夢(mèng)之家

建筑設(shè)計(jì)：在地計(jì)劃 | 主持設(shè)計(jì)師：KuoJze Yi,Peter Hasdell | 地點(diǎn)：中國(guó)河南省

Design Company: Insitu Project | Leading architects: KuoJze Yi,Peter Hasdell | Location: Henan Province,China

在中國(guó)登封州舟山村的一個(gè)廢棄窯洞里，建造了一個(gè)社區(qū)中心。不同的是，來(lái)自附近100 個(gè)村莊的居民共同收集垃圾并參與建設(shè)，將他們的故事和記憶留在了建筑物的表面。在沒(méi)有提供任何技術(shù)圖紙的情況下，通過(guò)現(xiàn)場(chǎng)討論設(shè)計(jì)社區(qū)空間，這些不熟練的居民成為了設(shè)計(jì)過(guò)程中的主要參與者，也讓他們有機(jī)會(huì)為自己的社區(qū)感到自豪。

項(xiàng)目設(shè)計(jì)恢復(fù)了19 個(gè)洞穴，并在三個(gè)下沉庭院周?chē)ㄔ炝艘幌盗行陆ㄖＴ擁?xiàng)目的3 個(gè)目標(biāo)是：重建洞穴、恢復(fù)傳統(tǒng)和技能、以及集體記憶的恢復(fù)。項(xiàng)目名稱(chēng)“夢(mèng)之家”也來(lái)源于村民們?cè)谏蕉蠢锏耐暧洃?，以及現(xiàn)在僅作為夢(mèng)想存在的家庭生活的回憶。在墻壁和庭院的設(shè)計(jì)中，設(shè)計(jì)師使用廢料使窯洞生活的集體記憶成為現(xiàn)實(shí)，而這一實(shí)現(xiàn)也正是源于80 名村民的集體創(chuàng)造力。

“夢(mèng)之家”關(guān)鍵的建筑概念構(gòu)成了該項(xiàng)目：窯洞洞穴復(fù)興——以社區(qū)文化規(guī)劃過(guò)程逐步帶動(dòng)鄉(xiāng)村發(fā)展；使用回收的建筑垃圾進(jìn)行施工，實(shí)現(xiàn)循環(huán)和更可持續(xù)的做法——這些舉措幫助重燃了鄉(xiāng)村社區(qū)的記憶能量。

The House of Dreams is a unique revitalization of an abandoned cave settlement in Zhoushan village into a Rural Development Training Centre.Designed by Insitu Project with involvement of Lian Jun and the elderly village community,the project recovered 19 caves and constructed a series of new buildings around three sunken courtyards.The project’s 3 aims were: the reconstruction of the caves;the recovery of traditions and skills;and the restoration of collective memories.

The project name derives from the memories of the villagers of their childhood in the caves,and recollections of family life which now exist only as their dreams.The use of waste materials in the walls and courtyards makes physical the collective memories of the cave dwelling life.To enable this,as a part of the design and construction concept,villagers with no previous construction experience were trained in an innovative construction process to construct walls and surfaces using discarded construction and building waste.Very few detail drawings were produced for the project.The project realization therefore arises from the collective creativity of 80 villagers.

Four key architecture concepts structured the project: 1.Diversity of cave reconstructions: The community decided that cave revitalisation and new cave structures were to be diverse: earth cave,grey-brick arch cave,red-brick arch,extended structure,vaults,conical arch structures,and cantilevered cave structures.2.Rural revitalisation: The project should initiate rural development in a step by step community run cultural planning process as a social paradigm.3.Cyclical material economy: Construction to be done using recycled construction waste,aimed towards circular and more sustainable practices and increasing villager skills and training in construction and reducing cost.4.Enhance environmental planning and passive micro-climate principles