本期刊載全部論文的英文題目、摘要、關(guān)鍵詞和相關(guān)信息

STUDY OF THE SOUTHWEST BORDERLAND OF CHINA AND CHIEFTAIN IN THE PERSPECTIVE OF “THE CENTRAL CHINA AGRICULTURAL CIVILIZATION PLATE”

YUFengchun

（Research Center for Chinese Borderland History and Geography， Chinese Academy of Social Sciences， Beijing， 100005， China）

JOURNAL OF ETHNOLOGY， VOL. 3， NO. 5， 01-17， 2012 （CN51-1731/C， in Chinese）

DOI：10.3969/j.issn.1674-9391.2012.05.01

Abstract： When “the central China agricultural civilization plate” opened up by Emperor Wudi in Han Dynasty to the territory of China established at last in 1820， the borderland of the “plate”——Korea Si Jun and Nanyue San Jun that were relatively stable， had supported themselves successively. However， the area of Southwest Yi or Xinanyi， with a turbulent history of more than a thousand years， where the traffic was blocked， miasma was raging， the economy and culture was unique and the separatist forces were strong ， was still at the hand of Qing Government. This is because the area was the place where Kublai Khan strengthed his power. He established administration and chieftain system there in order to strengthen his rule. The court of the Ming dynasty，on the other hand， wished to change this area into a rear base depending on its natural and human resources so as to prevent the Northern Yuans re-occupation of the southwest. In order to prevent the union of the powers of the Mongolian and Tibetan with the chieftains in southwest and guarantee the supply of Dian copper， the court of the Qing dyansty chose to implement series of policies like “gaitu guiliu”（replace the local chieftains with royal pointed officials） to strengthen its rule in the southwest. The actions taken by the above mentioned three courts and the fact of Central China farmers bringing of high yielding crop seeds of America which can resistant to the high plateau， cold weather and barren land in the late Ming period made the southwest area which was regarded as a place “hard to be controlled” in the past， become a part of “the central China plate” at last.

Key Words：“the central China agricultural civilization plate”； chieftain； miasma； gaitu guiliu

THE HISTORIANS CONSTRUCTION OF CHIEFTAIN G?NPO NAMGYES IMAGE

YUDRU Tsomu （JING Hongmei）

（History Department， Lawrence University of U.S.A. ）

JOURNAL OF ETHNOLOGY， VOL. 3， NO. 5， 18-29， 2012 （CN51-1731/C， in Chinese）

DOI：10.3969/j.issn.1674-9391.2012.05.02

Abstract： In historical literatures， the image of G?npo Namgyel， an indigenous chieftain of Nyarong in Central Kham in the mid-19th century， experienced a transformation from a loathsome destroyer of happiness and peace to a tragic leader of a serf uprising， and later again to a self-serving warlord.The process ofconstructing the image of G?npo Namgyel shows that the construction of historical figures is rather complex and ambivalent， and is often influenced by various factors.The historians ideological focus， biases of official documents， contemporary political context， and current academic concerns all have impacted on the construction of G?npo Namgyels image. Historical narration means to construct historical figures within a narrative structure， relying on prevalent narrative methods of the times， and the narrative structure just reflects the concerns of the period.

Key Words： G?npo Namgyel；Chieftain； Image； Construction； Historical Evaluation

CHIEFTAIN CULTURE AND THE TOURISM DEVELOPMENT IN ZHUOKEJI OF SICHUAN

Ma Tingzhong

（Southwest University for Nationalities， Chengdu， Sichuan ，610041，China）

JOURNAL OF ETHNOLOGY， VOL. 3， NO. 5， 30-36， 2012 （CN51-1731/C， in Chinese）

DOI：10.3969/j.issn.1674-9391.2012.05.03

Abstract： Chieftain of Zhuokeji was one of “the eighteen famous chieftains in Jiarong area”， as well as a major component of “the four chieftains”. Under the rule of the chieftains for more than 600 years， Zhuokeji area formed a unique chieftain culture due to its natural and humanistic characteristics. The major contents of the chieftain culture include the architectural culture represented with official village of chieftain， the religious culture activities with local characteristics and the unique folk songs and dances called as “situguozhuang”. Although the chieftain system died out， chieftain culture in Zhuokeji area still widely exists and becomes an important resource for developing ethnic cultural tourism.We should protect and develop ZhuoKeJi Chieftain culture by setting up the concept of sustainable development， promote industriously the exploitation of tourist commodities on chieftain culture， and develop the traditional festivals tourism to strengthen the tourists participation， interactivity and entertainment. All of these measures will be good for promoting Zhuokeji areas competitive strength in tourists commodities and strengthening the ethnic culture protection.

Key words： Sichuan； Zhuokeji area； chieftain culture； ethnic tourism； development

THE PRACTICE AND NARRATION OF A YI CHIEFTAIN DURING ANTI-JAPANESE WAR—THE YI SOCIETY AND THE SPECTACLE OF CHINAS SOUTHWEST FRONTIERS IN INTRODUCTION TO THE LUO

ZHANG Yuan

（Southwest University for Nationalities， Chengdu，Sichuan，610041，China）

JOURNAL OF ETHNOLOGY， VOL. 3， NO. 5， 37-51， 2012 （CN51-1731/C， in Chinese）

DOI：10.3969/j.issn.1674-9391.2012.05.04

Abstract：

During the period of Anti-Japanese War， Ling Guangdian， being an elite of the Yi， was not only a chieftain， but also had a military duty in the Yi area.The frotier practices and folk customs in the Yi area recorded in his Introduction to the Luo shows how the elites in Yi area reorganized and re-depicted the hitorical， social and cultural landscapes of the Yi people under their political ambitions of a State-Nation. In the context of the Nation-State， his narrations had significance of the times in helping the people in the southwest fronties conform to the process of mordern Chinas state building. As a result， while making the country more complete， the people on the frontiers got their national position and civic benefits. Ling Guangdians capability in crossing of the time and space also made his frontier practices and folk narration filled with a kind of precious toughness and flexibility and these are just what the contemporary social science studies are lack of.

Key Words： frontier practices； folk narration； the spectacle of frontiers

A REFLECTION ON THE MODES OF SOUTHWEST ETHNIC GROUP ETHNIC GROUPS AND CHINAS EXPERIENCE

——BASED ON READING OF WAYS OF BEING ETHNIC IN SOUTHWEST CHINA WRITTEN BY STEVAN HARRELL

Wen Shixian

（Nationality-Religion Research Academy of Guangdong Province，Anthropology Department of Zhongshan University， Guangzhou，Guangdong， 510180China）

JOURNAL OF ETHNOLOGY， VOL. 3， NO. 5， 52-59， 2012 （CN51-1731/C， in Chinese）

DOI：10.3969/j.issn.1674-9391.2012.05.05

Abstract： Ways of being ethnic in Southwest China is Professor Stevan Harrells representative work in ethnic study. He divided the ethnicity of different groups in Liangshan region into four modes in this book， and made acomparison and interpretation to the formation of the four ethnicity modes. Through reading and thinking of this book， we can understand Stevan Harrells theory on ethnic more comprehensively， meanwhile， it has important reference value not only in understanding the southwest ethnic relations but also in dealing with present ethnic problems.

Keywords： Stevan Harrell； ethnic group； ethnicity； reflection

AN EXPORATION ON “ER” （DRAGON）CULTURE OF YI NATIONALITY

——LINGUISTIC CULTURAL INTERPRETATION ON ZHI GE A ER

MA Jinwei

（Southwest University for Nationalities， Chengdu， 610041， Sichuan，China）

JOURNAL OF ETHNOLOGY， VOL. 3， NO. 5， 60-64， 2012 （CN51-1731/C， in Chinese）

DOI：10.3969/j.issn.1674-9391.2012.05.06

Abstract Chinese people are generally considered as the descendants of dragon， and Yi Minority owns their dragon or tiger totems. In Chinese heroic epics， “dragon” is tied closely to dragon spirit. This paper talks about the origin of dragon ”Er” [lu]in the family name of “Zhi Ge A Er”， the origin of dragon ”Er” [lu] in Sino-Tibetan Language Family， dragon ”Er” [lu]s symbolic meaning of spirit and power of heroes， dragon “Er” [lu] spirits embodiment in Chinese nations Pluralistic integration culture. Meanwhile， the author takes the interpretation on cultural connotations included in heroic epics， such as Zhi Ge A Er as a main clue to analyze the dragon spirit in heroic epics and states that dragon spirit is just the heroic spirit in heroic epics， which symbolizes Chinese spirit of courage， fearlessness， unity and diligence.

Key WordsYi Nationality； “Er”[lu]； dragon culture； Zhi Ge A Er

A DISCUSSION ON SYSTEM CONSTRUCTION OF NATIONALITIES MUSEUMS SCIENTIFIC MANAGEMENT

SONG Caifa

（Nationalities Museum， Minzu University of China， Beijing，100081，China）

JOURNAL OF ETHNOLOGY， VOL. 3， NO. 5， 65-70， 2012 （CN51-1731/C， in Chinese）

DOI：10.3969/j.issn.1674-9391.2012.05.07

Abstract： Nationalities museum urgently needs to establish and perfect modern scientific management system. We must pay special attention to mechanism innovation of nationalities museum management system， enhance performance management level of nationalities museum， promote management level of nationalities museum. We should further strengthen cultural relic management standardization construction of nationalities museum， establish cultural relic donation system， improve the state-owned assets management system， and perfect the security system.

Keywords： Nationalities Museum； system construction； scientific management； performance management

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? ASTUDY ON THE POST_DISASTER RECONSTRUCTION PATH OF QIANG VILLAGES FROM THE PERSPECTIVE OF THE CONSTRUCTION SUBJECT

LA Mingying

（Bashu Culture Center， Social Science Academy of Sichuan Province， Chengdu，Sichuan，610071，China）

JOURNAL OF ETHNOLOGY， VOL. 3， NO. 5， 71-74， 2012 （CN51-1731/C， in Chinese）

DOI：10.3969/j.issn.1674-9391.2012.05.08

Abstract： Since Wenchuan earthquake， various forces have participated in the post-quake reconstruction， among which local governments， the counterpart aid sides and the local people are the principal ones. According to the different roles of various forces， Qiang Village reconstruction can be classified into three paths： integrated planning with self-construction， integrated planning with unified construction and conjoint ways. The authors finds that the impacts on Qiang culture made by the three paths are also different. This paper makes a tentative analysis on the three paths and their effects on the culture，and the author hopes it can provide some references on other ethnic Villages construction.

Key words ：reconstruction of Qiang village ；Qiang culture ； cultural change

AN ANALYSIS ON THE SURVIVAL STATUS AND DEVELOPMENT PROSPECT OF QIANG MEDICINE

CHEN Linli， ZHANG Shanyun，WU Yousheng， BAO Xifu

（Chen Linli：School of Marxism， Chengdu Traditional Chinese Medicine University，Chengdu， 610041，Sichuan，China；

Zhang Shanyun：Sichuan University，Chengdu，610200，Sichuan，China；

Wu Yousheng：Southwest University for Nationalities， Chengdu， 610041，Sichuan，China；

Bao Xifu： Traditional Chinese Medicine Hospital，Maoxian，623200，Sichuan，China）

JOURNAL OF ETHNOLOGY， VOL. 3， NO. 5， 75-78， 2012 （CN51-1731/C， in Chinese）

DOI：10.3969/j.issn.1674-9391.2012.05.09

Abstract： Herbal medicine resources in Qiang area are a potential advantage for Qiang areas regional economic development. Through long process of fighting against diseases and long-term practices， Qiang people has accumulated rich clinical experience in medical diagnosis and mastered unique Qiang medicine. Though Qiang medicine is scattered in folk， it played a very important role in the survival of the Qiang ethnic group. However， we must increase investment in Qiang medicine， take a way of industrialization， develop local tourism industry by using of medicine resources and promote the inheritance work of Qiang medicine culture. All these measures have a very positive meaning in Qiang medicines sustainable development and promotion of Qiang medicine culture.

Key Words： Nationality Economy， Qiang Medicine， Development Prospect， Culture Inheritance

AN EXPLORATION ON THE AESTHETIC ORIGIN OF THE QIANGS FOLK ART FROM THE ORIGINAL MEANING OF THE CHINESE CHARACTER FOR BEAUTY

ZHOU Mei

（ College of Arts， Southwest University for Nationalities.Chengdu，Sichuan，610064，China）

JOURNAL OF ETHNOLOGY， VOL. 3， NO. 5， 79-83， 2012 （CN51-1731/C， in Chinese）

DOI：10.3969/j.issn.1674-9391.2012.05.10

Abstract：This paper gives a detailed analysis on the original meaning of Chinese characters for " beauty"，" sheep" and " Qiang " and their relations with the origin of Qiang culture. The author explores Qiang peoples influence on the formation “Beauty” in the context of Chinese culture from the original aesthetic concept of the Chinese character for “beauty” （ that is the Sex and beauty ）proposed by Mr. Chen Liangyunand discusses its aesthetic influence on folk art from the Qiangs philosophical thoughts， including yin and yang conception as well as the conception of harmony.

THE HISTORICAL EVOLUTION OF BALONG KAGYU SCHOOL IN YUSHU

Huan Geji

（Southwest University for Nationalities， Chengdu， 610041，Sichuan，China）

JOURNAL OF ETHNOLOGY， VOL. 3， NO. 5， 84-87， 2012 （CN51-1731/C， in Chinese）

DOI：10.3969/j.issn.1674-9391.2012.05.11

Abstract ：Through providing the main stories of the emperors teacher Riba， a religious teacher ofthe emperor， and his disciples， the author elaborates how the religious sect of Balong Kagju became the most powerful one in Yushu area and spread widely in this region by the strong support of the Nangqian royal family. However， due to the event of fire temple started by Baili King， the development trend of this sect had slowed down gradually in Yushu and other Tibetan areas， and since than the historical evolution of alternation between Balong Kagyu and Zhuba Kagyu started on the level of the Nangqian royal familys politics-religion relation.

Key Words： Balong Kagyu School， Zhuba Kagyu School；Yushu Area；Riba； Nangqian royal family