Explore the era of lacquer art development

【abstract】：Along with the advance of science and technology， lacquer art in design and material technology is facing the transformation and regeneration of the test. Based on traditional lacquer art and modern lacquer art of research and analysis， a more in-depth grasp the cultural essence of lacquer art. The modern lacquer， emphasize the aesthetic value of lacquer ware， shape and decoration ，which various technique of organic together， show unique charm.

【Key words】： "traditional lacquer art;modern;aesthetic

Traditional lacquer art

China is the first country to know lacquer and use it in the world， it has a history of more than seven thousand years. " Developed from Neolithic age to the warring states and Han dynasty， lacquer ware by the rapid development of technology， application scope and become quite extensive. Qin and Han Dynasties is a peak in the development of lacquer art. In Wei Jin Southern and Northern dynasties， lacquer ware by the influence of the painting， broke the style， flat with the techniques . Development of silver and gold flat to take off the lacquer ware in tang dynasty and carved lacquer ware the lacquer ware in addition. The Song and Yuan dynasties， and further development skills， such as gold and carved lacquer ware . In the Ming dynasty and Qing dynasty， the development of Chinese lacquer until its heyday. Chinese lacquer art not only formed its own art history's most brilliant movement， but also affected the development of Korea， Japan and other neighboring countries lacquer art， and gradually spread to Europe and around the world. However， modern Chinese lacquer art has significantly lagged behind Japan and Korea.

The modern lacquer art

The modern lacquer art is The modern lacquer art is diversity and openness which is based on the traditional lacquer art with a long history. With the development of economy and the progress of technology， people's aesthetic consciousness is changing， as the pursuit of personality， is growing on the expression of self-consciousness， the conditions it provides for the combination of lacquer art and jewelry. Lacquer art has a type， lines， color， light decoration performance that from the aesthetic features in terms of lacquer art has a qualitative， beauty of model， the beauty of function， decorative beauty， the beauty of inheritance. The combination of lacquer art and jewelry has double meaning， for lacquer art form of expression is a kind of injected fresh blood， lacquer art is innovation and the development of a new road， jewelry sector is also a kind of the rich and the expansion of the material and craft. The modern lacquer art expanded lacquer art category to the plane form of lacquer painting and solid model in the form of paint. Japan's modern lacquer on design positioning strive to close to the market and public life， and continues to expand the use of lacquer ware.

Update the lacquer art creation idea

Development to the modern lacquer art， the aesthetic function become the focus of modern lacquer art creation. Classic of traditional lacquer art gives us inspiration， in the design of modern lacquer ware， lacquer art home with lacquer art materials， paint the unique language to express the author， the idea of social， natural emotion with people. From material and model， color and skin texture， pattern and patterns such as visual language or give people a rich and elegant， or simple low-key， or warm， quiet or enthusiasm that is bold and unrestrained visual aesthetic feeling， have a high ornamental value of art.Through the model of lacquer ware， master more humanistic accomplishment and to grasp the historical context， which makes design practices into the more humanities connotation， decoration and other factors constitute the image， to reflect the spirit of modern people， reflect humanistic spirit， make the lacquer art establish more closely contact with modern people， reflect the characteristics of the new era.Lacquer art can't count on skill to show off， the technology behind must have the spiritual content.In addition， traditional humanistic spirit and cultural characteristics and the characteristics of paint， must make lacquer art creation in modern painting more freedom， more human creation ideas， reflect its inherent artistic expression and creative personality.

Lacquer art development today， has completed the lacquer art as an independent language definition into the art world. Lacquer art can be accepted by both east and west， in addition to its own charm that contemporary feeling and expression， which is that it has the vitality of the important reasons. With a new style of modern art to the continuation of traditional Chinese lacquer art， so as to realize the traditions at a higher level.

Development of lacquer art products market

In the lacquer painting and paint the three-dimensional must develop the high-quality goods market. It must rely on propaganda， the promotion of cultural and art company. The author believes that lacquer arts as long as there is business practices involved， will soon change more rigid.

In lacquer， can develop hutch supplies， office supplies， high-end gifts， personal jewelry， interior decoration， furniture， lacquer ware can also become industrial products of personalized decoration. Three-dimensional work in terms of relative lacquer painting and paint， lacquer market development depending on the different consumption level as high， middle and low class， and set up the lacquer ware in various shopping malls counters， let them into common people's real life. So， in the near future， not only formed the lacquer ware in the popularization of social life， also will promote lacquer art a continuation of the traditional culture.

Conclusion

Lacquer art is very representative Chinese characteristics of the traditional process， which is our nation's business. The old traditional process should not be neglected because of the rapid development of technology and civilization. Quite the opposite， it should be in the modern high-tech led by get more rapid development. lacquer art workers and relevant personage， which should be united and cooperated from all walks of life work together. In order to benefit future generations，we have responsible to make joint efforts to protect national intangible cultural heritage.

References

沈福文，《中國漆藝美術史》，北京， 人民美術出版社[M]，1992

喬十光，《漆藝》，杭州，中國美術學院出版社[M]，2000

MIke Excell.Part of the furniture [J]. Metalworking Production 2008

Crowe， S.（2000） The Landscape of Road[M].（London：Architectural Press）. KEVIN TEMPLE; The physic of scuplture. NOW.2005