景德鎮：守住千年瓷都的根與魂

從文物保護到文化傳承民警與御窯的不解之緣

景德鎮御窯博物館的一個黃釉瓷器展柜前，志愿者朱緋正在聲情并茂地講解展柜中的幾件文物：“這個展柜共展示五件弘治皇帝朱祐模（在位時間1487—1505年）景德鎮御器廠生產的瓷器，取名‘嬌黃傲世。黃釉瓷創燒于明初御窯，是明清時期皇家控制最嚴格的一種色釉瓷，弘治朝所燒造的最為著名，弘治黃釉瓷被公認為低溫黃釉瓷的巔峰之作。這個時期的黃釉瓷釉面均勻、平整，呈色內斂淡雅，光澤如玉，給人以恬淡嬌嫩之美，所以又被稱為‘嬌黃’，又因嬌黃釉色嬌嫩如家中散養三年以上的老母雞的雞油一般，所以俗稱‘雞油黃’背后的故事解讀讓文物更具魅力。”講解的話音剛落，觀眾群中響起了一陣掌聲，不少觀眾拿出手機主動加朱緋的微信，要求再聽一場講解。

從警36年的朱緋，不僅是景德鎮御窯文化的講述者，更是御窯文物保護歷史的參與者、見證者和傳承者。

朱緋與文物保護的緣分，早在青年時代便已注定。27歲起，他參與偵辦多起盜掘文物、倒賣文物的案件，成功抓獲嫌疑人、追回珍貴文物。工作中的接觸和了解，燃起了朱緋對陶瓷文物的濃厚興趣。“在古玩市場，也會有一些售賣陶瓷碎片的小攤販，如何辨別古瓷片和仿古瓷片？如何進一步了解瓷片來源？這都是技術活！”朱緋饒有興致地說。以往辦案中遇到難題，都需要請專家來鑒定，幫助推動案件后續進展。在御窯博物館，朱緋憑借敏銳洞察和勤奮學習，跟著專家們請教學習古陶瓷鑒定和古陶瓷修復技術，練就了保護文物的“火眼金睛”和“工匠巧手”在他看來，一塊古瓷片到了研究人員手中，能解析出紋飾、器型、壞胎、材料、年代等上百條信息，對案件辦理與文物保護至關重要。2022年，御窯博物院聯合多家國內頂尖院校、機構，創立了世界首個集資料存儲、考古研究、科技分析、保護修復、成果展示于一體的“古陶瓷基因庫”。

御窯廠始建于明洪武二年（1369年），是明清時期專為宮廷生產御用瓷器的窯廠，代表了當時中國制瓷工藝的最高水平。如今，故宮博物院收藏的36萬多件陶瓷器中，90% 來自景德鎮御窯廠。陶瓷文化是景德鎮的“根”與“魂”，在一代代景德鎮公安守護下，御窯廠的千年窯火又煥發出全新生機。御窯廠遺址以東，坐落著建筑風格獨特的景德鎮御窯博物館，博物館的設計借鑒了景德鎮清代獨創的蛋形柴窯構造特點，8個長度不一、大小各異、錯落有致的多曲面鋼筋混凝土拱體結構，把建筑、景觀、遺址融為一體，榮獲“2017年度未來建筑獎”之“最佳文化建筑”。如今的御窯廠游人如織，成為世界各國游客來千年瓷都的必打卡地，穿著漢服沉浸式感受瓷器文化更是讓現場有了“一眼千百年”的獨特體驗。

陶陽里的摩托衛士

108條狹窄又富有煙火氣的里弄，窯磚做墻，舊瓷片鋪地，形成了陶陽里獨特的氛圍。小巷間，時常可見珠山派出所的摩托車巡邏。“選取摩托車巡邏主要是針對陶陽里的地形特點，摩托車靈活，可以快速、自由穿梭在里弄間。接到報警時能快速趕赴現場，同時也增加了片區的見警率。”珠山派出所所長盧景春介紹道。

據悉，珠山派出所轄區內的“陶陽里歷史文化街區”涵蓋108條千年老城里弄、400余年的明清窯作群和70余年的陶瓷工業遺產，其中明清御窯廠遺址是國家重點文物保護單位，自古以來就是景德鎮的陶瓷生產中心，保留了景德鎮最豐富的歷史和文化信息。陶陽里歷史文化街區嚴格遵循保護第一、修舊如舊的要求，實現了陶瓷文化保護與文旅產業發展的良性互動。

珠山派出所作為這一方“皇家瓷脈”的守護者，多措并舉，推動公共安全治理模式向事前預防轉型，建設“陶陽里警務室”，聯合陶陽里景區公司、物業公司建立“聯勤聯動”工作機制，實現景區警情“1、2、3”快速處置目標；增設民警“立體卡通人形立牌”，將“24小時線上警務室”搬到游客身邊；依托“治安三張圖”，充分發揮精準打擊犯罪、高效服務群眾、嚴密防控風險的三大核心作用，為御窯廠遺址申報世界文化遺產貢獻公安力量。

“洋景漂”的第二故鄉

千年景德鎮，半部陶瓷史。景德鎮擁有2000多年的冶陶史、1000多年的官窯史、600多年的御窯史和100多年的近現代陶瓷發展史，堪稱“世界陶瓷文化遺產樣本區”。深厚的陶瓷底蘊和開放的陶瓷文化吸引了無數外國友人來到這座充滿藝術的城市。

陶陽里的一間國際工作室里，來自英國的藝術家梅根（MeganWhite）正在制作自己的海洋系列瓷器作品，栩如生的螃蟹、龍蝦趴在瓷瓶上，仿真的珊瑚、生蠔和貝殼…每件都能看出藝術家的靈感與獨創。

見到梅根的當天，景德鎮市公安局珠山分局出入境管理科民警江伊寧剛好給她來送續簽的護照。梅根開心地接過護照后，很自然地擁抱了一下江伊寧。“我第一次來中國時沒有經驗，只簽了一次往返的簽證。當我決定長期留在景德鎮完成我的系列創作時，發現需要回英國一趟。江警官了解情況后主動加了我的微信，在線上了解了我的工作合同時限后，很快就協助我更新了多次往返的簽證，免去了我的后顧之憂，我可以專心于自己的創作。”

據梅根介紹，她去過很多國家和地區，但最終選擇景德鎮完成自己海洋系列瓷器藝術的創作，因為在這里有世界各地的藝術家做瓷器，可以深人溝通交流，她做的小件藝術品可以通過景德鎮定期的集市賣出去，不僅能獲得些收入，也有了反饋和成就感。

在三寶國際陶藝村，匯聚了全球30余個國家的陶藝家，年均舉辦超50場國際藝術交流活動。為順應景德鎮國際化發展趨勢，珠山公安分局依托三寶國際陶藝村外籍人員聚集優勢，主動將服務陣地前移，特別設立“陶源谷移民事務服務站”，匠心打造外籍人士在瓷都的“溫暖驛站”。

該服務站以“綜合服務 + 文化融合 + 風險防控”為核心功能定位，集政策咨詢、臨住登記、簽證提醒等實用服務模塊，為外籍人士打造“一站式”服務樞紐。自投入運行以來，服務站已累計為130人次外籍藝術家及訪客提供咨詢服務，助力103名外籍人員完成居留相關事務，讓“短期停留”切實轉化為“長期扎根”。

“原本只打算在景德鎮短暫停留，聽完宣講才知道這里有這么便利的簽證政策！”來自印度尼西亞的藝術家賽琳娜（Serina）翻閱著手中的政策手冊感慨道。得益于出人境民警的專題宣講，她不僅將行程延長至10天，還計劃再續簽半年的居留許可，深入探索陶瓷文化。

自景德鎮開放240小時過境免簽政策以來，800余名外籍人士體驗到了免簽“紅利”，其中103人成功“留景”外國人住宿登記效率提升 80% 。

景德鎮市公安局珠山分局出入境管理科聚焦更好落實政策、更優服務外籍游客、更精服務“千年瓷都”申遺，主動作為、因地施策，實現“政策宣傳更精準、服務陣地更前移、外語水平更專業、糾紛響應更迅速、科技賦能更實用”五項提升，多維度構建起服務外籍人士的保障體系。這套有速度、有溫度的工作法，讓“洋景漂”在瓷都找到“家”的歸屬感，更為申遺注入國際動能。

240小時過境免簽政策已成為外籍藝術家深度解鎖瓷都魅力的“金鑰匙”，推動越來越多國際藝術從業者超越“過境中轉”的短暫體驗，轉型為扎根瓷都的“長期駐各

“當看到民警為我的證件不辭辛苦多方協調，我突然感受到，這座千年瓷都，已成為我生命中無法割舍的第二故鄉。”在“陶源谷移民事務服務站”成功辦理居留許可的俄羅斯陶藝家安德烈感慨道。這份跨越國界的認同感，不僅是珠山公安“外事服務下沉基層”的創新實踐成果，更是景德鎮以開放包容姿態擁抱世界的生動體現。

“太感謝了！我抱著試試看的態度發消息求助，民警很快就趕到現場處理，不僅用流利的英語幫我溝通處理，還貼心地給我解釋中國的交通法規。”今年4月，常住景德鎮30年的加拿大籍藝術家雷菲力（Phil）通過“珠山警民通”平臺反映交通事故糾紛，珠山公安分局出人境民警接警后迅速抵達現場協助交警處置，從線上提交訴求到線下矛盾化解，全程僅耗時30分鐘。

目前，雷菲力正在申請五星卡，長期在景德鎮創作、生活，他早把這里當成了家鄉。“相比于加拿大，在這里，我有更多的知己，反而感覺這里更像家。”雷菲力熱愛景德鎮的瓷文化，甚至一草一木。他的作品中，靈感來自在景德鎮的日常，取材于身邊的植物。1987年開始，他走過了中國很多地方，收藏下刻有自己名字的印章。在他的工作室里，有中國特色的印章和中西合璧風格的瓷作畫作，交相輝映。見到雷菲力的前一天深夜，他還通過遠程會議軟件z0om向美國的大學同行、學生介紹自已的作品，介紹景德鎮，告訴他們真實的中國。如今，他還做了志愿者和景德鎮公安的外籍聯絡員，為更多的“候鳥”留下提供便利。

雷菲力使用過“珠山警民通”后，他向周圍更多的外籍友人推廣了這個“線上+線下”的“涉外糾紛快速響應”機制。依托“珠山警民通”搭建24小時訴求受理通道，實時響應外籍人員政策咨詢、糾紛求助等需求。通過人工梳理分析高頻問題，精準捕捉租賃糾紛、文化差異沖突等潛在風險點，圍繞相關法律法規等內容，以圖文解析、視頻講解、在線互動等形式，及時為外籍人員答疑解惑，實現矛盾隱患早發現、早介人、早化解。自2024年運行以來，已受理20余起涉外訴求，做到緊急事項15分鐘響應般事項1小時辦結，成為外籍人士心中的“安心熱線”。

從證件咨詢到跨文化矛盾調解，景德鎮公安用“事事有回音”的誠意，讓瓷都成為外籍人士敢追夢、能安心的“第二故鄉”。

（責任編輯：張敏嬌）

TheBond Betweenan Officerand the Imperial Kiln

In front of a display case for yellow-glazed porcelainat theJingdezhen Imperial Kiln Museum， volunteer guide Zhu Fei passionately explains the artifacts inside：\"This case features five porcelain piecesproduced duringthereignof Emperor Hongzhi （1487-1505） at the Imperial Kiln FactoryinJingdezhen， collectivelytitled'TheGraceofImperialYellow.' Yellow-glazed porcelain originated in the early Ming dynasty and was one of the most strictly regulated glazes by the imperial court throughout the Mingand Qingperiods.Amongthem，piecesfromtheHongzhi eraare especiallyrenowned—widelyregarded as the pinnacle of low-fired yellow-glazed porcelain.

\"The glaze from this period is even and smooth， witha subdued，elegant hue.Its soft，jade-like heen impartsa gentleand refined beauty，hencealso known as'The Grace ofImperial Yellow'-a name that evokes the notion of tenderness.So delicate and lustrous isits colorthatitisoftenlikenedto therichyellow oilof free-range hensraised forover three years-earningit the nickname 'Chicken Fat Yellow.' Zhu's explanation lends ample limelight on the cultural relics.\" As Zhu finished speaking， the crowd broke into applause.Many visitors pulled outtheirphonesto add him on WeChat， eagerto hearmoretoursfrom him.

With 36 yearsof service in the police force， Zhu isnot only a storytellerof Jingdezhen'simperial kiln culture， but also a steadfast guardian of its cultural heritage.

Ithasseemed to be Zhu's destiny to protectcultural relicssince his youth.As early as27，he participated in handling multiple cases involving the illegal excavation and trafficking of cultural artifacts， successfully recovering the valuable artifacts while bring the suspects to justice. This work sparked a deep passion forporcelain relics.\"In the antique market， vendors often sell broken porcelain fragments. How can you tell genuine pieces from replicas？ And how do you trace their origins？ These are highly technical challenges，\"

Zhu explained enthusiastically.

Indifficultcases，expertswereoftencalleduponto authenticateartifactsandadvanceinvestigations.Atthe Imperial Kiln Museum， Zhu honed his skills by learning fromspecialists in ancient porcelain identification and restoration，developinga keen eye and a steady hand essential forrelicpreservation.

Hebelieves that each ancientporcelain shard holds a wealth of information-patterns， shapes， clay composition，materials，andage—thatisvital forboth solving cases and conserving cultural heritage. In 2022，the Imperial Kiln Museum joined forceswith someleadinguniversitiesand institutionsacross China toestablishtheworld'sfirstcomprehensive \"Ancient Porcelain Gene Bank，\" integrating data storage， archaeologicalresearch，scientificanalysis，conservation andrestoration，andexhibition.

The Imperial Kiln Factory was established in the second year of the Hongwu reign （1369） during the Ming dynasty. As the name suggests，it supplied porcelain exclusively to the imperial court throughout the Ming and Qing dynasties，representing the pinnacle ofporcelain craftsmanship in China.Today，more than 90% of the 360，0o0 porcelain pieces in the Palace Museum's collection originate from Jingdezhen's Imperial Kiln Factory.Porcelain culture is the root and soul of Jingdezhen. Under the protection of generations of local police， the thousand-year-old kiln is thriving.

Tothe east of the site stands the uniquely designed Jingdezhen Imperial Kiln Museum， inspired by the eggshapedwood-firedkilnsof the Qing dynasty.Itseight reinforcedconcretearchesareaharmoniousintegration ofmoderndesign，natural landscape，andthehistoric site.Itwasnamed the\"BestCulturalBuilding\"atthe 2017FutureArchitectureAwards.

Today，the Imperial Kiln site bustleswithvisitors andisa must-visit destination in the thousand-year porcelain capital for tourists from around the world. In traditional Chineseattire，thevisitorswillbecaptivated bythe immersive engagementwith porcelainculture.

Motorcycle Guardians

InTaoyangli district，1o8narrowalleywayslined with kiln bricks and pavedwith old porcelain shards createaunique，domesticidyll.weavingthroughthese alleys， the motorcycle patrolmen are a common sight.

\"We use motorcycles because they're perfect for thelayoutofTaoyangli，\"saidLuJingchun，thestation director. \"They're nimble and can weave through the narrow alleys with ease.When a call comes in，we can get there fast，and it also enhances the visibility of police in the neighborhood.\"

The Taoyangli Historic and Cultural District，a beat ofthe Zhushan police station，encompasses 1o8ancient alleyways，a clusterof 4oo-year-old kilns，and more than a 70-year-old porcelain industrial heritage.Among these， the Imperial Kiln site from the Mingand Qing periods isanationallyprotectedcultural relic.Ithaslongserved asthe centerof porcelain production in Jingdezhen， showcasingthecity'srichhistoryandculture

Thishistoricdistrictstrictlycombinespreservation andrestoration，creatingapositive synergy between heritageconservationandtourismdevelopment.

Asthe guardianof Jingdezhen'simperial porcelain heritage，the Zhushanpolice station hasadoptedmultiple measures to shift public security governance toward proactive prevention. They established a local police service office and partnered with scenic areacompanies andpropertymanagementfirmstocreateacoordinated responsemechanism，achievingrapidresponsetargets forhandlingincidents.

Theyalso introduced 3D cartoon police signs and a \"24-hour online police office\". The station continues to strengthen itscore functions-precise crime crackdowns， efficientpublicservices，androbustriskprevention helpingthe ImperialKilnsiteapply for World Cultural Heritagestatus.

Foreign Artists' Second Home

Undoubtedly，Jingdezhen isanideal city to explore the history of Chinese porcelain.With over 2，Ooo years of porcelain-making，1，Ooo years of official kilns，600 years of imperial kilns，and more than 1oo years of modernporcelaindevelopment，itstandsasatrueglobal hubforporcelainculturalheritage.Itsdeep-rooted heritageand inclusivecultural ethoscontinuetoattract international visitorstothisartisticcity.

Inaninternationalstudio in Taoyangli，Britishartist MeganWhiteiscraftingherocean-themedporcelain art.Lifelike crabs and lobsters adorn porcelain vases， accompanied byrealistic coral， oysters，and shells，each piece reflecting her inspiration and originality.

On the day we met Megan， officer Jiang Yining from the Entry-Exit Administration Department of theZhushanpolicebrancharrivedtodeliverhervisa extension.Megan，overjoyed，instinctivelyhuggedJiang afterreceivingherpassport.

\"Itwasmy firsttime comingto China，andIonly hadasingle-entryvisa.ButwhenIlaterdecidedto staylongertocompletemyworks，IrealizedI'd need to return to the UK. Having heard about my situation， Jiangadded me on WeChat，reviewed my work contract online， and quickly helped me switch to a multiple-entry visa.Thisrelievedallmyworries，allowingmetofocus moreon myworks.\"

Megansharedthat，althoughshehadtraveledto many countries，she chose Jingdezhen to create her ocean-themed porcelain artworks because it'sa vibrant hub where artists from around the world converge.Her small pieces are sold at local markets，providing her with some income as well as a sense of accomplishment.

At Sanbao international porcelain village， there areartists fromover30countriesandmorethan50 internationalart exchange events each year.Tocopewith the increasing number of foreign artists，the Zhushan Public Security Bureau proactively established the Taoyuangu immigration service office， creating a warm haven for foreigners in the porcelain capital

The service office focuses on \"comprehensive services，cultural integration， and risk prevention，\" offering a \"one-stop\" hub for foreign nationals. Since itslaunch，the office has served 130 foreign artists andvisitors，andassisted1O3withresidence-related matters-makingiteasierforforeignerstoextendtheir stayfromshorttransittolong-termresidence.

\"I had initially planneda short stay in Jingdezhen， but the officers' briefing impressed me with the convenienceofthe visapolicies！\" said Serina，anartist from Indonesia， flipping through the policy booklet. Thanks to the targeted presentation by the Entry-Exit Administration Department police，she extended her trip to10daysand plansto renewherresidencepermitfor another six months to further explore porcelain culture in China.

Sincethe introductionof the 24O-hour visafree transit policy，over 8oo foreign nationals have benefited，with 1O3 successfully extendingtheir stays in Jingdezhen. The efficiency of foreign accommodation registration has increased by 80% across the city.

The Entry-Exit Administration Department prioritizeseffectivepolicyimplementation，enhanced services for foreign visitors，and provided robust support forthe porcelaincapital's WorldHeritage application.Byadoptingproactive， localized strategies， theyhave achieved five major improvements：more targeted policy outreach， optimized deployment of service points， improved foreign language capabilities， accelerated police response， and advanced technology integration. This comprehensive service system not only gives foreign visitors a sense of belonging but also significantlybolstersits WorldHeritageapplication.

The240-hour visa-free transitpolicyhas become the\"goldenkey\" for foreignartiststo explorethecharm of this porcelain capital， encouraging more international artprofessionalstomovebeyondthebrief\"transit experience\" and settledownas \"long-term residents\"in Jingdezhen.

\"When I saw the officers working so diligently onmydocuments，I suddenlyfeltthatthisthousandyear-old porcelain capital had become my second hometown，\" said Andrei，a Russianporcelainartistwho had just successfully obtained his residence permit at the Taoyuangu immigration service office.This approval froma foreign national is not only the result of Zhushan Police's innovative approach to foreign affairs but also a vividreflection ofJingdezhen'sinclusiveembraceofthe world.

\"Thank you so much！ I merely made a tentative attempt for help，and the officers arrived in no time. Their fluent English not only helped resolve the situation，butalso gave mea better understandingof China'strafficlaws，\"saidPhil，aCanadianartistwhohas livedinJingdezhenfor30 years.

InApril，he reporteda trafficaccidentdispute through the Zhushan police-citizen connect platform. Officers from the Entry-Exit Administration Department responded promptly，arrivingatthescenetoassistthe traffic police.From online request to on-site resolution， theentire processtookonly 30 minutes.

Phil is currently applying for a China Foreign Permanent Resident ID Card， hoping to continue living in Jingdezhen，a city he haslongcalled home. \"I actuallyhavemoreclosefriendsherethaninCanada. It feels even more like home，\" he said. Deeply drawn to Jingdezhen's porcelain culture and natural beauty， Phil findsartistic inspiration inthe everydaymoments andlocalfloraaroundhim.Since1987，hehastraveled across China， collecting name-engraved seals as mementos of his journey. His studio features both traditional Chinesesealsand porcelainpiecesthatblend Eastern and Western artistic styles.

The night before ourvisit，Phil helda video call with university colleaguesand students in the United States，introducing his work，the city of Jingdezhen and his view of China. Today，he also volunteers as a foreign liaison for the Jingdezhen police， helping other

foreignerssettledown.

Afterusing the Zhushan police-civilian connect platform，Phil began recommending this \"online + offline\" rapid responsemechanism for foreign-related disputestohisinternationalfriends.Theplatform provides a 24/7 service， offering timely support for policy consultations and dispute resolution.

Byanalyzing frequently asked questions，the system identifies key focusareas such asrental disputes and cultural misunderstandings. It proactively tackles these issues through illustrated explanations，video guides， andinteractiveonline sessionscenteredonrelevantlaws andregulations—makingiteasierforforeignresidents tounderstandlocal policiesandenablingearlydetection， intervention，and resolution.

Since itslaunchin2024，theplatformhashandled over20 foreign-related cases，achievinga 15-minute response time for urgent matters and resolving general issueswithinan hour.Ithas becomea trusted hotline amongthe foreigncommunityinJingdezhen.

From document-related questions to crosscultural dispute mediation， the Jingdezhen Public SecurityBureau's sincerecommitment to immediate respondence\" has made the porcelain capital a secure second hometown for foreign nationals to pursue their dreams.

（Translate by Wei Dong）