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Analysis of the trend of contemporary ecological landscape design

2017-12-31 00:00:00齊瑞璇朱麗麗
西江文藝 2017年10期

【Abstract】:With the continuous improvement of people's material and spiritual levels, landscape is playing an increasingly important role in daily life. As an important component of the urban construction department, landscape is not only a symbol of regional culture and style, but also embodies the national style and regional urban spirit. But the rapid development of economy, the rapid development of the city, resulting in high-rise uprooted, geographical and cultural characteristics of the disappeared, the fuzzy cultural characteristics of different regions of missing, world geography increasingly high degree of homogeneity of the. As a landscape designer must understand the contemporary landscape design should pay attention to humanization, ecology, people-oriented, show the national characteristics, make building and natural environment for development, to achieve overall harmony, and ultimately create a beautiful, comfortable, healthy and civilized, such as painting the realm of life.

【Key words】: people oriented, landscape, landscape design, ecology, cultural characteristics

In recent decades, many high-rise buildings, city road construction, the landscape architect has many problems, such as: in the design and creation of landscape architects will attach importance to the natural landscape and cultural landscape design is not enough, the lack of local spirit of neglect, indifference and be responsible for the design practice of agency and blindly copy foreign LED landscape the landscape design of Chinese lost its unique geographical characteristics, plant configuration considerations lead to increased construction costs.

The rapid development of the city Chinese will inevitably take the new opportunities and challenges, the landscape design should have the courage to accept the challenge, seize the opportunity to grasp the future of landscape design, the current situation of our country to a new level of bold innovation, which needs with the development of the times, the design of the landscape architect in the humanities, ecological aesthetics line new. Such as:

1. adhere to the \"people-oriented\" concept of development

Landscape design is \"people-oriented\" oriented, we often see mentioned, but really applied to practice, but very few. The future landscape design will be people-centered, people-oriented design theme as part of urban landscape design and planning for overall thinking. Moreover, the future landscape design will no longer be confined to the scope of the past, but to create a shared, vibrant public space, closely linked with urban life.

2.adhere to the concept of ecological development and sustainable development concept coexist

Lao Tzu China ancient sages had revealed the philosophical thought of \"personal law, law, law day road, imitation of nature\" the harmony between man and nature. From his philosophical thinking, summed up the combination of design and nature, it is to respect different regions, different landscape features. Therefore, the landscape design in the future will no longer stay in the formal beauty of the surface, but the highest melting point and natural ecological system development goals better, ecological values and ecological aesthetics applied to landscape design, form, content, function and connotation of further coordination.

3. adhere to the concept of combining national culture and social development

Modern landscape design should pay more attention to the \"pleasant family\", respect for nature, respect for history, culture, environment and other standards. Do not go against nature and line, not against human behavior. So the landscape design of our behavior should be consistent with human beings. We should inherit the ancient literati, landscape architects and painters, and also consider the behavior of modern life and creatively use modern gardens. Distinctive sense of the times, if we blindly admire the ancient landscape design, there will be no progress. Different times leave different landscape design symbols. Landscape planning and design of a new era designers need to explore different ethnic cultural resources in a garden in Jingyuan, need to go abroad and Chinese of traditional culture and art characteristics of the Chinese door in the overseas promotion; in the country to carry forward the national characteristics and local characteristics; the absorption area of each fusion of different ethnic culture; actively create a national, personalized the positioning and landscape design.

Summary

The situation and the level of development determine the level of development of things at all levels, people have suffered destruction and disappearance of natural beauty and rural flavor, showing unforgettable memories. Today, after the designers are trying to set up the landscape design, the face of misunderstanding, we must strive to change the design concept of \"stylized\", we should believe that in the near future, the landscape design of our ideals as the rain comes, it is the concept of modern art designers will create a better implantation landscape design is our living environment. Finally, if it is from the development and change of traditional handicrafts, so the process of industrialization in the world, like the western countries so natural, the pursuit of simple, beautiful and harmonious landscape effect, but also on the future development trend of the landscape industry China.

Conclusion references:

[1] the behavioral science of landscape architecture Chen Yun Effects. Chinese garden, 2008,24 (3) _4.

[2] Li Song. Garden design [D] China classical artistic forest garden, 2010.

[3] search for Liu Jingguan design, [J]. Chinese garden, 2007. Development of the future, (4): 34-35.

[4] chin. Exterior environment design of building [M]. Tongji University press, 2001.

作者簡介:齊瑞璇(1992.1—),女,漢族,籍貫:河北省邢臺市,齊魯工業(yè)大學(xué),藝術(shù)學(xué)院,15級在校研究生,碩士學(xué)位,環(huán)境藝術(shù)設(shè)計;

朱麗麗(1992.8—),女,漢族,籍貫:山東省日照市,齊魯工業(yè)大學(xué),藝術(shù)學(xué)院,15級在校研究生,碩士學(xué)位,環(huán)境藝術(shù)設(shè)計。

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