詩路浙江之美

胡堅

拿到這本由浙江文藝出版社出版的《詩路浙江》樣書時，我當即被其獨具韻味、淡雅精致的裝幀設計所吸引。翻開這本書，更為它優雅的體例布局、古樸淳厚的插圖設計以及優美的文字所折服。

《詩路浙江》以錢塘江詩路、大運河詩路、浙東詩路和甌江詩路為主體線索，涉及浙江全境11個地級市，錢塘江、甌江、大運河、富春江等知名水系;會稽山、天臺山、雁蕩山等知名山岳;西湖、靈隱寺、嚴陵釣臺等知名景點。從中國歷史上選取120首左右描寫四條詩路的古典詩詞，如《夢游天姥吟留別》《錢塘湖春行》等，并加以賞析。同時，全書配上描繪四條詩路的知名古畫，如《富春山居圖》《西湖十景》等。全方位展現詩詞與浙江山水的聯系，展現浙江的文化之美、生態之美、氣韻之美、活力之美。

中華文化源遠流長、燦爛輝煌。在5000多年文明發展中孕育的中華優秀傳統文化，積淀著中華民族最深沉的精神追求，代表著中華民族獨特的精神標識，是中華民族生生不息、發展壯大的豐厚滋養，是根植中國特色社會主義的文化沃土，是當代中國發展的突出優勢，對延續和發展中華文明、促進人類文明進步，發揮著重要作用。近年來，中央在保護傳承中華優秀傳統文化方面做出了許多重要部署，包括出臺了《關于實施中華優秀傳統文化傳承發展工程的意見》等。為此，浙江省提出建設大運河、錢塘江、浙東、甌江四條詩路文化帶，并對這項工作做出了全面的規劃與部署。之后，浙江全省在詩路文化的建設與發展上做了大量的工作，這次浙江文藝出版社出版《詩路浙江》，是其中濃墨重彩的一筆。

詩是文學中的文學，廣義的詩是一切藝術的統稱，是自然美、藝術美和人生美的代名詞，是人類觀照世界的重要方式。古人說，詩言志。我也常想，從古到今，詩人們為什么要寫詩。據我考察，大體上有如下原因：一是抒發情懷，二是感悟人生，三是寄情山水，四是謳歌友情，五是觸景生情，六是感嘆萬物……正因為人有豐富的情感，于是就有了抒情達意最好的方式之一——詩詞。中華民族數千年的文明史，先人們留下了無數燦若星辰的詩詞歌賦。

浙江乃古越之地，自古麗逸江南、山靈水秀、人文蔚興，先人山高水長之風、兩浙鐘靈毓秀之境，吸引了歷代思想先哲、文人墨客來浙江游歷歌詠。杭州美景，讓晚年居家養老的白居易念念不忘，寫下“江南憶，最憶是杭州。山寺月中尋桂子，郡亭枕上看潮頭。何日更重游”的名篇;錢塘江大潮，讓蘇軾寫下“萬人鼓噪懾吳儂，猶是浮江老阿童。欲識潮頭高幾許？越山渾在浪花中”的佳作;天臺妙境，讓李白寫下“天臺鄰四明，華頂高百越。門標赤城霞，樓棲滄島月。憑高登遠覽，直下見溟渤。云垂大鵬翻，波動巨鰲沒”的名句;永嘉山水，讓謝靈運寫下“池塘生春草，園柳變鳴禽”的曠世之作，開創了山水詩創作的新天地。

書寫浙江的詩詞，成千上萬，難以計數。東晉南朝是浙江詩路文化的發生期，唐宋是詩路文化的興盛繁榮期，明清是詩路文化的深化融合期。先人擇水而居，繁衍生息，以水系（古道）為紐帶貫穿浙江全省，勾勒出了浙江詩路文化的詩人行跡圖、水系交通圖、遺產風物圖、名城古鎮圖、浙學學脈圖“五幅地圖”，分別繪就錢塘江詩路、大運河詩路、浙東詩路、甌江詩路“四條詩路”，文化之魂深深鐫刻在浙江大地上，是歷史留給浙江的寶貴財富，是浙江人民生生不息的精神動力與文化情懷。

浙江省委省政府提出打造“四條詩路”的決策部署，建設詩路文化帶，是全省“大花園”建設的標志性工程，是打造文化浙江的時代亮點，對展示現代版《富春山居圖》，打響“詩畫浙江”金名片，深入踐行“綠水青山就是金山銀山”理念，全面推進“兩個高水平”建設，都具有重要意義。“四條詩路”串起千村百鎮、串起江南文化，為浙江打造文化高地、文明高地提供新的路徑，形成浙江文化精華之“鏈”、山水之“鏈”、全域發展之“鏈”，走出一條世代傳承的文化自信之路、綠色生態文明之路、勇立潮頭的高質量發展之路。

全書精選歷代詩人吟詠浙江的佳作一百多首，分置于“四條詩路”之下，每條詩路又對應各自地區，條目十分清晰。每首詩詞，皆有獨到的賞析評點，使讀者在對詩詞的品鑒中，對浙江詩路之存在獲得深入的理解。詩路既是詩歌之路，也是山水之路，因此，書中還配有歷代描摹山水的古畫近百幅，真是詩中有畫，畫中有詩，詩路浙江，做到了詩畫合一。

美麗浙江，詩路沿線城鎮繁華、經濟繁榮、文化興盛，展現了浙江創新發展的活力。隨著經濟社會的發展，浙江正在打造共同富裕示范區，老百姓的日子越過越好。美好生活不僅體現于衣食住行的富足，更在于精神文化的豐裕。當此盛世，正是弘揚優秀傳統文化、做出優異成績的良好時機。《詩路浙江》就是這一時代背景的產物。這本漂亮、精致、好讀、耐看的書，將向廣大讀者普及浙江“四條詩路”背后的文化故事，講述浙江歷史的悠久，展現浙學的文化魅力。期待這本書既為浙江詩路的研究提供有益借鑒，也為讀者提供一份別樣精彩的精神食糧。如此，功莫大焉。

（作者系浙江省人民政府參事、咨詢委員會委員）

The Beauty of Zhejiangs Poetry Roads

By? Hu Jian

When I got Poetry Roads in Zhejiang， published by the Zhejiang Literature and Art Publishing House， I was immediately attracted by its charming and exquisite design. Opening this book， I was again fascinated by its elegant layout， its simple and vintage illustrations and above all its beautifully written poetry and analysis.

As the title suggests， one of the main threads of the book is the four poetry roads of Zhejiang， i.e. the Qiantang River Poetry Road， the Grand Canal Poetry Road， the Oujiang River Landscape Poetry Road and the Tang Poetry Road in East Zhejiang， which covers all the 11 prefecture-level cities of the province， renowned mountains such as the Kuaiji Mountain， the Tiantai Mountain， the Yandang Mountain， as well as popular scenic spots such as the West Lake and the Lingyin Temple. The other main thread is the 120 celebrated Chinese poems that have been specially selected for appreciation and analysis. Coupled with illustrations， most of which are famous paintings about places along the four poetry roads， the book has presented the readers with a beautiful Zhejiang in culture and ecology， a charming Zhejiang in temperament and vitality.

Over the past 5，000 years， a fine traditional culture has been born out of the Chinese civilization， the accumulation of the deepest spiritual pursuit of the Chinese nation and the epitome its unique spiritual identity. In recent years， the Chinese government has issued a series of policies in protecting and inheriting Chinas fine traditional culture. Accordingly， Zhejiang province has proposed the aforementioned four poetry roads or cultural belts and made a comprehensive plan. Since then， extensive work has been carried out in its implementation， of which Poetry Roads in Zhejiang is an important part.

Poetry is literature within literature. In a broader sense， poetry is a general term for all forms of arts and an important way for human beings to see the world. Indeed， as the ancients used to say， poetry is an expression of ones aspirations. I have often wondered why poets have written poetry throughout history. I believe they do so for the following reasons： to express emotions; to show an understanding of life; to communicate feelings through mountains and rivers; to eulogize friendship; because emotions and feelings are stirred up by what they see; or to lament for everything. There is no doubt that one of the best ways to convey emotions and feelings is through poetry and in Chinese history， the classical poets have penned countless poems.

As the place where the state of Yue （2032-222 BC） was born， Zhejiang has been known for its charming landscape， hospitable people and unique culture， drawing sages， literati and poets alike over the generations. Bai Juyi （772-846） for instance， still pined for Hangzhous mesmerizing scenery in his later years， “When I remember Jiangnan [south of the Yangtze River]， most fondly I remember Hangzhou.” Su Shi， marveling at the magnificent Qiantang River tidal bore， exclaimed， “How high can the crest of the waves soar？ Even the Yue mountains are buried beneath all.” Li Bai （701-762）， traveling on the Tiantai Mountain， declared， “Looking far into the distance up high， the seas are directly under my eye.” Xie Lingyun （385-433）， the pioneer of the landscape poetry genre， wrote， ”Spring grass grows rampantly over the pond and myriad birds chirp happily in the willows，” during his stay in Yongjia.

From the Jin dynasty （266-420）， when the “poetry road culture” began to germinate， through the Tang （618-907） and Song （960-1279） dynasties in its height， to the Ming （1368-1644） and Qing （1616-1911） dynasties when it firmly took root， tens of thousands of poems were written on Zhejiang. Although called poetry “roads”， they in fact run largely along the provinces major rivers， around which the forebearers of Zhejiang chose to live. The poetry road culture is a precious treasure bequeathed to Zhejiang， and the provincial governments decision to build a Poetry Road Culture Belt has provided a new approach for the provinces cultural development， a major component of its pursuit for high-quality development.

Indeed， the urban affluence， economic prosperity and cultural richness along the four poetry roads testify to Zhejiangs dynamic of innovative development. At present， the province is working to establish a demonstration zone for common prosperity， as people here are living an ever better life. A good life is not only abundance in food， clothing， housing， transportation， among other material aspects; it also means spiritually and culturally prosperous. Poetry Roads in Zhejiang is born in such a context. This exquisite and readable book will help readers learn more about the stories behind the four poetry roads， about the history of Zhejiang and about Zhexue （the Zhejiang Scholarship）. I hope this book will be useful for the research of the poetry roads， and supply readers with enough food for thought.