麗江君悅酒店

業(yè)主：方興地產（中國）有限公司

地點：云南省麗江市香江路

用地面積：82 000平方米

建筑面積：57 000平方米

客房數量：312 間

建筑結構：鋼筋混凝土結構、木結構

建筑層數：1-3 層

建筑設計：CCDI 悉地國際+Denniston（馬來西亞）

建筑材料：麗江五花石、杉木（結構和裝飾構件）、青瓦、

青石

設計/竣工：2011/2015年

Client: Franshion Properties (China) Limited

Location: Xiangjiang Road, Lijiang City, Yunnan Province, China

Site Area: 82,000 m2

Floor Area: 57,000 m2

Number of Room: 312

Structural Form: Reinforced concrete structure, wood structure

Storey: 1-3 Floors

Architectural Design: CCDI+Denniston (Malaysia)

Building Material: Five Flowers Stone From Lijiang, Chinese Fir (Structural And Decorative

Components), Green Tile, Bluestone

Design/Completion: 2011/2015

雪山對建筑布局最大的影響有兩個方面：其一，借景營園，建筑師在玉龍雪山的對景位置修建了人工湖，形成一片較為開闊的區(qū)域，從大堂到中心湖區(qū)的公共空間錯落分散布局，湖心區(qū)的茶室“玉水軒”則作為公共空間的焦點，形成以社交和餐飲為事件的主題空間；其二，在相對私密的客房區(qū)域，每間客房都根據樹木植被和雪山的遮擋關系進行了微妙的調整，當賓客略帶疲憊地進入客房，推窗的一剎那，玉龍雪山仿佛近在咫尺，心情也隨之蕩漾。可以說，麗江君悅的每一位入住者，都可以體會到一段關于雪山和古村的故事。

The greatest impact of the Yulong Snow Mountain on the layout of the hotel is described as below: First,adding luster to the hotel's sights. The architects built an artificial lake at the opposite of this snow mountain,forming a more broad space in which the public spaces from the lobby to the center of the lake are scattered,and the tea room "Yu Shui Xuan" in the heart of the lake serves as the focus of this public space that features social contact and catering. Second, even in the relatively private hotel rooms, subtle adjustments have been made in accordance with the shelter of trees, vegetation and snow mountain. When guests enter the room with a little fatigue, they can hold all views in sight that seems like the Yulong Snow Mountain being near at hand, coupled with cheerful hearts, at the moment they open the window. As it were, every customer of Lijiang Grand Hyatt Resorts can experience a story about snow mountain and ancient village.

建筑師對連接酒店公共區(qū)域的“主街”兩側的建筑尺度和比例進行了嚴格的控制，從公共區(qū)域到客房區(qū)域，建筑布局逐步化整為零，客房依據觀賞雪山景致的方向散落在“村中”，公共區(qū)域的餐廳和會議廳也采用了錯落的布局形態(tài)。

相對于麗江另外兩座著名的度假酒店（鉑爾曼和悅榕莊）對入住體驗私密性的高冷營造，麗江君悅則更加兼顧公共性和場所感——它的公共區(qū)域更大，建筑氛圍更加溫暖柔和，村落的規(guī)劃概念使其更加注重不同空間的關聯（特別是與公共商業(yè)街區(qū)的關系），進而將入住體驗營造為一種集體的場所記憶。在整個“金茂雪山語”度假片區(qū)的開發(fā)進程中，這樣的設計策略正在為未來諸多主題事件營造必要的場所牽引，為商業(yè)開發(fā)的價值提升起到重要的保障作用。

The architects finely controlled the scale and proportion of the buildings on both sides of the "main street"connecting the public areas of the hotel. From the public area to the rooms, the hotel layout was broken into parts. The rooms are scattered in line with the best viewing angle of the snow mountain. The restaurants and conference halls in the public area also adopt a staggered layout.

Compared with another two famous resort hotels Pullman and Banyan Tree in Lijiang, which create an intensely private space for customers, we pay more attention to publicity and sense of place with larger public area, warmer and softer architectural atmosphere. Its planning concept of village makes it pay more attention to the connection of different spaces especially the relationship with hotel and public commercial blocks, so as to turn customers’ experience into a collective memory and sense of place. Throughout the development process of the "Jinmao Snow Mountain Language" resort area, such a design strategy is attracting many themed events in future and playing an important role in safeguarding the value of commercial development.

在對當地材質的選用和“轉譯”上，建筑師更是花費了不少心思。麗江原生的建筑材料過于粗獷而且性能不太穩(wěn)定，在有限的工期內很難達到國際豪華五星酒店的精細標準，于是建筑師在客房區(qū)域保留青石、青瓦、窗花等傳統部位的同時，也在合適的公共區(qū)域引入現代幕墻體系，以適應建筑功能和觀感的高標準。在立面節(jié)點的設計中，建筑師團隊細致深入地研究了納西村落建筑的屋面、檐口、懸魚、門窗、勒腳等各個部位的尺度和構造，僅對木構材質的封檐板就進行了多次實體模型試驗。設計團隊為每座單體建筑建立了詳細的數字三維模型，既保證結構與機電設備的貼合，也便于施工單位理解和控制部品的安裝做工。

The architects spent a lot of time on the selection and "transformation" of local materials. The original building materials in Lijiang are too rough and their performance is not stable. Therefore, it is difficult to meet the standards of international luxury five-star hotels within a limited period of time. So, the architects retained the traditional parts such as bluestone, blue tiles and window grilles in hotel rooms. At the same time, they introduce modern systems of curtain wall in suitable public areas to meet the high standards of building function and perception. In the design of the facade node, the architects conducted intensive study about the scale and structure of various parts such as the roof, cornice, hanging fish (an architectural ornament), door,window, and plinth of the architectures in Naxi village. They even conducted several model tests for cornice of wooden materials. The design team has established a detailed digital three-dimensional model for each individual building, which not only ensures the fit of the structure and M&E devices, but also facilitates the construction unit to understand and control the installation and workmanship of the parts.