關鍵詞: 新媒介;文學精神;視覺傳達;文學經典
摘要: 社會的演進、科技的發展尤其是新媒介的興起改變了人們的閱讀方式、思維方式,強化了通過觀看與鏡頭捕獲意義世界的取向。針對文學由中心向邊緣滑落,文學作品載體、內容及價值的圖像轉變,文學審美價值由美感到快適的走向等文學場的變化,以及在此過程中顯露出的焦慮情緒,應該立足于媒介發展規律,以理性的態度正視文學觀念的變化,強化新媒介傳播文學精神的責任;尊重人類思想史演進規律,以通變的態度審視文學活動的新變;通過新媒介時代的文學經典培育,重塑文學精神,更新文藝學的內涵與外延。
中圖分類號: I 0
文獻標志碼: A
文章編號: 10012435(2017)02021508
Key words: new media; literary spirit; visual transmission; literary classics
Abstract:
The progression of society,the development of technology,especially the rise of new media,have changed the way people think and read by reinforcing the force to watch and capture the significance of the world.In tackling problems such as the slide of literature from the center to the margin,the transformation into images of the carriers,the content and value of literary works,the change in literary field including the turn of the aesthetic to the fast,as well as the anxiety revealed in this process,one should base on the development of law of the media,face up to the change in literature conception with a rational attitude,and strengthen the obligation of new media in spreading literature; the power of the traditional should also be absorbed,and the new changes of literary activities should also be viewed with a flexible attitude.Through the cultivation of literary classics in the age of new media,the literary spirit should be reconstructed to renew the connotation as well as denotation of the theory of literature and art.
在人類的諸多行為中,閱讀無疑是一種古老而又永恒的行為。據說,猶太人為了激發閱讀興趣,母親會讓小孩親吻滴有蜂蜜的《圣經》,致使自小就留下書本是甜的記憶。中國古人亦很早便將“味之者無極,聞之者動心”(鐘嶸《詩品序》)、“清典可味”(劉勰《文心雕龍·明詩》)、“吟詠滋味”(《文心·聲律》)視為文學活動的審美要求,反對那些“理過其辭,淡乎寡味”(鐘嶸《詩品序》)“繁采寡情,味之必厭”(劉勰《文心雕龍·情采》)的作品。然而,隨著社會的演進、科技的發展尤其是新媒介的興起,紛至沓來的圖像世界包裹著人們的生活,人類的閱讀方式亦由文字,經信息技術走向影像的世界。這一變化直接影響了人們對文學活動的理解。雖說“新媒介的興起和文學的處境”的話題,已經走過了學術界熱議的階段,但新媒介的影響日趨深入,個中的問題并沒有解決,依舊是我們這個時代需要正視的現實話題:新媒介興起對我們的生活環境尤其是閱讀方式產生怎樣的影響?……