圣農博物館，福建，中國

建筑設計：卜驍駿，張繼元/時境建筑

本項目位于圣農集團的生產基地，遠離城市，位于環境優美的武夷山。圣農集團一個非常重要的企業運營理念就是零排放零污染，運進山里的是飼料和水電，輸出的是雞肉、各種副產品和生物電能。在參觀了該企業的生產基地之后，設計師認為這是非常重要的一個設計出發點，圣農博物館在設計之初就明確了與自然環境和諧相處的設計理念。

源自大地

項目用地位于富屯溪河畔，在主干道的另一側是大量生產廠房和一個大型的景觀中軸線，在富屯溪的對面是層巒起伏的山脈。本項目一個重要的設計理念是希望建筑仿佛武夷山脈自然地貌的一個片段，從首層開始逐漸螺旋上升，一至三層屋面之間沒有明顯的層級關系，在狹窄的用地范圍內形成了一個連續三層的拓撲地形，游覽者可以從首層盤旋而上，沿著曲面的樓板和展覽流線一路走到屋頂，在屋頂平臺上一覽周邊的河流和山巒。這種沒有邊界的形態，自然地融入了周邊的環境。

室內外景觀的連貫性

建筑由一個盤旋上升的螺旋曲面構成，在其中構建出合理的室內外空間劃分尤為重要，設計師希望室內外具有連續貫通的視野，這在展覽空間中并不尋常，給室內的展陳帶來一定的挑戰。設計結合懸挑遮陽以及自然光穿透到室內的距離計算，通過對展覽的內容分類并仔細排布了一定的照度梯度，從室外景觀空間過渡到擁有自然光線的室內空間，再到較為封閉的室內空間，創造出連續變化的光線條件，從而緩和了人工環境與自然環境的強烈反差。而曲面的屋面和室外的走廊上面布有綠化系統，從遠處看仿佛是整個生態環境的一部分，設計師希望以這樣的一種新的形態，輕松地把室外的景觀系統引入到屋面上來，引入到室內的展陳空間當中。

在展覽流線上，室內的展覽空間和室外的自然山景相互滲透，形成一種“無盡的景觀”。

更大的景觀系統

在整個項目中，設計師不只關注項目場地本身，還希望將旁邊的景觀中軸帶、周邊的工廠區域和富屯溪景觀走廊緊密聯系在一起，而本項目的建筑結構也是其整個景觀帶上的一個節點。由此設計師還對周邊的景觀進行了規劃：一個架空的連廊穿過工廠的貨運主干道通往建筑的二層，從二層繼續前行穿過建筑，通過景觀廊道降落在富屯溪濱河景觀帶內。這樣從地面浮起的建筑的拓撲關系就擴大延伸到更大范圍的景觀系統中來，該形而上的設計為未來廠區的規劃做出了鋪墊：為未來的工廠區參觀動線與圣農博物館的展示和集會功能之間的聯動構架好基礎設施，從而可以激發該企業展示區未來作為旅游目的地的潛在可能性。

結構系統

該項目的結構體系為鋼結構，設計師希望呈現整個地面被拉升起來的效果，所以希望樓板盡量薄。結構工程師做了很多設計嘗試，用鋼梁擬合該曲面樓板，最終達成的效果是建筑部分層高5.5m，部分層高16m，雖然產生了巨大的結構高差，但最終實現了該設計理念。該曲面樓板的坡度與逃生樓梯規范劃分相匹配：整個建筑的最終形態其實是受逃生樓梯坡度的影響。

展陳體驗

展陳體驗希望不干擾建筑空間的拓樸形態：高大的空間能夠給人以輕盈空曠的超人尺度的感受，與一般的展覽空間不同，展陳設計希望能讓游客在參觀的同時觀賞到室外美麗的自然景觀和工業園區，這更加體現了圣農集團與自然融合在一起的企業精神，所以室內設計和展陳設計都以空間貫穿互相聯通的方式完成游覽體驗。我們致力于打造一種更加自由的動線，以及更為新穎的不同標高之間的自由游覽體驗。

總結

改革開放以來，國內企業歷經變化和發展，如今面臨的是更加國際化、前瞻性的發展方向，提升現代化管理水平及國際影響力的訴求日漸增長。對企業文化的深刻挖掘，以及對周邊地形地貌的尊重，似乎成為打造自信的企業文化的合理方式。

我們面對的場地充滿了矛盾：它既是現代的、高科技的，又是非常偏遠的、傳統的、自然的。這種人和自然之間相互依托的關系不僅衍生出了樸素的企業精神，同時也會轉化成現代、嶄新的建筑空間語言，這是我們所相信的。

1 外景/Exterior view

2 概念手稿/Concept sketch

3 鳥瞰/Exterior aerial view

This project is located in the Sunner Group's production base, which is far away from the urban environment and located at the picturesque Wuyi Mountains. A very important spirit for their operation concept is zero-emission and zero-pollution. Fodder, water, and electricity are delivered to the site, then, chicken and other byproducts and bio-electricity are produced. After visiting the company, architects believed that this was a very important starting point for the design.The design concept of Sunner Museum which shows the harmony between humans and the natural environment is clearly de fined in the beginning.

From the Ground

The site is located next to Futun River. On the other side of the main road are factories and a large landscape axis. On the opposite side of Futun River,there are undulating mountains. An important concept in this design is to integrate the entire project to be a fragment of the natural landscape of Wuyi Mountains, where the ground fioor gradually undulates and spirals up. From the ground fioor, the second floor to the third floor's roof terrace, there is no obvious hierarchy, and a continuous threelayer topological terrain is formed within a narrow land area. Visitors can hover from the ground and walk all the way to the roof along the curved floor and exhibition flow lines. Finally, the surrounding rivers and mountains can be viewed on the undulate roof terrace. This landform without boundaries adapts to the overall impression of the surrounding environment.

Coherence of Indoor and Outdoor Landscape

Since this building is made of a spiral curved surface hovering upwards, it is important to divide a reasonable indoor and outdoor space. Architects hope that the indoor and outdoor spaces have a continuous view, this is unusual for an exhibition space. It challenges the interior exhibition at a certain level, but by combining the cantilever shading and the calculated distance of sunlight that penetrates to the interior, this layout adapts from outdoor landscape space to shaded outdoor landscape space. A gradient of the exhibition content from bright to dark natural light is delicately arranged. Space, therefore, accommodates the huge contrast between the artificial environment and the natural environment. The curved roof and outdoor corridors are designed with a green system,which seems to be part of the entire ecological environment from a distant and fragmented pieces from the ground. Architects hope that this new form can introduce the outdoor landscape system to the roof and to the indoor exhibition space easily.

For the exhibition circulation, the interior exhibition space and the exterior natural mountain landscape can be viewed without obstruction,forming an "endless landscape".

Larger Landscape System

For the whole project, architects hope to not only pay attention to the project site itself but also to closely link the adjacent landscape axis belt,the surrounding factory area, and the Futun River landscape belt corridor. The architectural structures in the project site are also part of this, it is a node on the entire landscape belt. As a result, architects also provided a landscape design for the entire surrounding area. An overhead corridor passes through the main road of the freight factory to the second floor and continues from the second fioor through the building. Later, it can land on the riverside of Futun River along the landscape belt through the corridor. In this way, the topological relationship of a construction floating from the ground is extended to a larger landscape system.This metaphysical design paves the way for the planning stage: for the visitors' circulation of the future factory area within Sunner Museum's exhibition and assembly space aims at a good physical infrastructure, which can stimulate the potential of the corporate exhibition area as a tourist destination in the future.

Structure System

The structural system of the project is a steel structure. Architects hope to achieve the effect of pulling up the entire terrain shell, so the fioor slab is as thin as possible. Structural engineers have made a lot of design efforts, fitting steel beams to the curved floor slab, and the final result is part 5 metres tall and part 16 metres tall. The structure has a huge height change in between, but in the end, the design concept is still realised. The slope of the curved fioor slab matches the standard division of escape stairs: the whole building's final shape is affected by the slope of an escape stair.

Exhibition Experience

The overall experience of the exhibition is hoped to be unfolded in a way that does not interfere with the topology of the architectural space: the tall space can give people light and empty superhumanscale feeling. Unlike ordinary exhibition spaces,the exhibition design here hopes to scatter some attention to the beautiful outdoor natural landscape and the industrial park, which further reflects the concept of Sunner Group's integration with nature.Therefore, the interior design and exhibition design complete the tour experience in a way that space runs through all parts. We are committed to creating a freer movement between planes and a free tour experience between different elevations, which is more novel and original.

Conclusion

After China experienced reformation, and entrepreneurs have completed the original accumulation of hard work, the new generation of entrepreneurs is facing a more international and forward-looking corporate development direction.They not only pay attention to the struggling spirit but also raise the goal to modern management of the enterprise and a wider international in fiuence,this request demand is increasing. And the deep excavation of firm culture, as well as the respect and enhancement of the surrounding topography and landforms, seems to have become a reasonable way to create a more con fident national culture.

The location we face is full of paradoxes. It is modern, high-tech but also remote, traditional,and natural. The relationship between human and nature not only creates austere entrepreneurship,but also can transform it into modern and brandnew architectural spatial language, which is what we believe.