Calligraphy and Chinese Painting Are Of the Same Origin

【abstract】：The calligraphy and painting homologous are Chinese calligraphy and painting terminology.It means that Chinese painting and Chinese calligraphy are closely related，and their development and development complement each other.I think the idea of "calligraphy and painting homologous" is itself true？ The calligraphy and painting homologous refers to the origin of painting and calligraphy，which is an important part of Chinese civilization.

【Key words】：calligraphy;painting;homologous

The calligraphy and painting is an important point of traditional Chinese painting and calligraphy theory.The meaning of two aspects：on the one hand，Chinese characters and paintings have similarities in origin;On the other hand，it refers to the common regularity of calligraphy and painting in terms of representation，especially in the application of brushes and ink.

The origin of words began in the Zhou dynasty.In the Shang and Zhou dynasties，oracle and the golden text preserved a large number of graphic characters，which included two functions：pictograph and pointing.These words have certain painting factors and a wide range of performance.

First it is for a person's own performance，including the human body appearance，human activities，the relationship between human and environment，etc.The second is for a performance such as mountains and rivers，plants，birds and animals，and to abstract concepts，such as location，number，etc.

The use of brush strokes to depict images is one of the most important features of traditional Chinese painting.In this sense，calligraphy and painting were developed on the same starting point.Calligraphy and painting are similar or similar in the use of materials，techniques，theories，conditions and aesthetic concepts.

In theory，especially for pens.Before the creation of calligraphy，the appearance of words was shown on the basis of pictures.In modern calligraphy，words and paintings combine.Some technologies are inevitably similar or similar because of the same material.

How to explain "source" of "painting and calligraphy homologous"？ In the history of the development of traditional Chinese painting，the description of the word "source" is divided into two categories：one is that the book is the same as the operation tool of painting，and the technique is similar to the brushwork.On the other hand，the inherent nature of calligraphy and painting is regular，that is，the guiding ideology of the two is consistent with the philosophical art of the abstruse abstraction pursued.

In addition to the original，the origin of calligraphy and painting also refers to the common regularity of the expression of calligraphy and painting，especially in the use of ink and ink.Pen and ink is the language of Chinese painting and calligraphy style，no calligraphy pen can't say it is the traditional Chinese painting，as a result，Chinese painting itself has the very strong calligraphy interest，traditional Chinese painting lines，ink，show the aesthetic feeling of a powerful abstraction，show the independent aesthetic value.

Calligraphy and painting have the common regularity in the application of pen and ink，which was fully discovered in the literati paintings that flourished after the song dynasty and the Yuan dynasty.Literati paintings attaches great importance to the pursuit of pen and ink，more is outstanding painting pen itself in the independent aesthetic value，this is the same as the calligraphy art attaches great importance to the pen，or should I say the drawing pen is coming from the inspiration of calligraphy.Although the theory of "the homology of calligraphy and painting" was put forward in the tang dynasty，it was indeed the theoretical basis for the song dynasty and its later literati paintings.The word "write" and "picture" are often used in Chinese painting.

With the development and progress of civilization，words and pictures are no longer merely tools for recording，but become a bridge for people to express their thoughts and express their feelings，and become a tool for people to express their feelings.

The character of man will be integrated into his works of calligraphy and painting，and calligraphy and painting art also have their own character because of the author.So we can know the calligraphy and painting homologous，the origin of the painting is derived from the human heart.

Through the above argumentation in this paper，we can clearly understand that，in theory and practice，the theory of "calligraphy and painting homology" is definite.

作者簡介：

艾文馨（1995.12—），女，漢族，籍貫：山東省臨沂人，齊魯工業大學（山東省科學院）藝術設計學院，17級在讀研究生，碩士學位，專業：美術，研究方向：書法

（作者單位：齊魯工業大學（山東省科學院））