建筑設(shè)計:天仝建筑
作為天府新區(qū)核心地帶最璀璨的明珠,興隆湖是公園城市中城市級的煥新景觀地標。毗鄰湖水的基地應(yīng)該如何平衡景觀和建筑的力量?其功能又能為公園提供怎樣的趣味和詩意?如何避免新區(qū)公共設(shè)施常見的潮汐式高熱高冷,而成為市民使用的日常?
我們的設(shè)計基于場地3個層面的定制:建筑與環(huán)境的融合、建筑標志性與謙虛姿態(tài)的平衡,以及寓意、場所與人的活動之間的微妙關(guān)系。路演中心從道路側(cè)表現(xiàn)為更加謙遜、低矮的體態(tài)、為游人提供舒緩的登高觀景設(shè)施和使人放松的休閑功能;而從湖畔望去,“大魚跳躍”仿佛湖水中巨獸躍出動作的瞬間凝結(jié),藝術(shù)品般融入湖畔環(huán)境。
我們盡量憑借室外空間來營造進入建筑的空間序列與開合關(guān)系,使建筑空間和景觀空間融為一體,并讓不同功能空間分別從室外直接進入:集約的設(shè)計策略使空間的使用具備更多樣的可能,既有人流集中的高峰時刻,也在低流量時保持配套功能的高可用性。
建筑外部采用鱗片式金屬立面結(jié)構(gòu),在白天和夜晚,隨著陽光和室內(nèi)光度的變化,呈現(xiàn)豐富的立面表情。而室內(nèi)空間正是大魚形態(tài)的直接結(jié)果,呈現(xiàn)如魚肚中變幻靈動的效果,同時又保持展演所需方正端直的使用空間。
摩伽羅(梵語:Makara),印度神話中的海獸,是如鯨的大魚。由景觀催發(fā)動人想象,路演中心將以靈動姿態(tài)似湖面躍出的“大魚”,與其場所呼應(yīng),勢必為場地帶來長久的活力。
項目信息/Credits and Data
地點/Location: 中國四川省成都市天府新區(qū)/Tianfu New Area, Chengdu City, Sichuan Province, China
建筑設(shè)計/Architects: 王翔,田文沐,何靜,張澤旭,倪燕,朱文韜,周培根/WANG Xiang, TIAN Wenmu, HE Jing, ZHANG Zexu, NI Yan, ZHU Wentao, ZHOU Peigen
建筑面積/Floor Area: 1500 m2
競賽時間/Competition Time: 2020.10
擬竣工時間/Proposed Completion Time: 2021.06

1 湖邊/Lakeside

2 夜景鳥瞰/Aerial view at night

3 首層平面/Ground fioor plan

4 剖面/Section
As the most shining pearl in the core area of Tianfu New Area, Xinglong Lake, is the renewed landscape landmark. How to balance the forces of landscape and an Architecture so close to the water?What kind of spatial poesies can it provide for the park? How to avoid the tidal heat and cold the newly constructed public facilities often face, and to become the real daily life of citizens?
The balance of our design is based on 3 levels:the integration of functions and the site's physical environment, the identity and visual harmony and the subtle relationship between meaning of its forms and its uses. The future Roadshow Centre appears from the side of the road in a modest posture, providing visitors with soothing climbing facilities for view and relaxing leisure functions.And from the lakeside, the giant fish leaping like the instant expression of a giant beast jumping out of the lake, it blends into the lakeside environment like an art object.
We try to create the spatial sequence and a relationship of opening and closing space when entering the building from the outside, so that the architectural space and the landscape space are integrated, and the different functional spaces are directly entered from the outdoors: the intensive design strategy makes the use of space more diverse. It is possible to maintain high availability of supporting functions not only at peak times such as in an event, but also in a daily use.
The exterior of the building adopts a scaly perforated aluminum plate structure, which presents a rich facade expression during the day and night as the sunlight and indoor luminosity changes. The indoor space is the direct result of the shape of the giant fish, presenting the effect of change and agility in the belly of the fish, while maintaining the square and upright space for the performance.
Makara of Sanskrit means a sea beast in the Indian mythology is a giant fish. Inspiring people's imagination from the landscape, the road show centre will be like a "giant fish" jumping out of the lake with an elegant movement, which will bring long-term vitality to the site.

