塔爾卡大學學生項目

生產輔助設施，尼肯，智利

塔爾卡大學學生項目

生產輔助設施，尼肯，智利

1 外景/Exterior view

關于土地文脈

智利中心山谷是一個特殊的空間，農作物種植改造了這里的自然環境。這種鄉村景觀以及有關它的記憶都是活的，帶有生態和社會的背景。這里正在生成一個有機體，而且這個有機體既是物質的也是文化的，既是客觀的也是主觀的。它在形象上表現為居民生活中生成的一些標記的集合（道路、莊稼、土堆、隧道），共同形成了一個建筑性的空間。

關于建筑

這個項目的概念源于兩個不完整的立方體，我們用它去定義生產空間，同時它也被這些生產轉變，這意味著它是一個未來可以改變的空間。第一個立方體是金屬的，用來擋雨和遮陽，第二個立方體由未經處理的木材制成，帶有試圖與環境相匹配且易于修補的外殼。

所有的材料和建造技術都是常見并且易用的，確保在未來與建筑物保持持續的關聯。它對周圍景觀開放，可以提供一個通風的空間，建筑物、地平線、莊稼、土壤以及自然，都可以成為其環境中的一部分。□（辛夢瑤 譯）

項目信息/Credits and Data

作者/Author: Yasna Paola Monsalve Fuentes

導師/Tutor: Andrés Maraga?o Leveque

位置/Location: 路易斯索托州，北公園，圣格雷戈里奧，尼肯，馬烏萊大區/Luis Soto state, North Park, San Gregorio, ?iquén, Maule Region

材料/Materials: 松木，可回收膠合板，鋅板/Pine wood, recycled plywood panels, zinc

攝影/Photos: Yasna Paola Monsalve Fuentes

3 剖面/Section

2 平面/Plan

4-6 細部/Details

About the territory

The Chile Central Valley, is a specialized space. Formed by a processed nature, and manipulated according to the production of food and supplies. This rural landscape is a live landscape, with memory, charged with a biological and social background. This, in short, is generating an extensive tissue. To our understanding, such tissue is both material and cultural, meaning objective and subjective. As an image, such tissue represents the accumulation of marks (roads, crops, plots, channels) from the processes developed by its inhabitants, which in sum turn out to be an architectural space.

About the architecture

The project starts as a strategy of two incomplete cubes, which are confronted to define a space where production happens, and it is transformed by this production, meaning that is a space open for change. The first cube is metallic and protects from rain and sun, the second is made of untreated wood, with a shell that tries to match the environment and which can be easily repaired.

All the materials and building techniques can be understood as common, accessible, and secure the subsequent relation with the building. Open towards the landscape it permits a ventilated space, but also, it allows for the built mass, the horizon, the crops, the soil, and the nature to be included with its environment. □(Andrés Maraga?o)

1x14 木板廣場（1個平面，14個剖面），特諾，智利1x14 Pallet Square (1 plan, 14 sections), Teno, Chile, 2013

1 外景/Exterior view

這個項目源于對庫里科和塔爾卡省內剩余材料的研究。木板是在這個區域內的城市和鄉村中被反復使用的材料，它具有令人矚目的構造能力，造價低且易于制作。

在完成材料研究和明確建造方法之后，需要考慮的是選擇合理的基地和功能。我們選擇的場所是特諾的圣塞瓦斯蒂安村中一個條狀的公共空間。根據研究，這個地區推動經濟發展、提供高就業率的大量水果公司，也使這里成為木板最多的地方。

5年前，該地段上曾有的一座典型的夯土住宅，在經歷過該區域的城市化和迫切住房需求之后被拆除，只保留下了一些樹。

該項目就位于原來的住宅所在地，它試圖挽救其曾經的存在意義。于是方案的第一步就是降低原來住宅位置上一個10mx10m廣場的水平高度，作為面對這片空白的姿態。

第二步是還原那些原本在樹蔭下的內院中可能存在的生活，因此大量木板被按照研究階段定下的施工方法進行設計。體量試圖展現受農耕風景影響的動態畫面。它由12排木板構成，每排70cm寬，剛好是一條步道的寬度，高度被提升1.15m，可以在樹蔭下眺望山谷，感受風和樹葉的沙沙聲。

項目被設計為一個由廢棄材料模塊構建的廣場。旨在形成一個場所，尊重這里的每個文脈要素，且讓這些要素成為一個活躍的部分。這個公共空間將為鄰里提供一處停留、賞景和娛樂的場所。□（辛夢瑤 譯）

項目信息/Credits and Data

作者/Author: Jonnattan Silva Ortega

位置/Location: 圣塞瓦斯蒂安村，特諾，馬烏萊大區/San Sebastián Village, Teno, Maule Region

材料/Materials: 木板，磚，碎石，沙子/Wooden pallets, bricks, gravel, sand

面積/Area: 267.65 m2

攝影/Photos: Jonnattan Silva Ortega

The origin of this project comes from the study of leftover materials in the region, mostly from the Curico and Talca provinces. This research shows the Wooden Pallet as a repetitive material with identity, in both urban and rural areas, with an interesting structural capacity, low cost and easy to manipulate.

After this material research and having a defined construction method, a research on which places and programs are suitable is conducted. The chosen place is a public strip in the San Sebastián de Teno village. From the research, this is the area with the largest amount of pallets, given the existence of many fruit companies in the town, which drive its main economy and provide the highest percentage of jobs.

The story of the strip tarts five years ago, where a typical rammed-earth house existed, which after the urbanization of the area and the strong housing demand, ceased to exist leaving only its former trees.

The project is located where the house existed and tries to rescue the significance it had. So the first decision is to level down the 10mx10m square of the former house, as a gesture to its void.

The second operation is to restore the life that could have happened in a patio under the shadow of a tree, and for that the mass is designed following the construction method defined during the research stage. This volume has the particularity of presenting dynamic faces, influenced by the plowing of the agricultural fields. It is built by twelve rows of wooden pallets modules 70cm wide, a size that is suitable for a pedestrian path, and its level is raised 1.15m to create an instance to overlook the valley from under a tree, and therefore under its shadow, the wind and the sound of the leaves.

In this way the project is defined as a square formed by modules of leftover material, with the main objective of forming a place, respecting every element in its context and making it an active part of it. This public space will provide the neighborhood with a place to stay, appreciate the landscape, and entertain themselves.□(Jonnattan Silva Ortega)

2 平面/Plan

4. 5 外景/Exterior views

3 14個剖面/14 sections

公共戲水區，利納雷斯，智利Popular Baths in Linares, Chile, 2014

1 外景/Exterior view

這個項目的構思來源于學生個人，他試圖為自己的家鄉提供一個空間，可以在許多方面適應其所在的這一環境脆弱之地。

位于城市南郊安科阿河的利納雷斯的公共戲水區正是這樣一個地方。這里一年四季都有人光臨，雖然已有政府提供的各種裝置，但卻不能充分發揮場所的美和潛能。安科阿河水清澈透明，未遭受污染，仿佛一面鏡子倒映出水面上的樹，如幽美環境中的背景音樂。

這個學生的焊接工藝傳承自他的父親，這使得他能積攢不少廢舊鋼材，用來完成他獲取建筑學學位的項目。250mm×50mm×3mm的槽鋼是他積攢最多的材料，也因此在這個項目中派了最多用場。

考慮到材料使用的經濟性，長椅被精確地設計，與自然遵循相同的效率法則，且緊密地協調于其他自然因素中。這些紅色元素仿佛另一物種被置于景觀之中，它們不是要努力成為主角，而是與現存的物種和環境形成對話和補充。□（辛夢瑤 譯）

項目信息/Credits and Data

作者/Author: Francisco Rojas

導師/Tutor: Glenn Deulofeu

材料/Materials: 鋼，鋼筋混凝土/Steel, reinforced concrete面積/Area: 730m2

攝影/Photos: Glenn Deulofeu, Francisco Rojas, Juan Román

4 細部構造圖/Detail drawings

2. 3 外景/Exterior views

The project is conceived from the personal motivation of the student to provide his birth town with a space that could accommodate its many facets in one of its many vulnerable places.

That's how an opportunity to act on the Popular Baths of Linares appear, located over the Ancoa River in the south periphery of the city. The baths, very visited through all the seasons of the year, had government designed installations that didn't helped the potential and beauty of the place: The paused and transparent waters of the Ancoa river, free from contamination, act as a mirror of the surrounding trees that reach out to the bank of the river while providing it with a background music.

The craft of soldering learn by the student, inherited from his father, allowed him during the previous years to gather leftover steel elements from his work so he can use them later as part of his project to obtain his architecture degree. The 250mm×50mm×3mm steel channel was the most abundant material he could gather, and therefore the most useful for this project.

The economy of the material and the precision in which the benches were designed, made them deeply fit with the other elements from nature –which follow the same principles of formal efficiency– in a way that the autonomy of these red elements is incorporated into the landscape just as another species, that dialogues and complements – without trying become the protagonist – the existing species and situations of the place.□(Glenn Deulofeu)

邁騰瓦皮公眾戲水區，塔爾卡，智利Maitenhuapi Popular Baths, Talca, Chile, 2014

1 外景/Exterior view

該項目位于圣拉斐爾區的一個公共戲水區，設計作為對處于危機中的景觀的回應。這里是一片開闊的自然水域，對公眾開放，處于資源有限的鄉村地帶。它的主要問題來自夏季的巨大負荷，數量龐大的殘留垃圾使這里在夏末儼然成為一個微型垃圾場。另一方面，冬季水面上漲，在河岸上殘留下大量的沉積物。如果不對這兩種情況采取措施，會導致這個區域不斷衰敗。

該項目希望給戲水區提供適合不同活動的發展機會。基于這塊區域的范圍以及人工元素的缺乏，一個新的幾何學方案應運而生。它形成一股張力，用以定義這個被用作河灘的特殊區域。這個新的幾何學方案既是一種限定，也是一條景觀中的線索，賦予了河灘、入口和停車場各自的性格。□（辛夢瑤 譯）

The project is located in a popular bath in the San Rafael District, conceived as a response to a temporal landscape in crisis. The landscape in this case is an open natural bath, for public use, located on a rural district with limited resources. The main issue comes from the heavy load during the summer, which leaves several amounts of litter, turning the place into a micro dump by the end of the season. On the other side, the rise of the river during the winter modifies the area by leaving a large amount of sediment by the bank. These two conditions, if uncontrolled, will lead to a constant decay of the area.

The project looks to open an opportunity towards the development of different activities in the baths. Given the extent of the area and the non-existence of artificial elements, a new geometry is proposed, not present in the nature, which generates a tension to define a specific area which is used as the beach of the bath. This new geometry becomes a limit and a trace in the landscape that will recognize and give character to the beach, entrance, and parking.□(Romina Andrea Poblete Sepúlveda)

項目信息/Credits and Data

作者/Author: Romina Andrea Poblete Sepúlveda

導師/Tutor: Gregorio Brugnoli Errázuriz

位置/Location: 阿爾托潘格，圣拉斐爾區，塔爾卡/Alto Pangue, San Rafael District, Talca

材料/Materials: 混凝土，鋼，石頭/Concrete, steel, stone

面積/Area: 195m2

攝影/Photos: Romina Andrea Poblete Sepúlveda

2 總平面/Site plan

3 剖面/Sections

4 外景/Exterior view

評論

王路：這4個由塔爾卡大學的學生完成的項目，無論是生產輔助設施，還是木板廣場或戲水區，都是基于對常用材料、建造方法、基地特點等方面的研究。在自然或文化景觀中介入的場所性景觀，是對基地文脈的續寫。對建筑學人而言，在學生階段就能建成自己的項目實在是令人興奮。

佘依爽：僅僅是增添了那么一點點

這組學生的作品，可以看出智利建筑教育的部分導向：自然環境的呼應與思考，生活材料的使用與體驗，鄉村空間的關注與激活。所有設計故事的展開都不是那么激烈與戲劇的，而是平緩地融入當地語境，僅僅是增添了那么一點點。

Comments

WANG Lu: Completed by the students of Talca University, these four projects, be it in regards to the wood-paneled plaza, water area or auxiliary production facilities, are based on careful research in commonly used materials, construction methods and site features. The site-specific landscape represents a sequel of the local context in its interference with natural or cultural landscapes. For aspiring architects, it is truly exciting to see their own projects come into fruition already in their student days.

SHE Yishuang: Just adding a little bit

From this group of student works, we can see some directions of Chile's architectural education: the response and reflection to natural environment, the application and experience of life materials, the attention and activation to rural space. Not all design stories are started that intensely and dramatically, but combined with local context gently, just adding a little bit of new things.

Projects of Students from Talca University

Productive Support in ?iquén, Chile, 2014