urban texture and focuses on regenerating the public space around two temples and opening up surrounding pathways into the city circulations.

(2) Updated System

An updated system - a corridor with weathering resistant steel, is embedded into the newly arranged site. With different breadths, the corridor makes a deliberate concession to the existing plantation and the retained relics. The narrower sections act as hallways connecting preserved buildings while the wider ones turn into rooms accommodating new business. The whole building complex is therefore transformed into an open modern garden yet still holds a traditional flavour.

The corridor meanders through the deconstructed neighbourhood, just like the cooking process of "Loach Tofu Soup". The deconstructed neighbourhood is"thick" and "loose", serving as a substrate while the newly intervened corridor is more flexible, opening up connections and protruding tentacles at the street interface.

The new and the old collide with a natural form of "emptiness", recording the trace of the dynamic generation. The growth and entanglement of vines, trees, grass and moss blur the boundary between the corridor and the open space, or the buildings remained. The interface of the old and the new is no longer completely separated, but fuses together.

(3) Exhibit/Booth

The height of the newly-built corridor is slightly lower than the cornice of preserved existing buildings, like the "booth" serves as a foil to the"exhibit". The new and the old coexist with an authentic illustration. The updated system is like the floating boat to water, lightly placed on the site as the whole, avoiding possible damages of historical relics.

Implanting Format

The new system continues the local context of the temple culture and the civil culture and enriches the original business with programmes such as bookstore, café, museum, and intangible cultural heritage workshops, in order to offer flexible space to hold public events ranging from community activities to international seminars.

Embracing Neighbourhood

The renovation restores and strengthens the traditional pattern where Qingyun Road is the central axis and two temples are the wings. The newly built open corridor threads and pierces through surrounding pathways and joins once closed neighbourhood to the urban environment. The old temples are reactivated,becoming the cultural lounge for varies folk activities.

The new and the old interfaces intertwine through daily scenes; the picture of local life is slowly unfolding, reuniting this old city's popularity.The whole architecture complex is transformed into a pan-museum displaying dynamic cultural life and buildings with hundred-of-year history. It embraces the surrounding neighbourhood with an open attitude and has once again become the spiritual centre of Songyang.

項目信息/Credits and Data

地點/Location: 浙江省麗水市松陽縣/Songyang County,Lishui City, Zhejiang Province, China

客戶/Client: 北京同衡思成投資有限公司，松陽思成文里文化發展有限公司/Beijing Tongheng Sicheng Investment Co., Ltd., Songyang Sicheng Wenli Cultural Development Co., Ltd.

主持建筑師/Principal Architect: 劉家琨/LIU Jiakun

設計團隊/Team: 陳瞰，楊鷹，張燦，劉速，何強，易慧中，李文婷/CHEN Kan, YANG Ying, ZHANG Can, LIU Su,HE Qiang, YI Huizhong, LI Wenting

照明設計/Lighting: 清華同衡規劃設計研究院光環境規劃

設計研究所/Dept. of Lighting Planning & Design, Tsinghua Tongheng Urban Planning & Design Institute

總承建/General Contractor: 浙江宏信建設有限公司/ZhejiangHongxin Construction Co., Ltd.

場地面積/Site Area: 9813 m2

總建筑面積/Total Floor Area: 更新部分/Regenerated:2378 m2；保留改造部分/Remained: 2335 m2

層數/Floors: 一層（更新系統）/One (regenerated system)

攝影/Photos: 存在建筑/Arch-Exist

6 新建廊道和街區/The relationship between new corridor and neighbourhood

7 青云路入口/Main entrance on Qingyun Road

8 蜿蜒穿行的新建系統/The updated system

9 區委樓南側小樹林及民宿“小堂”/Grove courtyard in front of district office and hostel "Xiaotang"

10 青云路咖啡廳/Café on Qingyun Road

評委評語

李存東：中國很多曾經極具歷史記憶的城市場所都面臨著被快速現代化大潮沖刷洗凈的風險，如今像松陽這樣仍然存在的歷史建筑和成片老街區就顯得尤為珍貴。如何保護與更新，該項目給出了較為有效的方法。輕介入的廊道體系，有效平衡了既有建筑與新增功能的關系，形態上突出了原有城市肌理，業態上激活了現代生活空間。新與舊既有區分又有所融合，城市精神得以傳承，并保持了持續生長的可能性，帶有時間痕跡的設計體現出當代的智慧。

張利：這個項目以一種線性體驗式空間穿越到傳統的肌理中，來體現對歷史城鎮的一種干預。這種空間干預方法本身就是比較新穎的，能夠把老城鎮在時間上的豐富性自然地呈現出來，它在這方面給人的印象特別深刻。

Jury Statement

LI Cundong: Many of China's historic urban places are at risk of being washed away by the tide of rapid modernisation, and historic buildings and patches of old neighbourhoods such as Songyang are particularly valuable today. The project offers a more effective approach to conservation and regeneration. The lightly intervening corridor system effectively balances the relationship between the existing buildings and the new functions, highlighting the original urban fabric in terms of form and activating modern living spaces in terms of retail format. The new and the old are both distinguished and integrated, the spirit of the city is passed on, and the possibility of continued growth is maintained. The design, which bears the marks of time,reflects contemporary wisdom. (Translated by PANG Lingbo)

ZHANG Li: This project merges its intervention into the historic fabric by a winding linear cutting through.This approach is quite unusual and quite impressive. It helps to bring out the rich meaning condensed in the built fabric through hundreds of years.