999精品在线视频,手机成人午夜在线视频,久久不卡国产精品无码,中日无码在线观看,成人av手机在线观看,日韩精品亚洲一区中文字幕,亚洲av无码人妻,四虎国产在线观看 ?

A Feminist Stylistic Analysis of Gender瞗ree Pronouns in Sula

2013-04-29 13:29:15張璇
藝術科技 2013年9期

張璇

Abstract:As one of Morrisons early creations, Sula has aroused a lot of concern since its publication in 1973.As a literary discourse of Morrisons artistic and ideological expression, Sula reveals the writers ideological orientation about womens fate and identity.Based on stylistics for its objective analysis of language in literary works and its advantages in revealing deep meaning, this thesis takes a Sara Mills feminist stylistic analysis of the language of Sula, hoping to bring to light Morrisons feminist ideas embedded in the stylistic features of the work.

Key words:Sula; feminist stylistics; genderfree pronouns

Genderfree words are carefully chosen in Sula to criticize generic forms which present the male as an unmarked and the female as a marked form.Many researches have shown that sexist language does have farreaching effects not only in the short term on peoples relation to others and their environment, but also in the long term on their selfimage and confidence.Genderfree words are widely used in Sula, which testifies that Morrison wants to create womens own language, thus challenging the male domain ideology.

Genderspecific words signal a male orientation which was criticized strongly by feminists.The most wellknown and typical example of genderspecific or sexist language is the generic pronoun “he”, and it is frequently referred to as “heman” language, using “he” to refer to both male and female.Genderfree nouns are used deliberately by Morrison to advert the stereotypical views of the sexes.Two aspects can be classified in describing the usage of genderfree words in Sula.

Firstly, femalespecific pronouns are used more frequently in Sula instead of malespecific pronouns, and even genderfree pronouns, thus establishing a high position of female status in the community.In the first paragraph of the first chapter of Sula, the whole story begins with an introduction of the setting, within which there appears such a sentence: the owner cooked in her hat because she couldnt remember the ingredients without it (Morrison, 1982:1).Both “her” and “she” in the sentence are used to refer to the owner whose gender is not clear.There is an option to be chosen because “she” can be seen to contain “he” within it.

The usage of “heman” language can not be found throughout the novel, representing an attitude that women are by no means a part of men.Besides, the specific pronoun “she” is given overwhelming priority to any other pronouns, leaving a striking impression that this novel focuses on females instead of males.The seemingly common wishes are by no means easy for black women in America with sexual discrimination at that time, while an equal circumstance is created in Sula via the use of genderfree pronouns.

Secondly, genderfree pronouns are used frequently instead of malespecific pronouns in Sula to avoid sexual discrimination.Also in the first paragraph of Sula, a sentence describing the living status of the local people goes like this: they are going to raze the Time and a Half Pool Hall, where feet in long tan shoes once pointed down from chair rungs (Morrison, 1981:3).In this sentence, the term “feet in long tan shoes” which refers to mens sexual characteristics is used, showing a negative attitude towards male, as these words are used to define men.

Genderfree expression of plural pronoun “they” is used to diminish sex distinction, ignoring the existence of male.A typical example appears at the beginning of the second part of the novel, which is a description of peoples reaction to Sulas return to the community.In the first four paragraphs, each sentence begins with the plural pronoun “they”, being used to cover both females and males, which is repeated thirteen times.Besides, such genderfree words as “nobody” and “people” are used repeatedly to refer to all the people in the community, including men and women, creating an effect of not expelling women from the narration.

Through analyzing genderfree pronouns in Sula, female orientation of Morrison can be found.The use of genderfree pronouns makes little alteration on the informational content, but the address of the sentences has changed so that both males and females are equally addressed.Besides, women are foregrounded from the background by using genderfree prouns in Sula, in accordance with Morrisons intention of building a female world.

References:

[1] Bischoff, J.The novels of Toni Morrison: Studies in thwarted sensitivity [J].Studies in Black Literature.1975(6):2123.

[2] Wales, K.Feminist Linguistics in Literary Criticism [M].Woodbridge: Boydell & Brewer,1994.

[3] Wills, S.Specifying: Black Women Writing the American Experience [M].University of Wisconsin Press,1989.

[4] 托妮·莫瑞森(Toni Morrison).秀拉[M],胡允恒,譯.北京:中國社會科學出版社,1988

[5] 王海萌(Wang Haimeng).激情背后的孤寂:《秀拉》中的性別主義[J].四川外國語學院學報,2004(3):4860.

主站蜘蛛池模板: 久久久久国产精品熟女影院| 91精品国产自产在线老师啪l| 国产成人精品2021欧美日韩| 毛片基地视频| 国产一区在线视频观看| 99在线视频免费观看| 久久国产毛片| 日韩精品亚洲人旧成在线| 亚洲乱强伦| 国产精品综合久久久 | 91午夜福利在线观看| 亚洲精品男人天堂| 成人免费午间影院在线观看| 天堂在线www网亚洲| 精品久久人人爽人人玩人人妻| 99精品热视频这里只有精品7| 色老头综合网| 在线人成精品免费视频| 国产男女免费完整版视频| 97久久人人超碰国产精品| 九九九精品成人免费视频7| 99热这里都是国产精品| 久久毛片网| 欧美视频免费一区二区三区| 国产一级裸网站| 欧美一级黄片一区2区| 亚洲日韩高清在线亚洲专区| 好紧太爽了视频免费无码| 88国产经典欧美一区二区三区| 国产亚洲精品自在久久不卡| 国产91小视频| 青青草原国产精品啪啪视频| 亚洲综合精品第一页| 99视频国产精品| 人妻无码一区二区视频| 不卡视频国产| 国产农村妇女精品一二区| 99尹人香蕉国产免费天天拍| 日本在线视频免费| 在线中文字幕网| 手机精品福利在线观看| 超薄丝袜足j国产在线视频| 欧美精品在线看| 国产91久久久久久| 国产精品漂亮美女在线观看| 国产精品无码一二三视频| 久久久久亚洲av成人网人人软件| 国产真实乱子伦精品视手机观看| 久久国产免费观看| 国产小视频网站| 国产99视频精品免费观看9e| 久久精品午夜视频| 日韩在线永久免费播放| 激情六月丁香婷婷| 久久综合激情网| 黄色网站在线观看无码| 国产欧美日韩资源在线观看| 色老头综合网| 成人一区在线| 91国语视频| 欧美国产精品不卡在线观看| 色婷婷在线播放| 久久黄色一级视频| 国产乱人伦AV在线A| 国产精品人成在线播放| 成人精品在线观看| 久久国产精品电影| 毛片网站在线播放| 中文字幕一区二区视频| 国产亚洲精品va在线| 国产99精品久久| 欧美日韩va| 激情视频综合网| 国产自在自线午夜精品视频| 手机精品福利在线观看| 91www在线观看| 国产极品美女在线观看| 超碰aⅴ人人做人人爽欧美| 全裸无码专区| 伊人色在线视频| 亚洲综合狠狠| 国产视频你懂得|